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The Roots of Political Instability in Nigeria
The constant drumbeat of headlines about Darfur, Zimbabwe, Sudan, Somalia, as well as the other states in Africa that are beleaguered by political instability have made the causes of failed states and intra-state political conflicts a major issue, both academic and practical. Using Harry Eckstein and Ted R. Gurr's congruence-consonance theoretical framework of regime classification, E.C. Ejiogu examines the internal variations of society evident in the Nigerian state to explain why the country experiences political conflict and instability. The first time this theoretical framework has been applied to an African country; E.C. Ejiogu offers a balanced and interdisciplinary analysis of the evo...
CULTURE, JUSTICE AND SOCIAL CONTROL
Attempts to understand why African and Americans are over-represented in United States crime statistics have been made complex by the existence of a multiplicity of explanations. Every adult in the United States seems to know what causes crime, and is prepared to present some seasoned argument in support of their view. Because of the existence of this divergence, attempts to device a viable format for solving either the crime problem, the discrimination problem or the over representation problem continues to be difficult. Important aspects of authentic jurisprudence that acknowledge the need to examine a victim's contribution to the criminal event, retributive justice and collective responsi...
Africa
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Urban Politics in Nigeria
This title is part of UC Press's Voices Revived program, which commemorates University of California Press’s mission to seek out and cultivate the brightest minds and give them voice, reach, and impact. Drawing on a backlist dating to 1893, Voices Revived makes high-quality, peer-reviewed scholarship accessible once again using print-on-demand technology. This title was originally published in 1974.
New Perspectives on the Nigeria-Biafra War
New Perspectives on the Nigeria-Biafra War: No Victor, No Vanquished analyzes the continued impact of the Nigeria-Biafra war on the Igbo, the failure of the reconstruction and reconciliation effort in the post-war period, and the politics of exclusion of the memory of the war in public discourse in Nigeria. Furthermore, New Perspectives on the Nigeria-Biafra War explores the resilience of the Igbo people and the different strategies they have employed to preserve the history and memory of Biafra. The contributors argue that the war had important consequences for the socio-political developments in the post-war period, ushering in two differing ideologies: a paternalistic ideology of “co-option” of the Igbo by the Nigerian state, under the false premise of ‘No Victor, No Vanquished,” and the Igbo commitment to self-preservation on the other.
Esiaba Irobi's Drama and the Postcolony
Esiaba Irobi (1960-2010) was one of Africa's most innovative and productive younger playwrights. Deeply rooted in the indigenous performance traditions of his Igbo ethnic group, Irobi's drama, in the tradition of Wole Soyinka, is a hybrid production involving an iconoclastic reconceptualisation of the heritage he appropriates, its fascinating conflation with other performance traditions, and their projection onto the arena of contemporary Nigerian politics. This study by Isidore Diala is the first book-length examination of Irobi's work. It portrays a highly creative individual who was literally driven by the creative urge. The five chapters of this study illuminate different aspects of Irobi's oeuvre and include a vivid portrayal of Irobi the actor in his dream role of Elesin Oba, the eponymous King's Horseman in Wole Soyinka's drama. Diala highlight's Irobi's fascination for African festivals, which feature prominently in the earlier plays.He also demonstrates that although he is rooted in his Igbo culture, Irobi draws on different ethnic groups, pointing to conceptions of pan-Africanism that include the African diaspora.
