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The Igbo are one of the most populous ethnic groups in Nigeria and are perhaps best known and celebrated in the work of Chinua Achebe. In this landmark collection on Igbo society and arts, Toyin Falola and Raphael Chijioke Njoku have compiled a detailed and innovative examination of the Igbo experience in Africa and in the diaspora. Focusing on institutions and cultural practices, the volume covers the enslavement, middle passage, and American experience of the Igbo as well as their return to Africa and aspects of Igbo language, society, and cultural arts. By employing a variety of disciplinary perspectives, this volume presents a comprehensive view of how the Igbo were integrated into the Atlantic world through the slave trade and slavery, the transformations of Igbo identities and culture, and the strategies for resistance employed by the Igbo in the New World. Moving beyond descriptions of generic African experiences, this collection includes 21 essays by prominent scholars throughout the world.
“A true classic of world literature . . . A masterpiece that has inspired generations of writers in Nigeria, across Africa, and around the world.” —Barack Obama “African literature is incomplete and unthinkable without the works of Chinua Achebe.” —Toni Morrison Nominated as one of America’s best-loved novels by PBS’s The Great American Read Things Fall Apart is the first of three novels in Chinua Achebe's critically acclaimed African Trilogy. It is a classic narrative about Africa's cataclysmic encounter with Europe as it establishes a colonial presence on the continent. Told through the fictional experiences of Okonkwo, a wealthy and fearless Igbo warrior of Umuofia in the ...
In this groundbreaking collection, leading historians, Africanists, and other scholars document the life and work of twelve Igbo intellectuals who, educated within European traditions, came to terms with the dominance of European thought while making significant contributions to African intellectual traditions.
Among the 20 to 30 million Igbo people in Nigeria there is a widespread belief that the Igbo originated in ancient Israel. Recently a number of Igbo Jewish communities have been established in Nigeria. Although some Igbo have made their way to Israel, the Israeli public is largely unaware of the fact that that there are in addition of 20 to 30 million people in Nigeria that are called by some, 'the Jews of West Africa.' This book offers for the first time an in-depth study and a genealogical history of the Igbo's long term narrative of a possible Jewish origin.
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Igbo art is famous for its diversity, inventiveness, and aesthetic quality. This wide-ranging survey of art made by the 15 to 20 million Igbo people of southeastern Nigeria focuses on the 20th century but also takes a look at the extraordinary 9th- and 10th-century bce cast copper alloy and ceramic finds that influenced Igbo artworks created 20 centuries later. Ceremonial contexts and meanings are explained, covering art associated with individuals as well as communal works and ranging from personal decoration to architectural forms, from household objects to cult sculpture, title regalia, and public shrines. Many little-known objects are included alongside a generous sampling of the thousands of masks that are perhaps the quintessential forms of Igbo art.
Ohadike (Cornell U.) examines the organization and strength of African resistance movements against European colonialism with particular reference to the small-scale communities. Annotation copyrighted by Book News, Inc., Portland, OR