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When evil whispers. Michael Turcotte wants nothing to do with his so-called gift—the ability to see other people’s fates simply by touching them. Michael decides to spend his summer searching for answers about his past. He can’t rest without the sounds of forgotten tragedy echoing through his dreams, but reconstructing his memories will come with a whole new set of problems even he can’t foresee. Detective Samantha Reilly has always looked out for Michael, but now that she’s taken him into her home, she fears her maternal instincts are lacking. When a brutal gang sets off a chain reaction of crimes, Sam struggles to choose between the two most important things in her life: her job and her new foster son. Fate intervenes when Michael is kidnapped, forcing her two roles to collide. As Michael’s past meets Sam’s present, their bond will be tested while a city crumbles around them. They’ll need all their skills and a lot of luck in order to survive.
Following the metaphor of “the world upside-down,” this essay collection highlights the importance of the humanities in addressing, along with the sciences, pressing challenges in today’s rapidly changing world. Crossing across a variety of disciplines, historical periods, and regions in the world, this volume represents a useful tool for humanities scholars and students exploring the key role of our disciplines in public debates about pressing issues, such as the refugee crisis, climate change denialism, environmental justice, racism, and the current worldwide crisis of democracy. It provides practical examples of how societies throughout the world have historically coped with unexpected and distressing changes in government, core values, axiomatic systems, assumptions, beliefs, ideology, or cultural constructions. The feeling of topsy-turvy consternation as a result of sudden, harrowing change, as is shown here, is not new; rather, it has simply evolved throughout time and space.
Mexican cinema has largely been overlooked by international film scholars because of a lack of English-language information and the fact that Spanish-language information was difficult to find and often out of date. This comprehensive filmography helps fill the need. Arranged by year of release and then by title, the filmography contains entries that include basic information (film and translated title, production company, genre, director, cast), a plot summary, and additional information about the film. Inclusion criteria: a film must be a Mexican production or co-production, feature length (one hour or more, silent films excepted), fictional (documentaries and compilation films are not included unless the topic relates to Mexican cinema; some docudramas and films with recreated or staged scenes are included), and theatrically released or intended for theatrical release.
La crisis, a period of political and economic turmoil in Mexico that began in the late 1960s, spawned a new era in Mexican cinema. Known as el Nuevo Cine (the New Cinema), these films presented alienated characters caught in a painful transition period in which old family, gender, and social roles have ceased to function without being replaced by viable new ones. These are the films explored by Charles Ramírez Berg in Cinema of Solitude, the first book-length critical study of Mexican cinema in English. Berg discusses the major films and filmmakers of el Nuevo Cine in depth. He analyzes dozens of commercial movies, from popular comedies and adventures to award-winning films. Introductory ch...
Collects The Punisher #1-6.
This volume presents an analytical and empirical overview of the array of issues that the Mexican media faces in the post-authoritarian age, which jointly explains how a partially accomplished democracy, its authoritarian inertias, and its unintended consequences hinder the democratic performance of the media. This is analyzed from three points of view: the stalemate Mexican media system and ineffective regulations, the conditions of risk and insecurity of the journalists on the field, and the limits of freedom of expression, political substance, and inclusiveness of media content. A binational effort, with research from US and Mexican authors, a wide analytic perspective is provided on the macro, meso, and micro levels, allowing for a deep conceptual richness and a comprehensive understanding of the Mexican case. With leading researchers in the field, the volume revolves around the problems of the media in post-authoritarian democracies. By answering the questions of how and why the Mexican media has not fully democratized, the works encompassed here can resonate with and are relevant to other post-authoritarian countries and academic disciplines.
Mi nombre es Antonio Anteliz Zurita, nací un 5 de Agosto de 1947 en la ciudad de Puebla. Curse mi Primaria en la Escuela Motolinia, mi Secundaria en el Seminario Salesiano de Don Bosco en Puebla y en San Pedro Tlaquepaque Jalisco, mi Preparatoria en el Colegio San SEBASTIAN de Aparicio, estuve 3 años en la Universidad Autónoma de Puebla, cursando la carrera de Ciencias Económicas Administrativas. En 1968 me vine a la Ciudad de Chicago, en 1970 comencé a escribir sobre deportes en el semanario más prestigioso de la "Ciudad de los Vientos", LA RAZA, posteriormente escribí en los diferentes periódicos y revistas de Chicago, como EL NORTE, EL HERALDO, CHICAGO DEPORTIVO, EL EXTRA, EL TELE...
America has always portrayed itself as a country of immigrants, welcoming each year the millions seeking a new home or refuge in this land of plenty. Increasingly, instead of finding their dream, many encounter a nightmare—a country whose culture and legal system aggressively target and prosecute them. In Targeted, journalist Deepa Fernandes seamlessly weaves together history, political analysis, and first-person narratives of those caught in the grips of the increasingly Kafkaesque U.S. Homeland Security system. She documents how in post-9/11 America immigrants have come to be deemed a national security threat. Fernandes—herself an immigrant well-acquainted with U.S. immigration procedu...