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Somersaults
James is a successful entrepreneur living the metropolitan life with a beautiful wife and a swanky London flat. But when the creditors move in and his wife moves out, James suddenly finds he’s left with nothing. Nothing but words. James’ father is dying – his last connection to his childhood and the language of his birth, Scots Gaelic. With this link gone, James fears he will simply cease to exist. As the words start to slip away, he journeys home to confront his past and search for his true identity – as he desperately struggles to remember the language of his birth and the word for ‘somersault’. A stunning new play exploring the role of language and how it defines who we are by the UK’s leading Scots Gaelic playwright Iain Finlay Macleod.
Burning Brightly: 50 Years of Novacon
An anthology featuring some of the biggest names in British genre fiction, including rare, previously uncollected stories by Iain M. Banks, Stephen Baxter, Peter F. Hamilton, Justina Robson, Paul McAuley, Juliet E McKenna, Anne Nicholls, and Geoff Ryman, alongside original stories by Eric Brown, Ian R. MacLeod, Martin Sketchley, Kari Sperring, and Adrian Tchaikovsky. The rare reprints all appeared originally in souvenir booklets given to attendees of the Novacon convention and featuring original work by that year's Guest of Honour. The very best of British Science Fiction. Table of Contents: Burning Brightly: Introduction by Rog Peyton Chiron - Stephen Baxter The Spheres - Iain M. Banks Acts of Defiance - Eric Brown Heatwave - Anne Nicholls Alien TV - Paul McAuley Canary Girls - Kari Sperring Softlight Sins - Peter F. Hamilton Erie Lackawana Song - Justina Robson Through the Veil - Juliet E. McKenna The Coming of Enkidu - Geoff Ryman Red Sky in the Morning - Adrian Tchaikovsky The God of Nothing - Ian R. MacLeod The Ships of Aleph - Jaine Fenn Bloodbirds - Martin Sketchley About the Authors
The Light Ages
“MacLeod is set to become a writer of the magnitude of Dickens or Tolkien.” —The Guardian Aether is industry, industry is magic and the Great Guilds rule the known world. Raised amid the smokestakes, terraced houses and endless subterranean pounding of the aether engines of the Yorkshire town of Bracebridge, Robert Borrows is nevertheless convinced that life holds a greater destiny than merely working endless shifts for one of the Lesser Guilds. Then, on a day out with his mother to the strange gardens and weirdly encrusted towers of a remote mansion, he encounters a wizened changeling, and the young girl in her charge called Anna, and glimpses a world of wonder, mystery and surprise. ...
Iain Macleod
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The Culture
Iain M. Banks, the modern master of SF, created many original drawings detailing the universe of his bestselling Culture novels. Now these illustrations - many of them annotated - are being published for the very first time in a book that celebrates Banks's grand vision, with additional notes and material by Banks's longtime friend and fellow SF author Ken MacLeod. Praise for the Culture series:'Epic in scope, ambitious in its ideas and absorbing in its execution' Independent on Sunday'Banks has created one of the most enduring and endearing visions of the future' Guardian'Jam-packed with extraordinary invention' Scotsman'Compulsive reading'Sunday Telegraph The Culture series: Consider PhlebasThe Player of GamesUse of WeaponsThe State of the ArtExcessionInversionsLook to WindwardMatterSurface DetailThe Hydrogen Sonata Other books by Iain M. Banks: Against a Dark BackgroundFeersum EndjinnThe Algebraist
Nick Hern Books
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Edinburgh Companion to Twentieth-Century Scottish Literature
This volume considers the major themes, texts and authors of Scottish literature of the twentieth and, so far, twenty-first century. It identifies the contexts and impulses that led Scottish writers to adopt their creative literary strategies. Moving beyond traditional classifications, it draws on the most recent critical approaches to open up new perspectives on Scottish literature since 1900. The volume's innovative thematic structure ensures that the most important texts or authors are seen from different perspectives whether in the context of empire, renaissance, war and post-war, literary genre, generation, and resistance. In order to provide thorough coverage, these thematic chapters are complemented by chronological 'Arcade' chapters, which outline the contexts of the literature of the period by decades, and by 'Overview' chapters which trace developments across the century in theatre, language and Gaelic literature. Taken together, the chapters provide a thorough and thought-provoking account of the century's literature.
Scottish Cinema Now
Cinema from Scotland has attained an unprecedented international profile in the decade or so since Shallow Grave (1995) and Trainspotting (1996) impinged on the consciousness of audiences and critics around the world. Scottish Cinema Now is the first collection of essays to examine in depth the new films and filmmakers that have emerged from Scotland over the last ten years. With contributions from both established names and new voices in British Cinema Studies, the volume combines detailed textual analysis with discussion of industrial issues, scholarship on new movies with historical investigation of unjustly forgotten figures and film from Scotland’s cinematic past, and a focus on international as well as indigenous images of Scottishness. Responding to the ways in recent Scottish filmmaking has transformed the country’s cinematic landscape, Scottish Cinema Now reexamines established critical agendas and sets new ones for the study of Scotland’s relationship with the moving image in the twenty-first century.
Scottish Exodus
Millions of Scots have left their homeland during the last 400 years. Until now, they have been written about in general terms. Scottish Exodus breaks new ground by taking particular emigrants, drawn from the once-powerful Clan MacLeod, and discovering what happened to them and their families. These people became, among other things, French aristocrats, Polish resistance fighters, Texan ranchers, New Zealand shepherds, Australian goldminers, Aboriginal and African-American activists, Canadian mounted policemen and Confederate rebels. One nineteenth-century MacLeod even went so far as to swap his Gaelic for Arabic and his Christianity for Islam before settling down comfortably in Cairo. This ...
Complicity
'Ingenious, daring and brilliant' Guardian COMPLICITY N. 1. THE FACT OF BEING AN ACCOMPLICE, ESP. IN A CRIMINAL ACT A few spliffs, a spot of mild S&M, phone through the copy for tomorrow's front page, catch up with the latest from your mystery source - could be big, could be very big - in fact, just a regular day at the office for free-wheeling, substance-abusing Cameron Colley, a fully paid-up Gonzo hack on an Edinburgh newspaper. Prentice McHoan has returned to the bosom of his complex but enduring Scottish family. Full of questions about the McHoan past, present and future, he is also deeply preoccupied: mainly with death, sex, drink, God and illegal substances... Praise for Iain Banks: 'The most imaginative novelist of his generation' The Times 'His verve and talent will always be recognised, and his work will always find and enthral new readers' Ken MacLeod, Guardian 'His work was mordant, surreal, and fiercely intelligent' Neil Gaiman 'An exceptional wordsmith' Scotsman
