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As complete a history as possible of the literature of Iceland.
The Saints in Old Norse and Early Modern Icelandic Poetry is a complimentary volume to The Legends of the Saints in Old Norse-Icelandic Prose (UTP 2013). This volume focuses on Icelandic devotional poetry created during the early modern period.
Traditions and Continuities - Alliteration in Old and Modern Icelandic Verse, is a lucid and authorative treatment of Old Icelandic alliterative metre, and of the subtle changes it underwent as the language evolved into later and modern Icelandic. It falls into four sections, beginning with an exhaustive account of the mechanics of alliteration and their development up until the present; a review of the development of research into the subject; the author's own research into the nature of alliterative verse, with special attention to complex phenomena such as vowel alliteration, s-clusters an hv-alliteration; and final section summarizing the main conclusions. Written by a scholar and poet, this is an essential handbook for the English-speaking research student in the subject.
Sagas of Icelanders, also called family sagas, are the best known of the many literary genres that flourished in medieval Iceland, most of them achieving written form during the thirteenth and early fourteenth centuries. Modern readers and critics often praise their apparently realistic descriptions of the lives, loves and feuds of settler families of the first century and a half of Iceland's commonwealth period (c. AD 970-1030), but this ascription of realism fails to account for one of the most important components of these sagas, the abundance of skaldic poetry, mostly in dróttkvætt "court metre", which comes to saga heroes' lips at moments of crisis. These presumed voices from the past...
Eddic, Skaldic, and Beyond shines light on traditional divisions of Old Norse–Icelandic poetry and awakens the reader to work that blurs these boundaries. Many of the texts and topics taken up in these enlightening essays have been difficult to categorize and have consequently been overlooked or undervalued. The boundaries between genres (Eddic and Skaldic), periods (Viking Age, medieval, early modern), or cultures (Icelandic, Scandinavian, English, Continental) may not have been as sharp in the eyes and ears of contemporary authors and audiences as they are in our own. When questions of classification are allowed to fade into the background, at least temporarily, the poetry can be appreciated on its own terms. Some of the essays in this collection present new material, while others challenge long-held assumptions. They reflect the idea that poetry with “medieval” characteristics continued to be produced in Iceland well past the fifteenth century, and even beyond the Protestant Reformation in Iceland (1550). This superb volume, rich in up-to-date scholarship, makes little-known material accessible to a wide audience.