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All too often, defining a discipline becomes more an exercise of exclusion than inclusion. Disrupting the Digital Humanities seeks to rethink how we map disciplinary terrain by directly confronting the gatekeeping impulse of many other so-called field-defining collections. What is most beautiful about the work of the Digital Humanities is exactly the fact that it can't be tidily anthologized. In fact, the desire to neatly define the Digital Humanities (to filter the DH-y from the DH) is a way of excluding the radically diverse work that actually constitutes the field. This collection, then, works to push and prod at the edges of the Digital Humanities - to open the Digital Humanities rather ...
After an Introduction examining the historical moment of Existentialism, as a product of wartime discipline and consciousness, this book sets out the thinking of Kierkegaard and Nietzsche, Jean-Paul Sartre, Simone de Beauvoir, Martin Heidegger and Karl Jaspers on the broad questions of What is Man?';' What Can I Know?' and' What must I do?' It introduces models of Abandonment, The Absurd and Ambiguity; Consciousness and Freedom; Being-in-itself and Being-for-itself, Bad Faith, Facticity and Possibility, Dasein, or there-being, Temporality, attitudes towards Death; The Will-to-Power, The Superman, and the so-called Kingdom of Ends. The book glances throughout at literary contributions to Existentialism, and ends with brief biographies of the major Existentialists and an extensive glossary of terms.
The essays in this book meditate deeply on Wordsworth's own theory of literature, and probe into questions that few critics have bothered to ask, yet which, when asked, seem very central indeed. Topics treated include The Sublime and the Beautiful; Literary Echoes in The Prelude; Wordsworth's Aesthetics of Landscape; Wordsworth's Imaginations; The Fancy;' The Poetry of Nature'; sight as' The Most Despotic of our Senses'; the Snowdon vision and 'The descent from Snowdon'; ' A Sense of the Infinite'
"The essays in this collection offer a timely intervention in digital humanities scholarship, bringing together established and emerging scholars from a variety of humanities disciplines across the world. The first section offers views on the practical realities of teaching digital humanities at undergraduate and graduate levels, presenting case studies and snapshots of the authors' experiences alongside models for future courses and reflections on pedagogical successes and failures. The next section proposes strategies for teaching foundational digital humanities methods across a variety of scholarly disciplines, and the book concludes with wider debates about the place of digital humanities in the academy, from the field's cultural assumptions and social obligations to its political visions." (4e de couverture).
This collaborative book derives from the 2006 Bristol University Conference on periodicals culture in the Romantic era. The essays indicate that the periodical text presented a novel and challenging medium in the Romantic period and enabled a particularly.
It considers the guiding forces behind Visions of the Daughters of Albion and The Marriage of Heaven and Hell, the roles of vision and energy in the Songs of Innocence and of Experience and lyrics such as' The Mental Traveller', Blakes's attempts at mythological interpretation of current events, first in' The French Revolution' and then in the prophetic books America, Europe and The Song of Los, and how Blake's fourfold vision is employed as a means of interpreting and illustrating major predecessors such as Milton and Chaucer.
This brief study of Imperialism offers a concise overview of Britain’s role in Colonialism, the slavery issue, the British Raj and the scramble for Africa, and probes the motives for empire and continuing issues of post-colonialism.
"Alternative Historiographies of the Digital Humanities examines the process of history in the narrative of the digital humanities and deconstructs its history as a straight line from the beginnings of humanities computing. By discussing alternatives histories of the digital humanities that address queer gaming, feminist game studies praxis, Cold War military-industrial complex computation, the creation of the environmental humanities, monolingual discontent in DH, the hidden history of DH in English studies, radical media praxis, cultural studies and DH, indigenous futurities, Pacific Rim post-colonial DH, the issue of scale and DH, the radical, indigenous, feminist histories of the digital database, and the possibilities for an antifascist DH, this collection hopes to re-set discussions of the DH straight, white origin myths. Thus, this collection hopes to reexamine the silences in such a straight and white masculinist history and how power comes into play to shape this straight, white DH narrative."--Page 4 of cover
Chapter 1: Life and Times discusses Plato's early development in the context of Athenian politics, his love of poetry, and turn to philosophy. Chapter 2: Intellectual Background examines earlier philosophers who influenced Plato, notably Parmenides, Heraclitus, the Pythagoreans, and Socrates. Chapter 3: The Dialogues provides information on chronology and development of the Dialogues, and examines ancient and contemporary approaches to their interpretation. Chapter 4: Other Platonic Productions deals with works of questionable or spurious attribution, and the Unwritten Doctrines. Chapter 5: The Forms is an exposition of Plato's most famous and controversial doctrine. Chapter 6: God and the Soul concludes with Plato's theology and psychology, with an emphasis on government and the state.
If you work in a university, you are almost certain to have heard the term 'open access' in the past couple of years. You may also have heard either that it is the utopian answer to all the problems of research dissemination or perhaps that it marks the beginning of an apocalyptic new era of 'pay-to-say' publishing. In this book, Martin Paul Eve sets out the histories, contexts and controversies for open access, specifically in the humanities. Broaching practical elements alongside economic histories, open licensing, monographs and funder policies, this book is a must-read for both those new to ideas about open-access scholarly communications and those with an already keen interest in the latest developments for the humanities. This title is also available as Open Access via Cambridge Books Online.