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Ian Ritchie: Lines
Published here for the first time, architect Ian Ritchie’s poems, aphorisms, and etchings attest to a profound engagement with the built environ�ment. Ritchie (b. 1947) is one of Britain’s most visionary architects, with an eclectic practice embracing urban planning, public sculpture, and industrial design. His calligraphic etchings imagine the shape or spirit of commissions in simple but powerful strokes. Variably pragmatic and philosophical, often witty, his aphorisms on work and life—from the importance of light to the nature and possibility of progress—reveal a modernist’s belief in the potential of architecture to improve society. These lines of thought, committed to paper before any designing begins, demonstrate that, for Ritchie, being an architect is many more things besides.
Ian Ritchie
"All the illustrations are accompanied by detailed descriptions of the design process, and interspersed with the case studies are mini-essays by Ritchie himself, which eloquently express the philosophical and architectural principles that inform his work.
Neuroarchitecture
Applying the insights of neuroscience to architecture has the potential to deliver buildings and spaces that measurably promote well-being and create healthier or more effective environments for specific activities. There is, however, a risk that neuroarchitecture will become just another buzzword, a passing architectural fashion or a marketing exercise just as 'eco', 'green' and 'sustainable' have become. This issue of AD offers the reader an alternative to 'neuro' sound-bites and exposes them to the thinking which led to the design of the Sainsbury Wellcome Centre for Neural Circuits and Behaviour (SWC), a pioneering medical research facility designed to foster collaboration between resear...
Fastest, Highest, Strongest
Fastest, Highest, Strongest presents a comprehensive challenge to the dominant orthodoxy concerning the use of performance-enhancing drugs in sport. Examining the political and economic transformation of the Olympic Movement during the twentieth century, the authors argue that the realities of modern sport require a serious reassessment of current policies, in particular the ban on the use of certain substances and practices. The book includes detailed discussion of: * The historical importance of World War II and the Cold War in the development of a high-performance culture in sport * The changing Olympic project: from amateurism to a fully professionalized approach * The changing meaning of "sport" * The role of sport science, technology and drugs in pursuing ever-better performance * The major ethical and philosophical arguments used to support the ban on performance-enhancing substances in sport. Fastest, Highest, Strongest is a profound critical examination of modern sport. Its straightforward style will appeal to under- and post-graduate students as well as scholars of sports ethics and history, policy makers and all those interested in the changing nature of sport.
Light
Light is the material of Architecture. Ian Ritchie is one of the UK's most visionary architects, and remarkable for synthesising multiple creative disciplines to bring the essence of his architectural projects into focus. A poet and artist as well as an architect, Ritchie distills his ideas into verse and pithy aphorisms that probe the complexities of architectural commissions and the art of composition. In this volume, Ritchie's aphorisms and musings revolve around the topic of light, a fundamental element in the way we perceive both the natural and the built world. They are accompanied by his calligraphic etchings and illustrations of the architecture that emerges from them. This illuminating blend of poetry and design is a trove of inspiration for anyone seeking to expand their understanding of the creative process, and offers a fresh perspective on the profound interplay between thought, practice, and the radiant world of light
An Engineer Imagines
The long-awaited reissue of the autobiography of Peter Rice, one of the main structural engineers behind the Sydney Opera House, the Pompidou Centre, the Menil Collection and Lloyd's of London. 'I am an engineer. Often people will call me an 'architect engineer' as a compliment. It is meant to signify a quality of engineer who is more imaginative and design-orientated than a normal engineer... To call an engineer an 'architect engineer' because he comes up with unusual or original solutions is essentially to misunderstand the role of the engineer in society.' An Engineer Imagines is a rare look into the professional creativity and philosophy of Peter Rice, who was widely acclaimed as the gre...
Buckminster Fuller
Hailed as one of the greatest minds of our times, Richard Buckminster Fuller (1895-1983) is known as an American visionary. Designer, architect, engineer, inventor, and philosopher, he was undeniably one of the key innovators of the 20th century.This volume provides a visually rich and complete overview of Fuller's design and architectural production, situating Fuller's projects in their historical context. The book features never-before-published material from the Fuller archives that were recently donated to Stanford University.Michael John Gorman's essay offers an in-depth analysis of Fuller's work-focusing more attention on his innovative architectural projects than to other aspects of Fuller's "design science"-as well as an interesting perspective on post-war American society and architectural culture. Chapters include concepts of Fuller's philosophy, his manifesto for mass-produced housing, the role of mobile shelter in transforming behavior, geodesic domes, and Fuller's early experiments. Fuller's achievements, astonishing design, and production are fully documented using original and often unknown archival materials.
Neuroarchitecture
Applying the insights of neuroscience to architecture has the potential to deliver buildings and spaces that measurably promote well-being and create healthier or more effective environments for specific activities. There is, however, a risk that neuroarchitecture will become just another buzzword, a passing architectural fashion or a marketing exercise just as 'eco', 'green' and 'sustainable' have become. This issue of AD offers the reader an alternative to 'neuro' sound-bites and exposes them to the thinking which led to the design of the Sainsbury Wellcome Centre for Neural Circuits and Behaviour (SWC), a pioneering medical research facility designed to foster collaboration between resear...
The Dream That Died
This title presents a unique insider account of the rise and fall of ITV, as seen through the fate of Granada Television, and the ripple effect on the standard of broadcasting we see on our screens today. It is the unfolding of the story of 25 years, in which "The best broadcasting system in the world" was turned into "Ignorance and self-interest, the idiocy and feeble mindedness that is 21st century ITV". It is a book based on more than 90 exclusive interviews with key players who had their hands on the money, and the power, behind commercial television, but who saw politicians, businessmen and broadcasters convert high quality public service broadcasting into a ratings driven commercial wasteland, undermining the BBC and Channel 4. Accompanied by a collection of original photographs, "The Dream That Died" is essential for anyone involved in, or learning about, the broadcasting industry.
Musical Architects
The Royal Academy of Music is one of the most prestigious conservatoires in the world, training generations of eminent musicians for all parts of the profession. Its alumni include Henry Wood, John Barbirolli, Myra Hess, Felicity Lott, Simon Rattle, Harrison Birtwistle, Elton John, Annie Lennox, Max Richter and Jacob Collier. Royal Academy graduates populate all the great orchestras, opera houses and musical theatre venues of the world, including the London Symphony, Berlin Philharmonic, the Metropolitan Opera and Broadway in New York and the West End. They are players, singers, composers, conductors, curators, animateurs and teachers.Approaching its bicentenary, the Royal Academy is Britain...
