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This book is widely regarded as one of the most remarkable achievements in Roman Law and Comparative Law scholarship this century - a fact attested to by the universal acclaim with which it has been received throughout Europe, America, and beyond. As a work of Roman Law scholarship it fusesthe vast volume of 20th century scholarship on the Roman law of obligations into a clear and very readable (and in many ways original) account of the law. As a work of comparative law it traces the transformation of the Roman law of obligations over the centuries into what is now modern German,English and South African law, presenting the reader with a contrast between these legal systems which is unique both in its scope and its depth. As a whole the book is written with a deep understanding of human nature and of many social, economic, and other forces that determine the face of thelaw.
Examines amateur film, filmmaking, and equipment from the late 1890s to the present, focusing on the emerging and changing discourse of aesthetics, creativity and innovation, and standards of production.
Pretty Good Privacy, or "PGP", is an encryption program widely available on the Internet. The program runs on MS-DOS, UNIX, and the Mac. PGP: Pretty Good Privacy offers both a readable technical user's guide and a fascinating behind-the-scenes look at cryptography and privacy, explaining how to get PGP from publicly available sources and how to install it on various platforms.
PGP (Pretty Good Privacy) is a computer program for the encryption of data and electronic mail, a powerful envelope that allows individuals the same privacy in their communications as enjoyed by governments and large corporations. PGP, which is freely available on the Internet, uses public-key cryptography - specifically the RSA algorithm, which is particularly well-suited to the needs of computer-mediated communications. This book contains a formatted vesion of the complete source code for the latest release (2.6.2) of PGP.
Provides comprehensive coverage of laser-induced ionization processes for mass spectrometry analysis Drawing on the expertise of the leading academic and industrial research groups involved in the development of photoionization methods for mass spectrometry, this reference for analytical scientists covers both the theory and current applications of photo-induced ionization processes. It places widely used techniques such as MALDI side by side with more specialist approaches such as REMPI and RIMS, and discusses leading edge developments in ultrashort laser pulse desorption, to give readers a complete picture of the state of the technology. Photoionization and Photo-Induced Processes in Mass ...
“[A] history of this singular institution that has indelibly shaped independent and documentary filmmaking, as well as its critical reception.” —Film Quarterly This is the inspiring story of The Flaherty, one of the oldest continuously running nonprofit media arts institutions in the world, which has shaped the development of independent film, video, and emerging forms in the United States for more than sixty years. Combining the words of legendary independent filmmakers with a detailed history of The Flaherty, Patricia R. Zimmermann and Scott MacDonald showcase its history and legacy, amply demonstrating how the relationships created at the annual Flaherty seminar have been instrument...
This book contains a collection of essays written in honor of Wolfhart Zimmermann's 80th birthday, most of them based on talks presented at a symposium in his honor.The book shows the unifying force of a subject (Quantum Field Theory) and a person (Zimmermann). It ranges from fundamental questions in quantum physics over applications to particle physics and noncommutative geometry to the latest developments in many body theory and dynamical systems. These key ideas are elucidated by worldwide-recognized experts including Faddeev, Becchi, Buchholz, Lowenstein and Salmhofer.Readers seeking examples on how a subject has evolved, diversified and deepened over the course of several decades and how a single person can influence this process can find here a perfect illustration. Altogether, readers are treated to a high-brow intellectual adventure.
Open Space New Media Documentary examines an emerging and significant area of documentary practice in the twenty-first century: community-based new media documentary projects that move across platforms and utilize participatory modalities. The book offers an innovative theorization of these collaborative and collective new media practices, which the authors term "open space," gesturing towards a more contextual critical nexus of technology, form, histories, community, convenings, collaborations, and mobilities. It looks at a variety of low cost, sustainable and scalable documentary projects from across the globe, where new technologies meet places and people in Argentina, Canada, India, Indonesia, Peru, South Africa, Ukraine, and the USA.
The emergence of a European private law is one of the great issues on the legal agenda of our time. Among the most prominent initiatives furthering this process is the work of the Commission on European Contract Law. The essays collected in this 2002 volume have their origin within this context. They explore two practically very important topics which had hitherto been largely neglected in comparative legal literature: set-off and 'extinctive' prescription (or limitation of actions). Professor Zimmermann lays the comparative foundations for a common approach which may provide the basis for a set of European principles. At the same time, the essays provide practical examples of the arguments that can be employed in the process of harmonising European private law on a rational basis. They explore topics such as the comparative experiences in the various modern legal systems and the direction in which the international development is heading.
Features essays that combine research, critical analyses and theoretical approaches regarding the meaning and value of amateur and archival films. This book identifies home movies as methods of visually preserving history. It defines a genre of film studies and establishes the home movie as a tool for extracting historical and social insights.