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Hymn Tune Names
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The History and Use of Hymns and Hymn-tunes
This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work is in the "public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
Free Organ Accompaniments to 100 Well-Known Hymn Tunes
T. Tertius Noble presents here a collection of free organ accompaniments similar to "Fifty Free Organ Accompaniments to Well-Known Hymn Tunes." These two books taken together cover the hymn repertoire common to all types of American churches. Each hymn tune is arranged with the hymn melody on a separate staff above Noble's original accompaniment arrangement notated on the grand staff (without a separate pedal staff). These are perfect for accompanying choirs, soloists, or in congregational settings.
"With One Heart and One Voice"
The publication by John Wesley of the "Foundery" Collection (1742) marked the establishment of standards for tunes suited to Methodist hymn singing. Early Methodist hymn books in the United States contained words only, but they were cross-referenced with a leader's tune book, beginning with David's Companion (1808). "With One Heart and One Voice" reviews the trends surrounding the styles of tunes selected and analyzes the changes in shape and text for the most frequently used tunes in the Methodist Episcopal Church. Seventy six "core repertory" tunes are analyzed based upon their repeated appearances in most of the tune books published between 1808 and 1878, at which point Methodists finally obtained a hymnal with both words and music, after a half century of experimentation with tune selection. The conclusions reached in this work will allow scholars, hymnologists, and hymn singers to explore the social and musicological influences on hymn tune writing, how long it took for texts to acquire a "fixed tune," how tastes in hymn tunes change ever so slowly, and how many delightful tunes found in the core repertory of the 19th century have been dropped from today's repertoire.
Free Organ Accompaniments to 50 Hymns
T. Tertius Noble presents here a collection of free organ accompaniments similar to "Free Organ Accompaniments to One Hundred Well-Known Hymn Tunes." These two books taken together cover the hymn repertoire common to all types of American churches. Each hymn tune is arranged with the hymn melody on a separate staff above Noble's original accompaniment arrangement notated on the grand staff (without a separate pedal staff). These are perfect for accompanying choirs, soloists, or in congregational settings.
Our Hymn Tunes
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