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The Naive and the Sentimental Novelist (PB)
What happens within us when we read a novel? And how does a novel create its unique effects, so distinct from those of a painting, a film, or a poem? In this fascinating set of essays, based on the talks he delivered at Harvard University as part of the distinguished Norton Lecture series, Pamuk presents a masterful theory of the novel. Drawing on Friedrich Schiller’s famous distinction between ‘naïve’ writers—those who write spontaneously—and ‘sentimental’ writers—those who are reflective and aware—Pamuk reveals two unique ways of processing and composing the written word. He takes us through his own literary journey and looks at the works of writers such as Tolstoy, Dostoevsky, Stendhal, Flaubert, Proust, Mann, and Naipaul to describe the singular experience of reading. Unique, nuanced, and passionate, this book will be beloved by readers and writers alike.
Comparative Approaches to Old and New Institutional Economics
As today’s world develops and evolves, so does its economics. New economic approaches have begun to emerge, but traditional methods are still being implemented. As both systems provide different solutions to society’s economic issues, thoughtful research and analysis is required regarding the tactics and strategies that both theories utilize. Comparative Approaches to Old and New Institutional Economics is an essential reference source that discusses the sequential history of these two economic theories as well as their application to global fiscal disputes. Featuring research on topics such as international relations, business management, and institutionalism, this book is ideally designed for economists, analysts, managers, researchers, practitioners, academicians, and students seeking coverage on the parallel methods of these economic philosophies.
Dı̂vân
None
Imagined Identities
How are identities being forged during the age of globalization? This collection of essays, by scholars from various disciplines and regions of the world, discusses both the construction and deconstruction of identity in its engagement with culture, ethnicity, and nationhood. The authors explore the tension resulting from the desire to create a new cultural space for identities that are at once national, regional, linguistic, and religious. Among the wide-ranging approaches, Tanja Stampfl looks at the elusiveness of cultural identity in Khaled Hosseini’s The Kite Runner; Dawn Morais investigates issues of ethnicity and nationality in Malaysia’s tourism advertising; and Cathy Waegner explores ethnic identities as globalized market commodities. Throughout the volume, identity is approached from a variety of sites—fiction, news analysis, film, theme parks, and field work—to contribute new insight and perspective to the well-worn debate over what identity signifies in societies where the existence of minorities, both indigenous and immigrant, challenges the dominant group.
Fazıl Hüsnü Dağlarca
None
Young Turk
"Through a series of thirteen interwoven tales, Moris Farhi tells the story of a group of young friends coming of age in Turkey, a nation as vivid and beautiful as it is complex. A window onto a pluralistic world where Islam, Christianity, and Judaism coexist and Turks, Armenians, Kurds, and Greeks live side by side, Young Turk is peopled by a rich an eclectic mix of circus performers, schoolchildren, wandering poets, and renegade teachers. An alluring woman introduces a string of teenage boys to the carnal applications of rose-petal jam - and to the sting of first heartbreak. A lovelorn, wandering trapeze artist must exorcize the ghost of a past calamity in order to retain his spot high up in the big tent. A childhood comes to an abrupt end when a boy is inspected for signs of encroaching manhood and summarily denied his tantalizing weekly visits to the women's baths. A young girl endowed with clairvoyance struggles under the weight of the calamities she foresees." "Set in the years surrounding World War II, Young Turk juxtaposes the lives and passions of its unforgettable characters with the tumult of Turkish history."--BOOK JACKET.
Cultural Property Crime
In Cultural Property Crime various experts in the fields of criminology, art law, heritage studies, law enforcement, forensic psychology, archaeology, art history and journalism provide multidisciplinary perspectives on today’s concept of cultural property crime, including art crime. In addition, the volume deals with international, legal and practical developments regarding the increasing criminalization of acts against cultural property in times of conflict. Attention is paid to the changing status and fluctuating appraisal of cultural property as subject to classical art crimes generally in peacetime and as an identity-related symbolic target during conflict. The book covers a wide range of topics such as forgeries, white-collar crime, archaeological looting and the impact of war on cultural heritage.
