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Elements of Music
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Last Shop Standing: Whatever Happened To Record Shops?
Last Shop Standing: Whatever Happened To Record Shops? documents the sad disappearance of a cultural icon from our high streets. Once a thriving industry, the UK has gone from having over 2000 independent record shops in the 1980s to just 269 in 2009. Written by Graham Jones, who has worked in the distribution industry for over 25 years as a record company salesman, this book presents a snapshot of a business that is under threat of going the same way as the stamp shop, the coin shop and the candlestick maker. Jones’ speaks to 50 record shop owners to see why they have survived while nearly two thousand others have closed. These interviews form the basis of the book, which celebrates the r...
Ode to the Passions
Alice Mary Smith (183984) was one of the few women composers in the early to mid-Victorian era to write in larger-scale genres. Moreover, she was able to have nearly all her works publicly performed. By 1878 Smith had turned her attention to works for chorus and orchestra: Ode to the Passions was the second of four choral pieces published before her untimely death. The work closely follows the text of William Collinss The Passions: An Ode for Music of 1746 and is in nine movements (some of which are linked), preceded by an orchestral introduction. Composed expressly for the Three Choir Festival held in 1882 in Hereford, it received wide acclaim and was subsequently performed in Bradford, in London (twice), and even reached Australia. Smith deliberately eschewed the harmonic language of the continental composers, and, no doubt because of this, her works fell out of popularity shortly after her death.
The Ballad of Halo Jones
Halo Jones is an ordinary, idealistic young woman living on The Hoop, a poverty-stricken housing project tethered off the point of Manhattan. Desperate for a better life, she escapes - and finds an extraordinary universe waiting for her as she goes from star-cruiser stewardess to frontline soldier.
The Life and Music of Alice Mary Smith (1839-1884), a Woman Composer of the Victorian Era
At a time when women were thought to succeed only in composing drawing-room songs or light-weight piano pieces, Alice Mary Smith (1839-1884) wrote by far the greatest number of larger-scale art works of any British woman composer in the nineteenth century. She was most probably the first woman to have written OCo and had performed OCo a symphony, composed in 1863 at the age of twenty-four. Two of her six concert overtures were regularly performed by distinguished conductors of the time, and her four cantatas for choir and orchestra achieved some popularity in the last years of her short life. This study also briefly outlines the work of five other women composers of her time who attempted the higher forms of the art, and examines, from contemporary sources, the argument, current at the time, as to whether a woman could ever compose a OCygreatOCO work."
Short Orchestral Works
One of the most prolific women composers of her time, Alice Mary Smith (183984) produced the greatest number of publicly performed large-scale orchestral and choral works of any of her gender. This edition presents three of her short orchestral compositions for the first time in print. The Andante for Clarinet and Orchestra, an orchestral transcription of the slow movement of Smiths Sonata for Clarinet and Piano of 1870, was greatly admired by the English clarinetist Henry Lazarus, who performed it multiple times. The two intermezzi, along with the overture, comprise the complete orchestral music from Smiths grand choral cantata The Masque of Pandora, a setting of Henry Wadsworth Longfellows epic poem. Designed as independent instrumental movements, Smith fully orchestrated the intermezzi for a performance in 1879 by the New Philharmonic Society under William Ganz. In the introduction to the edition, Graham-Jones includes a brief biography of Smith and reproduces numerous reviews and program notes from the various performances of these three works.
Two Centuries of British Symphonism
Die britische Sinfonik ist erst in jüngster Zeit ins allgemeine Interesse gerückt. Ein Überblick über die sinfonische Entwicklung im Vereinigten Königreich seit den Anfängen im 18. Jahrhundert bis ins 20. Jahrhundert blieb aber bis heute ein Desideratum. Der hier vorgelegte Überblick zeigt, wie sich die Identität einer britischen Sinfonik über mehr als hundert Jahre entwickelte, geprägt durch Einflüsse vom europäischen Kontinent und von dem Bedürfnis, eigene Wege zu finden. Gegen Ende des 19. Jahrhunderts nahm das sinfonische Schaffen in Großbritannien stark zu, brachte jedoch erst mit Edward Elgar einen prominenten Vertreter von internationalem Rang hervor. Ein besonderer Schw...
The Pleasures of the Imagination
The Pleasures of the Imagination examines the birth and development of English "high culture" in the eighteenth century. It charts the growth of a literary and artistic world fostered by publishers, theatrical and musical impresarios, picture dealers and auctioneers, and presented to th public in coffee-houses, concert halls, libraries, theatres and pleasure gardens. In 1660, there were few professional authors, musicians and painters, no public concert series, galleries, newspaper critics or reviews. By the dawn of the nineteenth century they were all aprt of the cultural life of the nation. John Brewer's enthralling book explains how this happened and recreates the world in which the great...
To the Poles Without a Beard
WHAT NOT TO DO WHEN VENTURING TO THE POLES (especially when you're the first British woman to try it) * Decide to take up the challange in a haze of alchohol one New Year's Eve * Crash the BBC global email system with your fundraising requests * Do no training whatsoever prior to departure, except the odd aerobics class * Pack 300 Malboro Lights into your sled * Fail to put on the requisite 3 stone to help stave off cold and hunger * Forget to buy any gloves so stop off at Snow and Rock on High St Ken for a pair on the way to the airport * Ignore finger going black with frostbite to avoid making a fuss * Get so drunk in the plane to the North Pole that Canada refuses you entry as an undesirable alien * Forget to eat or sleep for three days before setting off Catharine Hartley did all these things and still made it to both poles. TO THE POLES WITHOUT A BEARD tells her hilarious and incredible story.
Music and Performance Culture in Nineteenth-Century Britain
Music and Performance Culture in Nineteenth-Century Britain: Essays in Honour of Nicholas Temperley is the first book to focus upon aspects of performance in the broader context of nineteenth-century British musical culture. In four Parts, 'Musical Cultures', 'Societies', 'National Music' and 'Methods', this volume assesses the role music performance plays in articulating significant trends and currents of the cultural life of the period and includes articles on performance and individual instruments; orchestral and choral ensembles; church and synagogue music; music societies; cantatas; vocal albums; the middle-class salon, conducting; church music; and piano pedagogy. An introduction explo...
