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Affordable Wonders
Ian Sowton believes that poetry is good for you, that a poem a day keeps indifference away. As a famous line in Arthur Miller's Death of a Salesman puts it, "attention must be paid" and poetry is one of the most finely honed human instruments for paying attention. Affordable Wonders pays attention to places both exotic and ordinary; to characters like Mercy Jones you might just happen to meet; to politics, paintings, and the city of Toronto; to birds-from juncos to pelicans; to verses from the Christian scriptures; to the memory of friends who have died; to the cultivation of imagination, and to language itself. The author hopes that Affordable Wonders will pleasingly exercise your imagination and your powers of noticing. Along with its variety of verse forms, this collection of poems offers a range of moods and voices from celebratory to elegiac, from satirical to devotional, and from whimsical to exasperation. Enter the text and explore, there are multiple points of view; its only agenda is to entertain bracingly.
Imagining Sisyphus Happy
In ancient Greek mythology, Sisyphus was condemned by the gods to the meaningless activity of forever rolling a boulder to the top of a hill, then starting all over again after it had promptly rolled back downhill. Taking its cue from the famous essay on Sisyphus by the French existentialist writer Albert Camus, this book's paradoxical title and title-poem suggest the imperative of refusing to despair, of choosing oneOs own meaning and taking responsibility for it. Although Imagining Sisyphus Happy includes poems of complaint, mourning, and contemptuous or exasperated satire, the bookOs overall stance affirms that existential imperative of refusing to despair. As a group these poems might be...
Liberation, (De)Coloniality, and Liturgical Practices
Becca Whitla uses liberationist, postcolonial, and decolonial methods to analyze hymns, congregational singing, and song-leading practices. By way of this analysis, Whitla shows how congregational singing can embody liberating liturgy and theology. Through a series of interwoven theoretical lenses and methodological tools—including coloniality, mimicry, epistemic disobedience, hybridity, border thinking, and ethnomusicology—the author examines and interrogates a range of factors in the musical sphere. From beloved Victorian hymns to infectious Latin American coritos; congregational singing to radical union choirs; Christian complicity in coloniality to Indigenous ways of knowing, the dynamic praxis-based stance of the book is rooted in the author’s lived experiences and commitments and engages with detailed examples from sacred music and both liturgical and practical theology. Drawing on what she calls a syncopated liberating praxis, the author affirms the intercultural promise of communities of faith as a locus theologicus and a place for the in-breaking of the Holy Spirit.
Trans/acting Culture, Writing, and Memory
Trans/acting Culture, Writing, and Memory is a collection of essays written in honour of Barbara Godard, one of the most original and wide-ranging literary critics, theorists, teachers, translators, and public intellectuals Canada has ever produced. The contributors, both established and emerging scholars, extend Godard’s work through engagements with her published texts in the spirit of creative interchange and intergenerational relay of ideas. Their essays resonate with Godard’s innovative scholarship, situated at the intersection of such fields as literary studies, cultural studies, translation studies, feminist theory, arts criticism, social activism, institutional analysis, and publ...
The Politics of Art
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The Jamesonian Unconscious
Imagine Fredric Jameson--the world's foremost Marxist critic--kidnapped and taken on a joyride through the cultural ephemera, generational hype, and Cold War fallout of our post-post-contemporary landscape. In The Jamesonian Unconscious, a book as joyful as it is critical and insightful, Clint Burnham devises unexpected encounters between Jameson and alternative rock groups, new movies, and subcultures. At the same time, Burnham offers an extraordinary analysis of Jameson's work and career that refines and extends his most important themes. In an unusual biographical move, Burnham negotiates Jameson's major works--including Marxism and Form, The Political Unconscious, and Postmodernism, or, ...
I Was There
I Was There shares the insights and experiences of the generations of students, professors, and staff who lived and worked at the U of A for the past 100 years. First-person stories and period photographs present a unique insight into university lore from the vantage point of those who were most intimately involved in making the university what it is today: the students and alumni.
York University
In York University: The Way Must Be Tried, Michiel Horn weaves archival research and interviews into a compelling narrative, documenting the development of an institution committed to helping professors and studies reach across disciplinary boundaries. He covers the challenges York has faced through the years - from the 1963 faculty "revolt," to the troubled search for a successor to founding president Murray Ross, to the budgetary problems that led to the resignation of President David Slater, as well as its many innovations and triumphs - including bilingualism at Glendon College, Osgoode Hall Law School's Parkdale legal clinic, and Canada's first concurrent Bachelor of Education program. The philosophies that guide the faculties of administrative studies, fine arts, and environmental studies, and the ground-breaking research done in science and engineering are explored in detail.
Adaptations of Shakespeare
Shakespeare's plays have been adapted or rewritten in various, often surprising, ways since the seventeenth century. This groundbreaking anthology brings together twelve theatrical adaptations of Shakespeares work from around the world and across the centuries. The plays include The Woman's Prize or the Tamer Tamed John Fletcher The History of King Lear Nahum Tate King Stephen: A Fragment of a Tragedy John Keats The Public (El P(blico) Federico Garcia Lorca The Resistible Rise of Arturo Ui Bertolt Brecht uMabatha Welcome Msomi Measure for Measure Charles Marowitz Hamletmachine Heiner Müller Lears Daughters The Womens Theatre Group & Elaine Feinstein Desdemona: A Play About a Handkerchief Paula Vogel This Islands Mine Philip Osment Harlem Duet Djanet Sears Each play is introduced by a concise, informative introduction with suggestions for further reading. The collection is prefaced by a detailed General Introduction, which offers an invaluable examination of issues related to
