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In the space of six years early in the seventeenth century, the Ottoman Empire underwent such turmoil and trauma—the assassination of the young ruler Osman II, the re-enthronement and subsequent abdication of his mad uncle Mustafa I, for a start—that a scholar pronounced the period's three-day-long dramatic climax "an Ottoman Tragedy." Under Gabriel Piterberg's deft analysis, this period of crisis becomes a historical laboratory for the history of the Ottoman Empire in the seventeenth century—an opportunity to observe the dialectical play between history as an occurrence and experience and history as a recounting of that experience. Piterberg reconstructs the Ottoman narration of this ...
This book is a post-revisionist history of the late Ottoman Empire that makes a major contribution to Ottoman scholarship.
Doğal çevrede olduğu gibi uygarlık tarihinde de geneli kapsayan büyük ve önemli değişimler, ani kırılmaların yarattığı zikzaklar halinde değil, geniş zaman aralıklarına yayılan dalgalar şeklinde gerçekleşir ve sürekli olarak tekrarlanır. Osmanlı tarihinde de 16. yüzyıl hemen her alanda zirveye ulaşılan bir dönem olmuş ve belirli bir doygunluğun ardından yavaş yavaş sistematik bir bozulma eğilimi başlamıştır. 17. yüzyıl edebiyatta, sanatta, mimaride, bilim ve kültür alanında klasik eğilimlerin hâlâ çok güçlü olduğu bir tablo sergilese de mevcut birikime yeni renkler ve değerler katacak üretkenliğin yok olduğu, durağan bir sürecin ba...
The unprecedented political power of the Ottoman imperial harem in the sixteenth and seventeenth centuries is widely viewed as illegitimate and corrupting. This book examines the sources of royal women's power and assesses the reactions of contemporaries, which ranged from loyal devotion to armed opposition. By examining political action in the context of household networks, Leslie Peirce demonstrates that female power was a logical, indeed an intended, consequence of political structures. Royal women were custodians of sovereign power, training their sons in its use and exercising it directly as regents when necessary. Furthermore, they played central roles in the public culture of sovereignty--royal ceremonial, monumental building, and patronage of artistic production. The Imperial Harem argues that the exercise of political power was tied to definitions of sexuality. Within the dynasty, the hierarchy of female power, like the hierarchy of male power, reflected the broader society's control for social control of the sexually active.
The Thousand and One Nights does not fall into a scholarly canon or into the category of popular literature. It takes its place within a middle literature that circulated widely in medieval times. The Nights gradually entered world literature through the great novels of the day and through music, cinema and other art forms. Material inspired by the Nights has continued to emerge from many different countries, periods, disciplines and languages, and the scope of the Nights has continued to widen, making the collection a universal work from every point of view. The essays in this volume scrutinize the expanse of sources for this monumental work of Arabic literature and follow the trajectory of the Nights’ texts, the creative, scholarly commentaries, artistic encounters and relations to science. Contributors: Ibrahim Akel, Rasoul Aliakbari, Daniel Behar, Aboubakr Chraïbi, Anne E. Duggan, William Granara, Rafika Hammoudi, Dominique Jullien, Abdelfattah Kilito, Magdalena Kubarek, Michael James Lundell, Ulrich Marzolph, Adam Mestyan, Eyüp Özveren, Marina Paino, Daniela Potenza, Arafat Abdur Razzaque, Ahmed Saidy, Johannes Thomann and Ilaria Vitali.
Using a wealth of primary sources and covering the entire Ottoman period, Ottoman Women in Public Space challenges the traditional view that sees Ottoman women as a largely silent element of society, restricted to the home and not seen beyond the walls of the house or the public bath. Instead, taking women in a variety of roles, as economic and political actors, prostitutes, flirts and slaves, the book argues that women were active participants in the public space, visible, present and an essential element in the everyday, public life of the empire. Ottoman Women in Public Space thus offers a vibrant and dynamic understanding of Ottoman history. Contributors are: Edith Gülçin Ambros, Ebru Boyar, Palmira Brummett, Kate Fleet and Svetla Ianeva.
Kral Öldü Yaşasın Kral "Âşık-ı sâdıkda dîl birdir olur mu yâr iki Hiçbir taht üstünde mümkün müdür hünkâr iki” II. Selim Kral Öldü, Yaşasın Kral: Osmanlı’da Cülus, Veraset ve Meşruiyet kitabı, Osmanlı tarihi alanında özellikle birinci el kaynakları kullanarak yaptığı emsalsiz çalışmalarla tanıdığımız Prof. Dr. Ali Akyıldız’ın yıllarca emek verdiği bir çalışmanın ürünü. Kral Öldü Yaşasın Kral, Osmanlı padişahlarının tahta oturmaları ve ardından iktidar değişikliğine bağlı olarak gerçekleştirilen bazı uygulama ve ritüellerin incelendiği bu kitap, konuyu imparatorluğun başlangıcından sonuna kadar bir bütünl...