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The Cambridge Companion to Camus
Albert Camus is one of the iconic figures of twentieth-century French literature, one of France's most widely read modern literary authors and one of the youngest winners of the Nobel Prize for Literature. As the author of L'Etranger and the architect of the notion of 'the Absurd' in the 1940s, he shot to prominence in France and beyond. His work nevertheless attracted hostility as well as acclaim and he was increasingly drawn into bitter political controversies, especially the issue of France's place and role in the country of his birth, Algeria. Most recently, postcolonial studies have identified in his writings a set of preoccupations ripe for revisitation. Situating Camus in his cultural and historical context, this 2007 Companion explores his best-selling novels, his ambiguous engagement with philosophy, his theatre, his increasingly high-profile work as a journalist and his reflection on ethical and political questions that continue to concern readers today.
Origins and Identities in French Literature
The essays in this volume investigate origins and identities of individuals and groups in French literature from the seventeenth century to the present, as well in French literature in general. They show how, as France developed a national identity through its literature, individuals of various origins searched for their own identities and often called into question not only traditional identities, but also the very literary means of creating them.
Perspectives on Feminist Political Thought in European History
Spanning six centuries of political thought in European history, this book puts the ideas of thinkers from Christine de Pizan to Simone de Beauvoir in the broader contexts of their time. This intriguing collection of essays shows that feminism is not a varient of modern radical discourse but a mode of analysing the issues of authority, power and virtue that have been at the heart of European political thought from the middle ages.
Marcel Proust Aujourd’hui 9
Table des matières Introduction Luc Fraisse: Un témoignage rapproché sur Marcel Proust: la correspondance inédite de Reynaldo Hahn avec les dames Lemaire Wouter van Diepen: Une mise en scène troublante: l¿homosexualité dans le cycle d¿Albertine Sander Becker: L¿oeil léger d¿Albertine: source de désir et de souffrance Stéphane Chaudier: Tacts et contacts dans la Recherche Edward Bizub: Ruskin, Ribot, Sollier, Proust: croyance, résurrection et légitimation Nathalie Aubert: Pour une `autre¿ obscurité: Breton lecteur de Proust Ton Hoenselaars and Ieme van der Poel: The Best Grapes in Paris: annotating Proust for Dutch and Flemish readers Stéphane Heuet: La Recherche en BD Jan Baetens: Marcel Proust en 48 cc Sjef Houppermans: Pompes et uniformes: Proust, film, manga et 1q84 Nell de Hullu-van Doeselaar, Manet van Montfrans et Annelies Schulte Nordholt: Comptes rendus
The Project-State and Its Rivals
A new and original history of the forces that shaped the twentieth and twenty-first centuries. We thought we knew the story of the twentieth century. For many in the West, after the two world conflicts and the long cold war, the verdict was clear: democratic values had prevailed over dictatorship. But if the twentieth century meant the triumph of liberalism, as many intellectuals proclaimed, why have the era’s darker impulses—ethnic nationalism, racist violence, and populist authoritarianism—revived? The Project-State and Its Rivals offers a radical alternative interpretation that takes us from the transforming challenges of the world wars to our own time. Instead of the traditional na...
Refractions of Violence
A new collection of essays by the internationally recognized cultural critic and intellectual historian Martin Jay that revolves around the themes of violence and visuality, with essays on the Holocaust and virtual reality, religious violence, the art world, and the Unicorn Killer, among a wide range of other topics.
(Un)writing Empire
The contributors to the present volume, in espousing and extending the programme of such writers as Edward Said, Benedict Anderson, Homi Bhabha, and Gayatri Spivak, lay bare the genealogy of 'writing' empire (thereby, in a sense, 'un-writing' it). One focus is the Caribbean: the retrograde agenda of francophone créolité; the re-writing of empire in the postmodern disengagement of Edouard Glissant; resistance to post-colonial allegiances, and the dissolving of binary categories, in contemporary West Indian writing. Essays on India, Malaysia, and Indonesia explore various aspects of cultural self-understanding in Asia: un-writing high culture through hybrid 'shopping' among Western styles; t...
The Postcolonial Low Countries
The Postcolonial Low Countries is the first book to bring together critical and comparative approaches to the emergent field of neerlandophone postcolonial studies. The collection of essays ranges across the cultures and literatures of the Netherlands and Belgium and establishes an encounter between postcolonial theoretical discourses from both within and without the region. Each one of the contributions puts under pressure the definitive concepts of postcolonial studies in its more conventional anglophone or francophone formation, as well as perceptions of the Low Countries, Belgium and the Netherlands, as lying outside or to the side of the postcolonial domain. In the Low Countries, local ...
Immigrant and Ethnic-Minority Writers since 1945
This study analyses how immigrant and ethnic-minority writers have challenged the understanding of certain national literatures and have markedly changed them. In other national contexts, ideologies and institutions have contained the challenge these writers pose to national literatures. Case studies of the emergence and recognition of immigrant and ethnic-minority writing come from fourteen national contexts. These include classical immigration countries, such as Canada and the United States, countries where immigration accelerated and entered public debate after World War II, such as the United Kingdom, France and Germany, as well as countries rarely discussed in this context, such as Brazil and Japan. Finally, this study uses these individual analyses to discuss this writing as an international phenomenon. Sandra R.G. Almeida, Maria Zilda F. Cury, Sarah De Mul, Sneja Gunew, Dave Gunning, Kristina Iwata-Weickgenannt, Martina Kamm, Liesbeth Minnaard, Maria Oikonomou, Wenche Ommundsen, Marie Orton, Laura Reeck, Daniel Rothenbühler, Cathy J. Schlund-Vials, Wiebke Sievers, Bettina Spoerri, Christl Verduyn, Sandra Vlasta.
Ovid in French
This collection of essays examines the ways Ovid's diverse œuvre has been translated, rewritten, adapted, and responded to by a range of French and Francophone women from the Renaissance to the present. It aims to reveal lesser-known voices in Ovidian reception studies, and to offer a wider historical perspective on the complex question of Ovid and gender. Ranging from Renaissance poetry to contemporary creative-criticism, it charts an understudied strand of reception studies, emphasizing how a longer view allows us to explore and challenge the notion of a female tradition of Ovidian reception. The range of genres analysed here—poetry, verse and prose translation, theatre, epistolary fict...
