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Bosnian: The Theory of Islamic Art: Aesthetic Concept and Epistemic Structure
Divine oneness as the principle of beauty is perhaps quintessentially Islamic artistic expression and experience and what it celebrates. Why has Islamic art evolved as it has, what forms does it take, what is the logic underlying it? What message is the Muslim artist attempting to convey, what emotion is he seeking to evoke? This work views Islamic art as a subject of archeological study and treats its evolution as part of the historical study of art in the broader sense. At the same time, it paves the way for an epistemological shift from viewing Islamic art as a material concept having to do with beautiful rarities and relics that have grown out of Islamic cultural and ar...
Ukrainian: Теорія ісламського мистецтва (The Theory of Islamic Art: Aesthetic Concept and Epistemic Structure)
Divine oneness as the principle of beauty is perhaps quintessentially Islamic artistic expression and experience and what it celebrates. Why has Islamic art evolved as it has, what forms does it take, what is the logic underlying it? What message is the Muslim artist attempting to convey, what emotion is he seeking to evoke? This work views Islamic art as a subject of archeological study and treats its evolution as part of the historical study of art in the broader sense. At the same time, it paves the way for an epistemological shift from viewing Islamic art as a material concept having to do with beautiful rarities and relics that have grown out of Islamic cultural and artistic creativity,...
The Theory of Islamic Art
Divine oneness as the principle of beauty is perhaps quintessentially Islamic artistic expression and experience and what it celebrates. Why has Islamic art evolved as it has, what forms does it take, what is the logic underlying it? What message is the Muslim artist attempting to convey, what emotion is he seeking to evoke? This work views Islamic art as a subject of archeological study and treats its evolution as part of the historical study of art in the broader sense. At the same time, it paves the way for an epistemological shift from viewing Islamic art as a material concept having to do with beautiful rarities and relics that have grown out of Islamic cultural and artistic creativity,...
Albanian: Teoria e Artit Islam: Koncepti Estetik dhe Struktura Epistemike (The Theory of Islamic Art: Aesthetic Concept and Epistemic Structure)
Divine oneness as the principle of beauty is perhaps quintessentially Islamic artistic expression and experience and what it celebrates. Why has Islamic art evolved as it has, what forms does it take, what is the logic underlying it? What message is the Muslim artist attempting to convey, what emotion is he seeking to evoke? This work views Islamic art as a subject of archeological study and treats its evolution as part of the historical study of art in the broader sense. At the same time, it paves the way for an epistemological shift from viewing Islamic art as a material concept having to do with beautiful rarities and relics that have grown out of Islamic cultural and artistic creativity,...
American Journal of Islamic Social Sciences 34:2
The American Journal of Islamic Social Sciences (AJISS), established in 1984, is a quarterly, double blind peer-reviewed and interdisciplinary journal, published by the International Institute of Islamic Thought (IIIT), and distributed worldwide. The journal showcases a wide variety of scholarly research on all facets of Islam and the Muslim world including subjects such as anthropology, history, philosophy and metaphysics, politics, psychology, religious law, and traditional Islam.
Uzbek: Ислом санъати назарияси: Эстетик тушунча ва истемологик тузилиш (The Theory of Islamic Art: Aesthetic Concept and Epistemic Structure)
Divine oneness as the principle of beauty is perhaps quintessentially Islamic artistic expression and experience and what it celebrates. Why has Islamic art evolved as it has, what forms does it take, what is the logic underlying it? What message is the Muslim artist attempting to convey, what emotion is he seeking to evoke? This work views Islamic art as a subject of archeological study and treats its evolution as part of the historical study of art in the broader sense. At the same time, it paves the way for an epistemological shift from viewing Islamic art as a material concept having to do with beautiful rarities and relics that have grown out of Islamic cultural and artistic creativity,...
Numinous Fields: Perceiving the Sacred in Nature, Landscape, and Art
Numinous Fields has its roots in a phenomenological understanding of perception. It seeks to understand what, beyond the mere sensory data they provide, landscape, nature, and art, both separately and jointly, may mean when we experience them. It focuses on actual or potential experiences of the numinous, or sacred, that such encounters may give rise to. This volume is multi-disciplinary in scope. It examines perceptions of place, space, nature, and art as well as perceptions of place, space, and nature in art. It includes chapters written by art curators, and historians and scholars in the fields of landscape, architecture, cultural geography, religious studies, philosophy, and art. Its cha...
American Journal of Islamic Social Sciences - Volume 34-4
The American Journal of Islamic Social Sciences (AJISS) is a double-blind, peer-reviewed interdisciplinary and international journal that publishes a wide variety of scholarly research on all facets of Islam and the Muslim world: anthropology, economics, history, philosophy and metaphysics, politics, psychology, and law.
Russian: The Theory of Islamic Art: Aesthetic Concept and Epistemic Structure
Divine oneness as the principle of beauty is perhaps quintessentially Islamic artistic expression and experience and what it celebrates. Why has Islamic art evolved as it has, what forms does it take, what is the logic underlying it? What message is the Muslim artist attempting to convey, what emotion is he seeking to evoke? This work views Islamic art as a subject of archeological study and treats its evolution as part of the historical study of art in the broader sense. At the same time, it paves the way for an epistemological shift from viewing Islamic art as a material concept having to do with beautiful rarities and relics that have grown out of Islamic cultural and artistic creativity,...
Prinsip dan Panduan Umum Seni Islami
Islam adalah agama yang memperhatikan keseimbangan dalam kehidupan manusia. Dari kebutuhan fisik, akal, hingga jiwa. Oleh sebab itu, tidaklah heran bila karya yang dianggap sebagai Seni Islami adalah seni yang memenuhi tiga kebutuhan manusia itu. Hal ini sejalan dengan Tauhid sebagai muara nilai Islam, yang bersumber dari Yang Maha Indah dan Maha Benar, yakni Allah swt. Dengan demikian, seni bukan hanya memenuhi tuntutan keindahan bagi indra manusia saja, melainkan mengandung sifat transendental yang universal. Agar karya seni budaya itu bisa menjadi tuntunan yang positif bagi masyakat, maka sang kreator atau para seniman (musisi dan penyayi, penulis, pekerja film, hingga seniman seni rupa) ...
