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Dalam buku yang informatif ini, pembaca akan diajak ke dalam dunia peremajaan kulit yang aman dan inovatif, khususnya pada area yang paling menonjol, yaitu periorbital. Menyoroti teknik peremajaan kulit non-invasif, buku ini menjadi panduan terdepan bagi para profesional medis dan estetika, serta bagi mereka yang peduli dengan kesehatan dan penampilan kulit mereka. Buku ini membedah beragam metode non-invasif yang telah mengguncang dunia dermatologi estetika dengan memusatkan perhatian pada periorbital, area di sekitar mata yang paling mencerminkan tanda-tanda penuaan. Dari teknologi canggih penggunaan laser hingga terapi mikrodermabrasi yang inovatif, pembaca akan diperkenalkan pada teknik-...
Buku ini merupakan kumpulan dari extended abstract yang telah dipresentasikan pada simposium daring SUBDERMAL (Surabaya– Denpasar–Malang). SUBDERMAL adalah kegiatan simposium ilmiah yang diprakarsai oleh tiga pusat Pendidikan Dermatologi dan Venereologi, yaitu Universitas Airlangga Surabaya, Universitas Udayana Denpasar, dan Universitas Brawijaya Malang. SUBDERMAL diadakan sebagai sarana diseminasi penelitian dan perkembangan ilmu pengetahuan terbaru di bidang Dermatologi dan Venereologi. Simposium yang pertama ini diselenggarakan oleh Departemen/KSM Ilmu Kesehatan Kulit dan Kelamin Universitas Airlangga Surabaya. Dalam buku prosiding ini terdapat berbagai macam topik di bidang alergi imunologi, infeksi tropik, kosmetik, dermatologi anak, infeksi menular seksual, serta dermatologi secara umum yang didukung oleh hasil-hasil penelitian dari tiga pusat pendidikan Dermatologi dan Venereologi tersebut.
Introduction to immunochemistry for molecular biologists and other nonspecialists. Spiral.
These writings, by Nome, are an offering to Lord Siva, to Sadguru Ramana, and to all sages of the lineage of Advaita Vedanta. Upon reading this little book, the reader immediately will recognize that he or she is reading writings of both a devotional nature and writings expressive of jnana—Knowledge. This is Parabhakti—supreme devotion. The first part of this book is in seven chapters. The reader will note subtle differences among the chapters. The first and second chapters describe bhakti (devotion), while the third chapter describes the experience of the bhakta (devotee). The fourth chapter takes the bhakta deeper into jnana through the relationship with the Guru, while the fifth chapt...
While the Bhagavad Gītā is an acknowledged treasure of world spiritual literature, few people know a parallel text, theĪśvara Gītā. This lesser-known work is also dedicated to a god, but in this case it is Śiva, rather than Kṛṣṇa, who is depicted as the omniscient creator of the world. Andrew J. Nicholson's Lord Śiva's Song makes this text available in English in an accessible new translation. A work of both poetry and philosophy, the Īśvara Gītā builds on the insights of Patañjali's Yoga Sūtra and foreshadows later developments in tantric yoga. It deals with the pluralistic religious environment of early medieval India through an exploration of the relationship between the gods Śiva and Viṣṇu. The work condemns sectarianism and violence and provides a strategy for accommodating conflicting religious claims in its own day and in our own.
2014 Reprint of 1959 Edition. Full facsimile of the original edition, not reproduced with Optical Recognition Software. Michael Polanyi (1891-1976) was an eminent theorist across the fields of philosophy, physical chemistry and economics. Elected to the Royal Society and the American Academy of Arts and Sciences, his contributions to research in the social sciences, and his theories on positivism and knowledge, are of critical academic importance. The three lectures included in this comprehensive volume, first published in 1959, argue for Polanyi's principle of 'tacit knowing' as a fundamental component of knowledge. They were intended to accompany Polanyi's earlier work, "Personal Knowledge," and as a tribute to the philosophical and educational work of Lord A. D. Lindsay.
Stephen Headley's new book explores contemporary religious change in the Surakarta region of Central Java. In his analysis of the Durga ritual complex, the author sheds light on one of the most unusual court traditions to have survived in an era of deepening Islamisation.
"In the early 1990s, the process industries recognized that they would face a major staffing shortage because of the large number of "baby boomer" employees who would be retiring. Industry partnered with community colleges, technical colleges, and universities to remedy this situation. These collaborators in education and industry recognized that pre-training for process technicians would benefit industry by reducing the costs associated with training and traditional hiring methods. They recognized that teachers needed consistent curriculum content and exit competencies in order to produce process technology graduates who would be knowledgeable, competent, and able to take over the demands of the field. This was how the NAPTA series on Process Technology was born"--
This book provides new data and perspectives on the development of 'world religion' in post-colonial societies through an analysis of the development of 'Hinduism' in various parts of Indonesia from the early twentieth century to the present. This development has been largely driven by the religious and cultural policy of the Indonesian central government, although the process began during the colonial period as an indigenous response to the introduction of modernity.
This book is the first comprehensive study of the practice of "kekawin" composition in Bali. Based on field research and a diverse range of palm leaf texts, it explores Balinese perceptions of "kekawin" composition and demonstrates the nexus between religion and the writing of these poems. Like "kekawin" from ancient Java, Balinese "kekawin" have been conceived as a mystical means of unification with divinity, as temples of language. In the first part of the book Bali is shown to be a society of religious literacy, and alphabet magic and the religious beliefs that underpin literary activity are examined. The second part explores Balinese conceptions of the practice of "kekawin" composition as literary yoga. Both the priestly identity of poets and the act of composing as a religious ritual are considered. The final section investigates the craft of composition through texts that concern prosody, poetics and orthography: the "Canda," the "Bhasaprana" and the "Swarawyanjana."