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In Arab-Jewish Literature: The Birth and Demise of the Arabic Short Story, Reuven Snir offers an account of the emergence of the art of the Arabic short story among the Arabized Jews during the 1920s, especially in Iraq and Egypt, its development in the next two decades, until the emigration to Israel after 1948, and the efforts to continue the literary writing in Israeli society, the shift to Hebrew, and its current demise. The stories discussed in the book reflect the various stages of the development of Arab-Jewish identity during the twentieth century and are studied in the relevant updated theoretical and literary contexts. An anthology of sixteen translated stories is also included as an appendix to the book. "Highly recommended for academic libraries collecting in the areas of Arab-Jewish cultural history, diaspora and exile studies, and literary identity formations." - Dr. Yaffa Weisman, Los Angeles, in: Association of Jewish Libraries News and Reviews 1.2 (2019)
In the wake of the death of his friend Arthur Henry Hallam, the subject of In Memoriam, Alfred Tennyson wrote a range of intricately connected poems, many of which feature pivotal scenes of rapture, or being carried away. This book explores Tennyson's representation of rapture as a radical mechanism of transformation-theological, social, political, or personal-and as a figure for critical processes in his own poetics. The poet's fascination with transformation is figured formally in the genre he is credited with inventing, the dramatic monologue. Tennyson's Rapture investigates the poet's previously unrecognized intimacy with the theological movements in early Victorian Britain that are the ...
Drawing its numerous examples from Britain and beyond, Archaeological Investigation explores the procedures used in field archaeology travelling over the whole process from discovery to publication. Divided into four parts, it argues for a set of principles in part one, describes work in the field in part two and how to write up in part three. Part four describes the modern world in which all types of archaeologist operate, academic and professional. The central chapter ‘Projects Galore’ takes the reader on a whirlwind tour through different kinds of investigation including in caves, gravel quarries, towns, historic buildings and underwater. Archaeological Investigation intends to be a c...
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The field of archaeology continues to face a major crisis of interpretation. The traditional view is that the basic business of archaeology is to reconstruct the history of cultures and civilizations through their material productions. Olivier challenges this view with a new approach to archaeological remains based on the works of French theorists such as Foucault, de Certeaux, and Derrida, with insight from Darwin and Freud. His thesis is that archaeology does not study the past itself but rather what materially remains of the past in our present. Olivier also develops an interpretation of material culture based on Aby Warburg’s and Walter Benjamin’s work in the anthropology of art. With wider implications for history and all social sciences, The Dark Abyss of Time is a major contribution to the theory of time, memory, heritage, and archaeology. This flawless translation makes Olivier’s elegantly written work available in English for the first time.
This book details modern archaeologists' methods of studying the past, describing basic practical procedures as well as complex scientific techniques used in analysis. It also examines traditional methodology, fieldwork and excavation.
Spatiality at the Periphery in European Literatures and Visual Arts analyzes the impact migrations, both internal and external, have on Europe’s literary and visual representations in the nineteenth to twenty-first centuries. The volume aims to subvert a centripetal reading of European cultural production by including peripheral thinkers, writers, and visual artists operating in transcultural contexts. The essays highlight and investigate the fertile artistic discourses generated in the spatial peripheries outside of Europe or its inner peripheries. The volume addresses the need for geocritical readings that overcome the engrained dichotomy of centers-peripheries. By doing so, the book brings a more nuanced approach to national literatures and proposes the idea of “contact zones of imaginative interaction”.
In Who Needs Arab-Jewish Identity?: Interpellation, Exclusion, and Inessential Solidarities, Professor Reuven Snir, Dean of Humanities at Haifa University, presents a new approach to the study of Arab-Jewish identity and the subjectivities of Arabized Jews. Against the historical background of Arab-Jewish culture and in light of identity theory, Snir shows how the exclusion that the Arabized Jews had experienced, both in their mother countries and then in Israel, led to the fragmentation of their original identities and encouraged them to find refuge in inessential solidarities. Following double exclusion, intense globalization, and contemporary fluidity of identities, singularity, not ident...
"You left these in my rover," he stated, shoving my panties into my hand. "Thought I should return them to you." "Do you want a thank you?" I snapped, quickly tucking the fabric into my pocket before any of my crew could see. ***** Theodora Walker never claimed to be perfect. Especially when it came to her love life. The ex-military gunslinger made a name for herself as a galactic freelancer. Handling jobs from hunting down monsters to finding missing girls on her spaceship, Peacemaker, with her closest friends and the best damn crew she could ever want. As the Captain, she never expected to catch feelings for her mechanic, Mads, and tried to overcorrect it by having a one-night stand with a stranger. Now faced with more complications than she can handle she has to find a way to navigate her heart while also navigating the galaxy. The Captain, the Mechanic and the One Night Stand is created by Claire Wilkins, an eGlobal Creative Publishing signed author.