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Poets of Divine Love
Clearly written, this incisive critical study opens a new analytic window not only to the rhetoric of medieval Italian poetry but also to a richer understanding of one of the most important strands of medieval European culture.
The Critic
None
And Yet It Is Heard
We bring into full light some excerpts on musical subjects which were until now scattered throughout the most famous scientific texts. The main scientific and musical cultures outside of Europe are also taken into consideration. The first and most important property to underline in the scientific texts examined here is the language they are written in. This means that our multicultural history of the sciences necessarily also becomes a review of the various dominant languages used in the different historical contexts. In this volume, the history of the development of the sciences is told as it happened in real contexts, not in an alienated ideal world.
Formulas of Repetition in Dante's Commedia
Howard (Hispanic and Italian studies, U. of Victoria) analyzes recurrent linguistic patterns or formulas found throughout Dante's Commedia. When a formula found in more than one place in the text, Howard analyzes the context surrounding these linguistic signposts thereby drawing conclusions about the poem's meaning. Howard's focus is on making connections between formulas which are not in close proximity to each other and have thus remained largely hidden. Distributed in the US by Cornell University Services. c. Book News Inc.
A Cross Too Heavy
The papacy of Pius XII (1939-1958) has been a source of near-constant criticism and debate since his death, particularly because of his alleged silence during the Holocaust. Paul O'Shea examines his little-studied pre-papal life to demonstrate that Pius was neither an anti-Semitic villain nor a 'lamb without stain.'
The Athenaeum
None
The Writings of Saint Francis of Assisi
Saint Francis is considered the first Italian poet by some literary critics. He believed commoners should be able to pray to God in their own language, and he often wrote in the dialect of Umbria instead of Latin. Francis' writing fully reflects his personality and spirituality, making them at once formidably mystic and exquisitely human. They combine great elevation of thought with much picturesqueness of expression. Through his prayers, correspondence and regulas readers will connect and unite with one of the most beloved saints of the Catholic Church.
