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Ian Pickford takes a wide-ranging look at flatware patterns and, at the same time, discusses in deatil flatware makers, stylistic developments, quality, repairs, fakes, forgeries and alterations as well as the marking of flatware. A large part of the book is devoted, in reference form, to the patterns themselves. Silver flatware is highly collectable and this is the standard work of reference.
"This compact and readable volume will inform and inspire not only those starting to learn about and collect silver but also those already commited to this fascinating metal."--Pg. [2]--Cover.
A revised edition of Sir Charles Jackson's classic English Goldsmiths and their Marks with more than 10000 corrections and additions.
Since first published in 1991 Pocket Jackson's, as it is most often called, has enjoyed enormous success and is constantly rated as a best seller in the Arts and Antiques category. During the last twenty three years important developments have taken place in the Hallmarking system. Most notably the introduction within Europe of a universally accepted system of marking has lead not only to the addition of new marks, but also, to a change of status of several historic marks. This edition brings up to the present day all the date letters and commemorative marks. It also includes the recently introduced marks for Palladium and a section illustrating the Assay Office identification marks of those...
Features 150 photographs, fully annotated catalog entries, and an interpretive essay on the Baruch family and their collection.
Diminutive marvels of artistry and fine craftsmanship, portrait miniatures reveal a wealth of information within their small frames. They can tell tales of cultural history and biography, of people and their passions, of evolving tastes in jewelry, fashion, hairstyles, and the decorative arts. Unlike many other genres, miniatures have a tradition in which amateurs and professionals have operated in parallel and women artists have flourished as professionals. This richly illustrated book presents approximately 180 portrait miniatures selected from the holdings of the Cincinnati Art Museum, the largest and most diverse collection of its kind in North America. The book stresses the continuity of stylistic tradition across Europe and America as well as the vitality of the portrait miniature format through more than four centuries. A detailed catalogue entry, as well as a concise artist biography, appears for each object. Essays examine various aspects of miniature painting, of the depiction of costume in miniatures, and of the allied art of hair work.
Compendium of Scottish Silver II is the most comprehensive catalog of Scottish silver and gold published to date and is an essential reference for readers of art, antiques and history. More than 6,000 descriptions of pieces from the 14th-21st centuries are organized chronologically by category (e.g. bowls, mugs, flatware, teapots, etc.) with 54 photos introducing categories. A timeline aids readers in dating pieces and evaluating rarity, and a glossary defines decorative arts terms. Expanded from the original Compendium, a Cornell University Digital Library project, Compendium II has more than 1,000 new listings of provincial, 19th century and special collections silver. Additionally, there is a guide to interpreting Scottish hallmarks and evaluating Scottish silver designed to help the reader avoid common pitfalls.
First Published in 2005. Routledge is an imprint of Taylor & Francis, an informa company.
This work is intended as a modern successor to L.F. Salzman's "English Industries in the Middle Ages" (1913). The approach to each industry is by material, discussing its acquisition, working and sale as a finished product. Only industries that resulted in the production of consumer goods and where substantial numbers of artefacts survive from the Middle Ages are dealt with (fishing and brewing are therefore omitted); the text is illustrated by pictures of surviving objects and contemporary representations of medieval work.
This book has been considered by academicians and scholars of great significance and value to literature. This forms a part of the knowledge base for future generations. We have represented this book in the same form as it was first published. Hence any marks seen are left intentionally to preserve its true nature.