Welcome to our book review site go-pdf.online!
You may have to Search all our reviewed books and magazines, click the sign up button below to create a free account.
Tales From a Charmed Life
Tales from a Charmed Life is the last in a trilogy of works by Hildred Geertz exploring the complexity of Balinese history, religion, and society. A landmark study by one of the most distinguished anthropologists of Indonesia, it centers around the stories and paintings of Ida Bagus Madé Togog (1913–1989), an artist and ritual specialist who played a significant role in the history of Balinese ethnography. In the 1930s, Togog was central to Mead and Bateson’s pioneering studies of "Balinese character" and came under the influence of expatriate artists Walter Spies and Rudolf Bonnet to emerge as a major representative of the Batuan style of painting. Togog’s art and anecdotal stories o...
Ida Bagus Made
None
Indonesian Art
Please note that the content of this book primarily consists of articles available from Wikipedia or other free sources online. Pages: 36. Chapters: Art museums and galleries in Indonesia, Balinese art, Indonesian art dealers, Indonesian artists, Photography in Indonesia, Henri Cartier-Bresson, Delsy Syamsumar, Ikat, John Thomson, Isidore van Kinsbergen, Walter B. Woodbury, Ida Bagus Made, Hiroshi Suga, Kristen Feilberg, Museum Rudana, Nyoman Rudana, Arie Smit, I Nyoman Masriadi, Ivan Sagita, Kartika Affandi-Koberl, Tau tau, Anak Agung Gde Sobrat, Fiona Tan, Walter Spies, Basuki Abdullah, Fine Art and Ceramic Museum, Taring Padi, Gus Mus, Bisj Pole, Ida Bagus Made Togog, Ida Bagus Nyoman Rai...
The Life of a Balinese Temple
Should a temple be seen as a work of art, its carvers as artists, its worshipers as art critics and patrons? What is a temple (and its art) to the people who make and use it? Noted anthropologist Hildred Geertz attempts to answer these and other questions in this unique look at transformations in material culture and social relations over time in a village temple in Bali. Throughout Geertz offers insightful glimpses into what the statues, structures, and designs of Pura Désa Batuan convey to those who worship there, deepening our understanding of how a village community evaluates workmanship and imagery. Following an introduction to the temple and villagers of Batuan, Geertz explores the pr...
Indonesia
This newly designed edition includes a full-colour section at the front of the guide featuring the authors'' selected highlights of the country. Throughout there is in-depth coverage of all the sights from Bali''s stunning white beaches and temples tothe enigmatic ruins of Java and the jungles of Sumatra. There are first-hand recommendations of the best places to surf, dive and trek and comprehensive listings of the best-value accommodation and eateries for all budgets. A detailed contexts section provides the reader with informed background on Indonesia''s history, religions and music.
Charting Thoughts
A constellation of thoughts by 25 established and emerging scholars who plot the indices of modernity and locate new coordinates within the shifting landscape of art. These newly commissioned essays are accompanied by close to 200 full-colour image plates.
Storytelling in Bali
In Storytelling in Bali, Hildred Geertz makes a case for the importance of the role of informal storytelling as an engine of social change in Bali in the 1930s. This is a study of more than 200 texts dictated by the painters of the village of Batuan in 1936 to the anthropologist Gregory Bateson. It is completed by three years field work in Batuan in the 1980s. The tales reveal a set of strong ambivalences about the magical powers of kings, priests and sorcerers, and about social strains within villages and families. These narratives were related in the daily settings of home and coffee shop and also in the spectacular dance-dramas of the time.
The Modern in Southeast Asian Art
Who spoke of the modern in Southeast Asia? When and where was the modern written? How was it written? How was it received? This collection brings together nearly 300 texts that were originally published between the late 19th to late 20th centuries, selected by a group of scholars as responses to questions such as these. The texts were produced chiefly in various locations in the region, by artists, critics, historians and curators in 11 languages, many of which had never before been translated into the English language. Years in the making, this publication is the first to present such breadth and depth of art writing in the region of Southeast Asia, and will be a valuable resource to studen...
