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Ingmar Bergman
This unique collection focuses on the work of legendary Swedish filmmaker Ingmar Bergman. Written in the wake of the centenary of Bergman’s birth in 2018, the volume aims to combine new approaches to Bergman’s films and writings with more traditional analyses. Established themes such as Bergman’s interest in philosophy and psychology are addressed, but also less familiar topics, notably his relationship with Hollywood and his elaborate use of film music and autobiographical writing that characterised his later work. There are new analyses of aspects of Bergman’s most famous films, including Smiles of a Summer Night and Fanny and Alexander, but also insightful readings of lesser-known works, such as Saraband and Sawdust and Tinsel.
The Man from the Third Row
Until his early retirement at age 50, Hasse Ekman was one of the leading lights of Swedish cinema, an actor, writer, and director of prodigious talents. Yet today his work is virtually unknown outside of Sweden, eclipsed by the filmography of his occasional collaborator (and frequent rival) Ingmar Bergman. This comprehensive introduction—the first ever in English—follows Ekman’s career from his early days as a film journalist, through landmark films such as Girl with Hyacinths (1950), to his retirement amid exhaustion and disillusionment. Combining historical context with insightful analyses of Ekman’s styles and themes, this long overdue study considerably enriches our understanding of Swedish film history.
Ingrid
Ingrid Bergman was one of the most glamorous stars in Hollywood--until an international scandal threatened to end her career. She had starred in several now-classic films, and her co-stars included such Hollywood icons as Humphrey Bogart, Cary Grant, and Gregory Peck. Already a movie star in her native Sweden, Bergman became an instant sensation in Hollywood and the number-one box-office star in the world. But the most dramatic event in her life took place off the screen, when she made a film in Italy and began a passionate romance with her director, Roberto Rossellini. The scandal that followed left her exiled from America, ostracized by Hollywood, vilified in the press, denounced by clergy, censured in the U.S. Senate--and separated from her young daughter. This new biography draws on extensive conversations with Bergman and many others to describe what happened from Bergman's point of view.--From publisher description.
The Magic Lantern
Ingmar Bergman, creator of such films as Wild Strawberries, Scenes from a Marriage and Fanny and Alexander turns his perceptive filmmaker's eye on himself for a revealing portrait of his life and obsessions. 16 pages of photos.
Ingmar Bergman
“He always is very, very close to the camera, and he is terribly inspiring. I don’t know what his magic is, but it is something that makes you want to give everything you have. He has respect for actors and for everybody. A bad director very often doesn’t have that respect.” Liv Ullman’s words about Ingmar Bergman hint at the consummate director he was, one who knew the business, the strengths and weaknesses of actors and crews, the arrangement of the set, the framing of the camera, and all other particulars of the fine art of directing. This work presents Bergman’s life and work, beginning with his youth in Uppsala, Sweden, and covering his formative years, his development as an artist, and his career as a world-renowned director. A brief synopsis for each of Bergman’s films is provided, with such information as producer, screenwriter, cinematographer, editor, art director, music sound credits, running time, casts, Bergman’s own comments, and the reactions of critics.
Ingmar Bergman
Exhaustive compendium by one of the world's foremost experts on the Swedish master covers Bergman's life, his cultural background, his entire artistic career and extensive annotated bibliographies of interviews and critical writings on Bergman.
The Passion of Ingmar Bergman
Acknowledged as one of the greatest filmmakers of this or any other time, Bergman has with few exceptions written his own screenplays--an uncommon practice in the film industry--and for this practice critics refer to him as a "literary" filmmaker: In this work, Gado examines virtually the entire range of Bergman's literary output. While treating the matter of the visual presentation of Bergman's films, Gado concentrates on story and narrative and their relationship to Bergman's personal history. Gado concludes that whatever the outward appearance of Bergman's works, they contain an elementary psychic fantasy that links them all, revealing an artist who hoped to be a dramatist, "the new Strindberg," and who saw the camera as an extension of his pen.
Seducing Ingrid Bergman
Full of the romantic glamour of 1940s Paris and Hollywood, this novel tells the heart-wrenching story of the secret affair between the iconic Casablanca star and the famous photographer. -- Cover.
