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I Can Say Bismillah Anywhere!
I Can Say Bismillah Anywhere! instructs us that we should remember Allah all the time, no matter what we do.
Calais and Its Border Politics
Calais has a long history of transient refugee settlements and is often narrated through the endeavour to 'sanitize' it by both the English and the French in their policy and media discourses. Calais and its Border Politics encapsulates the border politics of Calais as an entry port through the refugee settlements known as the 'Jungle'. By deconstructing how the jungle is a constant threat to the civilisation and sanity of Calais, the book traces the story of the jungle, both its revival and destruction as a recurrent narrative through the context of border politics. The book approaches Calais historically and through the key concept of the camp or the 'jungle' - a metaphor that becomes cruc...
Migrants and Refugees at UK Borders
This book investigates the hostile environment and politics of visceral and racial denigration which have characterised responses to refugees and migrants within the UK and Europe in recent years. The European ‘migrant crisis’ from 2015 onwards has been characterised by an extremely intimidating atmosphere which denies the basic humanity of refugees and migrants. Deep rooted in Western Enlightenment trajectory, this racially-driven politics is linked to the Western theories of scientific superiority which went on to become the basis of eugenics and coloniality as part of modernity. Focusing on the ‘migrant crisis’, Brexit, and the impacts of the global pandemic, this book unpicks the...
I Can Wear Hijab Anywhere!
I Can Wear Hijab Anywhere! explains the Hijab.
Production of the 'Self' in the Digital Age
This book investigates the relationship between the self and screen in the digital age, and examines how the notion of the self is re-negotiated and curated online. The chapters examine the production of the self in postmodernity through digital platforms by employing key concepts of ubiquity, the everyday, disembodiment and mortality. It locates self-production through ubiquitous imaging of the self and our environments with and through mobile technologies and in terms of its ‘embeddedness’ in our everyday lives. In this innovative text, Yasmin Ibrahim explores technology’s co-location on our corporeal body, our notions of domesticity and banality, our renewed relationship with the screen and our enterprise with capital as well as the role of desire in the formation of the self. The result is a richly interdisciplinary volume that seeks to examine the formation of the self online, through its renewed negotiations with personalised technologies and with the emergence of social networking sites.
Posthuman Capitalism
Posthuman Capitalism critically reviews the manifestation of capitalist agenda online by examining the phenomenon of the ‘posthuman’ in the data economy. The chapters examine our posthuman condition, where we are constantly asked to partake in platforms which perform to capitalist agenda while socializing us into new platforms of living, consuming and interacting online. Labelling these modes of our experiential extractions, transactions and re-making of our mortal lives as posthuman capitalism, the book reviews the human entanglements from sociality, friendship, desire, memory, transgressions of privacy and co-production of value through the data economy. Offering innovative and interdisciplinary conceptualisations and vantage points on our contemporary data society, this book will be a key text for scholars and students in the areas of digital media, communication studies, sociology, philosophy and social psychology.
Politics of Gaze
Going beyond the cursory reasons behind why we capture images on the move, Politics of Gazeexplores our contemporary practices around visual imaging and brings original conceptualisations about why we constantly capture ourselves and our environments through digital technologies. Our technologically mediated 'everyday visuality' has moral and ethical implications for the ways in which we construct our worlds, understand world events, represent ourselves, commodify our environments and transact these with the wider world. Through these acts we constantly negotiate our sense of aesthetics, our notions of what is private and public, our depictions of the everyday and issues of security and conf...
Fake News in an Era of Social Media
Over the last few years, social media has expanded to become a key platform for news dissemination and circulation, and a key orginator and propogator of 'fake news'.. Nations, governments, organisations and societies are now coming to terms with the unpredictable and debilitating consequences of fake news. The propagation of news containing falsehoods has been linked to an increase in measles cases, surges in youth crimes, the spread of pseudo-science, compromised national security, and more. Some even perceive it as a global threat to democratic systems around the world. In this book, the authors examine factors influencing the spread of fake news, and suggest ways to combat it by exploring the key elements which enable and facilitate this phenomenon.
Digital Icons
This book offers critical perspectives on the digital 'iconic', exploring how the notion of the iconic is re-appropriated and re-made online, and the consequences for humanity and society. Examining cross-cultural case studies of iconic images in digital spaces, the author offers original and critical analyses, theories and perspectives on the notion of the 'iconic', and on its movement, re-appropriation and meaning making on digital platforms. A carefully curated selection of case studies illustrates topics such as phantom memory; martyrdom; denigration and pornographic recoding; digital games as simulacra; and memes as 'artification'. Situating the notion of the iconic firmly within contemporary cultures, the author takes a thematic approach to investigate the iconic as an unstable and unfinished phenomenon online as it travels through platforms temporally and spatially. The book will be an important resource for academics and students in the areas of media and communications, digital culture, cultural studies, visual communication, visual culture, journalism studies and digital humanities.
I Can Read the Qur'an (Almost] Anywhere
This is one of the I Can Series of five books that introduces and illustrates some basic yet important concepts and terms for young Muslim children. These are explained with reference to their everyday life and in the settings with which children are familiar. In simple, easy-to-understand language the series presents Islam as a living reality to be experienced in daily life. It answers many questions about Islam as faith which arise in the young, curious minds. For ages 3-5 years and the young at heart. How do we learn to love the Koran, the Book of Allah? By keeping it with us and learning and reading it whenever and wherever we can.
