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This text underlines the importance for scholars to have at their disposal reliable scientific text editions of Aristotle's works in the Semitico-Latin, and the Graeco-Latin, translation and commentary traditions.
Habent sua fata libelli honors the work of Craig Kallendorf, offering studies in his primary fields of expertise: the history of the book and reading, the classical tradition and reception studies, Renaissance humanism, and Virgilian scholarship.
Nonnus of Panopolis in Upper-Egypt is the author of the 48 books of the last large scale mythological epic in antiquity, the Dionysiaca. The same author also wrote an epic poem on the life and times of Jesus Christ according to St John’s Gospel. Nonnus has an outstanding position in ancient literature being at the same time a pagan and a Christian author, living in a time when Christianity was common in the Roman empire, while pagan culture and traditional world views were still maintained. The volume is designed to cover literary, cultural and religious aspects of Nonnus’ poetry as well as to highlight the social and educational background of both the Dionysiaca and the Paraphrasis of the Gospel of St. John.
In the ancient Mediterranean world, the sea was an essential domain for trade, cultural exchange, communication, exploration, and colonisation. In tandem with the lived reality of this maritime space, a parallel experience of the sea emerged in narrative representations from ancient Greece and Rome, of the sea as a cultural imaginary. This imaginary seems often to oscillate between two extremes: the utopian and the catastrophic; such representations can be found in narratives from ancient history, philosophy, society, and literature, as well as in their post-classical receptions. Utopia can be found in some imaginary island paradise far away and across the distant sea; the sea can hold an un...
In der Reihe CICERO – Studies on Roman Thought and Its Reception erscheinen Monographien, Sammelbände, Editionen oder Kommentare zu allen Aspekten der römischen Philosophie, Geschichte, Rhetorik, Politik, Rechts- und Kulturgeschichte sowie deren Rezeption, einschließlich der Patristik und christlichen Philosophie. M. Tullius Cicero, der Namensgeber der Reihe, steht mit seinem Wirken nicht nur als Politiker, sondern auch als Redner und Philosoph für die thematische Vielseitigkeit und Interdisziplinarität dieses Publikationsorgans. Die Basler Stiftung Patrum Lumen Sustine ist die herausgebende Institution der einem Peer-Review-Prozess unterliegenden Reihe, die wissenschaftliche Aufsicht liegt bei der Société Internationale des Amis de Cicéron (SIAC, Paris). Reihenherausgeber Ermanno Malaspina Wissenschaftlicher Beirat Mireille Armisen-Marchetti, Carmen Codoner, Perrine Galand, Henriette Harich-Schwarzbauer, Robert Kaster, David Konstan, Carlos Lévy, Sabine Luciani, Rita Pierini, Mortimer Sellers, Jula Wildberger Editorial Office (für Fragen und/oder Einreichungen von Manuskripten) Veronica Revello (cicero_siac_deg@tulliana.eu)
The first book to show how Cicero invented the idea of 'the will of the people' and its ramifications today.
Millennium transcends boundaries – between epochs and regions, and between disciplines. Like the Millennium-Jahrbuch, the journal Millennium-Studien pursues an international, interdisciplinary approach that cuts across historical eras. Composed of scholars from various disciplines, the editorial and advisory boards welcome submissions from a range of fields, including history, literary studies, art history, theology, and philosophy. Millennium-Studien also accepts manuscripts on Latin, Greek, and Oriental cultures. In addition to offering a forum for monographs and edited collections on diverse topics, Millennium-Studien publishes commentaries and editions. The journal primary accepts publ...
This wide-ranging collection, consisting of 50 essays by leading international scholars in a variety of fields, provides an overview of the reception history of a major literary genre from Greco-Roman antiquity to the present day. Section I considers how the 5th- and 4th-century Athenian comic poets defined themselves and their plays, especially in relation to other major literary forms. It then moves on to the Roman world and to the reception of Greek comedy there in art and literature. Section II deals with the European reception of Greek and Roman comedy in the Medieval, Renaissance, and Early Modern periods, and with the European stage tradition of comic theater more generally. Section III treats the handling of Greco-Roman comedy in the modern world, with attention not just to literary translations and stage-productions, but to more modern media such as radio and film. The collection will be of interest to students of ancient comedy as well as to all those concerned with how literary and theatrical traditions are passed on from one time and place to another, and adapted to meet local conditions and concerns.
Every third year, the members of the International Association for Neo-Latin Studies (IANLS) assemble for a week-long conference. Over the years, this event has evolved into the largest single conference in the field of Neo-Latin studies. The papers presented at these conferences offer, then, a general overview of the current status of Neo-Latin research; its current trends, popular topics, and methodologies. In 2022, the members of IANLS gathered for a conference in Leuven where 50 years ago the first of these congresses took place.This volume presents the conference’s papers which were submitted after the event and which have undergone a peer-review process. The papers deal with a broad range of fields, including literature, history, philology, and religious studies.
Der in englischer Sprache verfasste Forschungsbericht zu Ovids Metamorphosen wurde von einem Forscher:innenteam der Universität Huelva unter Leitung von Antonio Ramírez de Verger und Luis Rivero García erstellt und arbeitet die schier unüberschaubare Literatur zu diesem gegenwärtig wohl meistgelesenen und meisterforschten Werk der römischen Dichtung kritisch auf. Im Zentrum des zweiten Teils stehen Arbeiten zu Sprache und Stil der Metamorphosen, außerdem Arbeiten zu Quellen und Vorbildern sowie zur Rezeptionsgeschichte.