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Dispatches from Dystopia
The author "wanders the Chernobyl Zone of Alienation, first on the Internet and then in person, to figure out which version -- the real or the virtual -- is the actual forgery. She also takes us to the basement of a hotel in Seattle to examine the personal possessions left in storage by Japanese Americans on their way to internment camps in 1942. In Uman, Ukraine, we hide with Brown in a tree in order to witness the male-only Rosh Hashanah celebration of Hasidic Jews. In the Russian southern Urals, she speaks with the citizens of the small city of Kyshtym, where invisible radioactive pollutants have mysteriously blighted lives. Finally, Brown returns home to Elgin, Illinois, in the industrial rust belt, to investigate the rise of "rustalgia" and the ways her formative experiences have inspired her obsession with modernist wastelands."--Jacket flap.
Chernobyl
"Named the "man of legend" by the Washington Post, Igor Kostin is the main witness of the Chernobyl catastrophe. On April 26, 1986, several hours after the explosion, he flew over the plant; the radioactivity was so high that all his films turned black. Only one single picture survived: it was shown around the world. Surprised by the enormity of the disaster and the silence of the authorities, Kostin decided to stay and live in the midst of the 800,000 "liquidators" who followed each other on the site of the accident." "Himself affected by radiation, he did not stop, but for twenty years continued to photograph the plant and the forbidden zone surrounding it. His story became the story of Chernobyl. He witnessed the evacuation of villages, the desperation and the courage of the people, the construction of the sarcophagus, the men transporting radioactive blocks with naked hands, the machine cemetery, where man no longer belongs ... For the first time he tells the story in words and in pictures."--BOOK JACKET.
惡托邦記
來自反烏托邦的報導，充滿哀愁又引人入勝 獲獎無數的歷史學家寫下未忘之地的歷史 ◎《大西洋雜誌》（The Atlantic）2016年最佳圖書 「衛兵打開行李箱，往裡頭瞧了瞧，關上行李箱，檢查我們的傳真許可文件，然後揮揮手，讓我們進入車諾比隔離區。我關心車諾比隔離區近十年，卻到了這個時候才得以進入一窺究竟。我想起安德烈．塔可夫斯基（Andrei Tarkovsky）1979年的電影《潛行者》（Stalker）禁區（the Zone）裡的荒涼景象。在塔可夫斯基的電影及我的想像裡，禁區四處可見生鏽的工廠廠房、倒塌的電話線與被陰暗森林占據的...
Chornobyl
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The Social Impact of the Chernobyl Disaster
A personal interpretation of the impact of the Chernobyl disaster both in the Soviet Union and the West, examining the environmental consequences, Soviet media coverage, reconstruction of life in the disaster zone (including the city built for Chernobyl workers) and safety changes in the industry.
Černobyl 01:23:40
3,6 rentgenu není žádná hrůza... Prožijte příběh nejhorší jaderné havárie v dějinách lidstva v unikátním propojení faktografie a cestopisu. Vydejte se s Andrewem do opuštěné Pripjati a do Černobylské jaderné elektrárny a buďte svědky neuvěřitelného příběhu plného nešťastných událostí, mlžení, zapírání, arogance, zbytečného utrpení, ale i neobyčejného hrdinství a sebeobětování těch, kteří následky katastrofy likvidovali.
Historical Dictionary of Russian and Soviet Cinema
Russian and Soviet cinema occupies a unique place in the history of world cinema. Legendary filmmakers such as Sergei Eisenstein, Vsevolod Pudovkin, Dziga Vertov, Andrei Tarkovsky, and Sergei Paradjanov have created oeuvres that are being screened and studied all over the world. The Soviet film industry was different from others because its main criterion of success was not profit, but the ideological and aesthetic effect on the viewer. Another important feature is Soviet cinema’s multinational (Eurasian) character: while Russian cinema was the largest, other national cinemas such as Georgian, Kazakh, and Ukrainian played a decisive role for Soviet cinema as a whole. The Historical Diction...
