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The relationship between nation and queer sexuality has long been a fraught one, for the sustaining myths of the former are often at odds with the needs of the latter. This collection of essays introduces readers to important historical and cultural figures and moments in queer life, and it addresses some of the urgent questions of queer belonging that face Wales today.
The trade in books has always been and remains an ambiguous commercial activity, associated as it is with literature and the exchange of ideas. This collection is concerned with the cultural and economic roles of independent bookstores, and it considers how eight shops founded during the modernist era provided distinctive spaces of literary production that exceeded and yet never escaped their commercial functions. As the contributors show, these booksellers were essential institutional players in literary networks. When the eight shops examined first opened their doors, their relevance to literary and commercial life was taken for granted. In our current context of box stores, online shopping, and ebooks, we no longer encounter the book as we did as recently as twenty years ago. By contributing to our understanding of bookshops as unique social spaces on the thresholds of commerce and culture, this volume helps to lay the groundwork for comprehending how our relationship to books and literature has been and will be affected by the physical changes to the reading experience taking place in the twenty-first century.
While studies of American military culture have proliferated in recent years, and the culture of academic institutions has been a subject of perennial interest, comparatively little has been written on the multiple ways the military and academe intersect. Focusing on this subject offers an opportunity to explore how teachers and researchers straddle the two quite different cultures. The contributors to this volume both embody and articulate how the two cultures co-exist and cooperate, however unevenly at times. Chapters offer both ground-level perspectives of the classroom and campus as well as well-considered articulations of the tensions and opportunities involved in teaching and training civic-minded soldiers on issues especially important in the post-9/11 world.
When the Welsh writer Kate Roberts died in 1985 at the age of 94, the Times obituary noted that ‘she was felt by many to rank with Maupassant as one of the leading European short story writers’. Roberts is widely acknowledged as the major twentieth-century novelist and short story writer to have written in the Welsh language, being known and revered in Wales as ‘the Queen of our Literature’. Much of her work has been translated into English and other languages and yet she remains today relatively little known and under-appreciated in comparison, for example, with other female contemporaries who wrote in English, such as Virginia Woolf, Katherine Mansfield, and Elizabeth Bowen. This volume seeks to redress the balance, bringing the life and work of this extraordinary novelist, playwright, short story writer, journalist, and ardent political campaigner to the attention of the wider world audience that the sheer quality of her writing deserves.
Although the legends of Arthur have been popular throughout Europe from the Middle Ages onwards, the earliest references to Arthur are to be found in Welsh literature, starting with the Welsh-Latin Historia Brittonum dating from the ninth century. By the twelfth century, Arthur was a renowned figure wherever Welsh and her sister languages were spoken. O. J. Padel now provides an overall survey of medieval Welsh literary references to Arthur and emphasizes the importance of understanding the character and purpose of the texts in which allusions to Arthur occur. Texts from different genres are considered together, and shed new light on the use that different authors make of the multifaceted figure of Arthur – from the folk legend associated with magic and animals to the literary hero, soldier and defender of country and faith. Other figures associated with Arthur, such as Cai, Bedwyr and Gwenhwyfar, are also discussed here.
Around the turn of the century, Welsh readers thrilled to the heroic stories of Owen Rhoscomyl. Having been a cowboy, frontiersman, soldier and mercenary, Rhoscomyl was as adventurous and exotic as his stories. Roving the wilds of the American West, Patagonia and South Africa before finally settling in Wales, Rhoscomyl was a flawed hero who led a rough life that exacted a personal price in poverty, delinquency and violence. He identified deeply with the Welsh nation as a source of tradition, legitimacy and belonging within a wider imperial world. As a popular commercial writer of historical romance, imperial adventure, popular history and public spectacle, he rejected accusations of national inferiority, effeminacy and defeatism in his depictions of the Welsh as an inherently masculine and martial people, accustomed to the rugged conditions of the frontier, ready to advance the glory of their nation and eager to lead the British imperial enterprise. This literary biography will explore the vaulting ambitions, real achievements, and bitter disappointments of the life, work and milieu of Owen Rhoscomyl.
Gwenlyn Parry was one of the most important Welsh-language playwrights of the twentieth century and played a key role in the popularisation and flourishing of drama in the theatre and on television during the 1970s and 1980s. Parry’s major stage plays – Saer Doliau, Tŷ ar y Tywod, Y Ffin and Y Tŵr – had a substantial impact, and were instrumental in solidifying a new relationship between drama and theatrical production in Welsh, bringing the theatricality of the Absurd to a popular audience for the first time. His plays have been the subject of much critical attention in Welsh, and have been reinterpreted in production on many occasions, both in their original form and in translation. This study is the first extended treatment of his life and work in English, and examines the complex and occasionally paradoxical relationship between the autobiographical aspects of his writing and his use of theatrical form.
The first full account of the life and work of a nineteenth-century woman who carved out a unique career as an important writer in English on Welsh subjects. It is a major contribution to history of women’s writing in English. It is also a major contribution to knowledge of Welsh Writing in English in the nineteenth century.
This is the first full-length study of the poet Ruth Bidgood, who is best known for her long-term literary engagement with the landscape and communities of the mid-Wales region she has made her home. Considering her entire career to date, this volume provides detailed scrutiny of Bidgood’s poetry from its genesis in her formative discovery of mid-Wales in the 1960s to her 2009 prize-winning volume Time Being. Whilst acknowledging the breadth of Bidgood’s poetic work, this book argues that her most important achievement is her creation, over many years, of what has become nothing less than a mid-Wales epic.