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The Heresiad by Ikeogu Oke was the 2017 winner of The Nigeria Prize for Literature. The poet employs the epic form in questioning power and freedom and probes metaphorically the inner workings of societies and those who shape them. the book speaks to an intense commitment to innovation, tenacity, joyful experimentation and social commentary in a way that provokes delight and engagement.
The Lion and the Monkey is the story of a lion that falls into a trap while trying to eat meat he believes is free and the monkey that frees him from the trap. It is a story about trust and gratitude.
The goal of the African Story Time Series is to revive African folklore and to generate and sustain interest in it as children's literature and as a medium of entertainment, education and moral instruction for young people.
This multi-voice collection is led by patriotic poems and is dominated by love poems. The author's previous collection, Salutes without Guns was selected as one of the Books of the Year 2010 by the Times Literary Supplement and was long-listed for the 2010 Wole Soyinka Prize for Literature.
Contributors analyse the theories behind children's literature, its functions and cultural significance, and suggest the new directions this literature is taking in terms of its craft, themes and intentions.
This volume of poetry, the third by the poet, explores the immensity and range of the Sahara desert as a metonymy. It won the Nigeria Prize for Literature in the year 2013 and was described by the panel of judges as 'encyclopedic'. In a wide ranging exploration of the quatrain, the poetry in this volume tests Shelley's assertion that poetry is both center and circumference.
Legacies of Departed African Women Writers: Matrix of Creativity and Power proffers varied perspectives of the invaluable contributions of ten deceased African writers from all across Africa who have cleared the path to a vibrant African feminist arena. The dynamics of change gleaned from both their textual and contextual concerns unarguably set the pace for contemporary African women writers who have striven to follow in the footsteps of their literary mothers as well as their oral foremothers. This book, edited by Helen Chukwuma and Chioma Carol Opara, shows the collective testament of ample creativity and power generated by these departed heroes: Flora Nwapa, Mariama Ba, Grace Ogot, Zulu Sofola, Bessie Head, Buchi Emecheta, Nawal El Saadawi, Assia Djebar, Yvonne Vera, and Nadine Gordimer. These chapters revolve around the positive impact of the celebrated writers on creative writing, theoretical formulations, and socio-cultural change. The contributors argue that these corpuses of works have illuminated creativity rooted in power, vision, and freedom.
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The Politics of Biafra is a reflection on the importance of history in addressing present realities and the future co-existence of Nigeria's multi ethnic society. It analyzes the ideological struggles and conflict in Biafra during the war with Nigeria from 1967-1970, the impact of the war and the relevance of those struggles to the current agitations for a new state of Biafra. In this historical and analytical work, the author observes that nearly fifty years after the end of the Nigeria-Biafra war in 1970, Nigeria remains confronted with the Biafra dilemma. No matter its pretensions, Nigeria will at some point have to reform its present pseudo federal arrangement to create a more inclusive, equitable and proper federal structure. If not, the country will continue to face epileptic developmental thrusts, militancy in the Niger Delta and a ruinous intensifying clamor for self-determination by disadvantaged ethnic groups, especially the Igbo. Appendix - Three part essay by Professor Chukwuma Soludo.