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Island
In his prescient vision of the 21st century, Huxley explores Buddhist ideology, nuclear threat and ‘big oil’ corporate greed. For over a hundred years the Pacific island of Pala has been the scene of a unique experiment in civilisation. Its inhabitants live in a society where western science has been brought together with Eastern philosophy to create a paradise on Earth. When cynical journalist, Will Farnaby, arrives to research potential oil reserves on Pala, he quickly falls in love with the way of life on the island. Soon the need to complete his mission becomes an intolerable burden and he must make a difficult choice. In counterpoint to Brave New World and Ape and Essence, Island gives us Huxley's vision of utopia. WITH AN INTRODUCTION BY DAVID BRADSHAW
Mr Clarinet
Who is Mr Clarinet? In a country dominated by voodoo, rumours abound of black magic and a mythical figure called 'Mr. Clarinet', who for years has been tempting children away from their families. But could the truth be even more shocking than the legend?
The Fanner
After a gunfighter killed his father Jimmy Fanner became the most notorious, fearsome, formidable gunfighting machine that the West had ever seen. He searched throughout the West for gunfighters. He found them. He challenged them. He put them in their grave. If you are a gunfighter 'watch out'. The Fanner is coming to town and the undertaker is standing bye.
Up on the Roof
A flashlight, a frying pan, a library, a piece of marble -- you will encounter all these objects in the worlds P. K. Page invents for you in these pages. It's hard to imagine so many authorial impersonations in one book: a middle-aged gardener retreats from domestic chaos to the privacy of his rooftop shelter; a young man discovers his parents' library as solace for a broken heart; a child whose parents are pigeon breeders makes beautiful objects of feathers. All the stories have in common the impeccable verbal magic that is P. K. Page's unique poetic signature. And beneath is a profound meditation. What is fiction, what is fact? Is there anything we can call truth? And who is the tremulous "we"', desperately trying to fix a location in this multiple, endlessly metamorphic, lonely cosmos. With an understanding earned by a lifetime of attention, Page assures us that this cosmos is threaded with love, if we are brave enough to search for it.'
Aldous Huxley and Utopia
Within the cycle that runs from Erewhon to Island, British literary utopias compete with one another to form the most persuasive picture of what the future might, or should, be like. At issue for Butler, Wells, Zamiatin, Orwell and others is whether utopia, be it positive or negative, is essentially prediction or hypothesis. Huxley contributed to this debate at roughly fifteen-year intervals, his three utopias becoming its key texts. In addition, Aldous Huxley and Utopia examines ironic cure scenes, the obsession with golf in the brave new world, attitudes towards death in Brave New World and Island, problems with names and history in the former, the role of islands in both, the detrimental impact of Madame Blavatsky and young Krishnamurti on the story of Pala, and the significance of a zoological conclusion of Island.
The Day After The Day After
Steven Church grew up in the 1970s and ’80s in Lawrence, Kansas, a town whose predictable daily rhythms give way easily to anxiety—and a place that, since Civil War times, has been a canvas for sporadic scenes of havoc and violence in the popular imagination. Childhood was quiet on the surface, but Steven grew up scared—scared of killer tornadoes, winged monkeys, violent movies, authority figures, the dissolution of his parents’ marriage, and most of all in Reagan’s America, nuclear war. His fantasies of nuclear meltdown, genetic mutation, and post-apocalyptic survival find a focal point in 1982 when filming begins in Lawrence for The Day After, a film which would go on to become the second-highest Nielsen-rated TV movie. Despite cheesy special effects, melodramatic plotlines, and the presence of Steve Guttenberg, the movie had an instant and lasting impact on Church, and an entire generation. Combining interview, personal essay, film criticism, fact, and flights of imagination, Church’s richly layered and darkly comic memoir explores the meaning of Cold War fears for his generation and their resonance today.
Dawn and the Darkest Hour
Persuasively asks us to reconsider Huxley's works as the stages of "a spiritual pilgrimage."
The Fortnightly
None
Huxley's Church and Maxwell's Demon
During the Victorian period science shifted from being practiced in a theistic context (integrating religious considerations and ideas) to a naturalistic context (explicitly forbidding religious matters). This book examines the foundations of that change. While it is generally thought that the transformation was due to the methodological superiority of naturalistic science, Matthew Stanley shows that most of the methodological values underlying scientific practice were virtually identical between the theists and the naturalists. Each agreed on the importance of the uniformity of natural laws, the use of hypothesis and theory, the moral value of science, and intellectual freedom. This was des...
