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Christian-Muslim Relations. A Bibliographical History Volume 21. South-western Europe (1800-1914)
Christian-Muslim Relations, a Bibliographical History 21 (CMR 21), covering South-western Europe in the period 1800-1914, is a further volume in a general history of relations between the two faiths from the 7th century to the early 20th century. It comprises a series of introductory essays and the main body of detailed entries. These treat all the works, surviving or lost, that have been recorded. They provide biographical details of the authors, descriptions and assessments of the works themselves, and complete accounts of manuscripts, editions, translations and studies. The result of collaboration between numerous new and established scholars, CMR 21, along with the other volumes in this ...
Callirhoé
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Christian-Muslim Relations. A Bibliographical History Volume 18. The Ottoman Empire (1800-1914)
Christian-Muslim Relations, a Bibliographical History 18 (CMR 18) is about relations between Muslims and Christians in the Ottoman Empire from 1800 to 1914. It gives descriptions, assessments and bibliographical details of all known works between the faiths from this period.
Fire in the Minds of Men
This book traces the origins of a faith--perhaps the faith of the century. Modern revolutionaries are believers, no less committed and intense than were Christians or Muslims of an earlier era. What is new is the belief that a perfect secular order will emerge from forcible overthrow of traditional authority. This inherently implausible idea energized Europe in the nineteenth century, and became the most pronounced ideological export of the West to the rest of the world in the twentieth century. Billington is interested in revolutionaries--the innovative creators of a new tradition. His historical frame extends from the waning of the French Revolution in the late eighteenth century to the be...
Affirmative Exclusion
Jean-Loup Amselle explores the issue of multiculturalism by delving into the history of France's confrontation with ethnic difference. Amselle analyzes France's relationship to Egypt, Algeria, and Senegal to show how ideas about difference and assimilation played out in French colonial policies and how these same tensions continue to be problematic as France grapples with cultural pluralism. Amselle's book has timely and wide-ranging implications. Arguing against the "liberal communitarian state" as it exists in the United States, Amselle contends that an overemphasis on difference can lead to what he calls "affirmative exclusion"--the flip side of affirmative action. The recognition of a mu...
Callirhoé
Reprint of the original, first published in 1871.
Fire in the Minds of Men
This book traces the origins of a faith--perhaps the faith of the century. Modern revolutionaries are believers, no less committed and intense than were Christians or Muslims of an earlier era. What is new is the belief that a perfect secular order will emerge from forcible overthrow of traditional authority. This inherently implausible idea energized Europe in the nineteenth century, and became the most pronounced ideological export of the West to the rest of the world in the twentieth century. Billington is interested in revolutionaries--the innovative creators of a new tradition. His historical frame extends from the waning of the French Revolution in the late eighteenth century to the be...
The Identities of Marie Rose Delorme Smith
Marie Rose Delorme Smith was a woman of French-Métis ancestry who was born during the fur trade era and who spent her adult years as a pioneer rancher in the Pincher Creek district of southern Alberta. The Identities of Marie Rose Delorme Smith examines how Marie Rose negotiates her identities--as mother, boarding house owner, homesteader, medicine woman, midwife, and writer--during the changing environment of the western plains during the late nineteenth century.
Five Comedies
Best known as a novelist, George Sand (1804–1876) was also arguably the most successful woman dramatist in history. More than twenty of her plays were staged in major Paris theaters to widespread popular and critical acclaim. Translated here for the first time into English are her two most famous full-length comedies, The Marquis de Villemer and Françoise, as well as her three major one-act plays, The Paving Stone, The Japanese Lily, and A Good Deed Is Never Wasted. Noted for their lively characterization, sparkling dialogue, and deft constructions, her plays reflect the passion and generosity of her own character, as well as a quick-witted sense of humor. The translations are preceded by an introduction outlining Sand's theatrical career, the main themes and characteristics of her plays, and critical appraisals from her own generation to the present day. The translations are followed by notes and a bibliography.
