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Elizabethan Women and the Poetry of Courtship
This 1999 book offers an original study of lyric form and social custom in the Elizabethan age. Ilona Bell explores the tendency of Elizabethan love poems not only to represent an amorous thought, but to conduct the courtship itself. Where studies have focused on courtiership, patronage and preferment at court, her focus is on love poetry, amorous courtship, and relations between Elizabethan men and women. The book examines the ways in which the tropes and rhetoric of love poetry were used to court Elizabethan women (not only at court and in the great houses, but in society at large) and how the women responded to being wooed, in prose, poetry and speech. Bringing together canonical male poets and women writers, Ilona Bell investigates a range of texts addressed to, written by, read, heard or transformed by Elizabethan women, and charts the beginnings of a female lyric tradition.
Dissing Elizabeth
DISSING ELIZABETH is a collection of essays focusing on criticism of Elizabeth I by her contemporaries, and considering the wide range of forms the dissenters used for their critique.
Elizabeth I
This groundbreaking book combines literary interpretation, gender analysis, and cultural, political, and diplomatic history to examine how Elizabeth I used the discourse of love to establish her political power, assert her right to marry or not, and rule the country herself either way.
Selected Poems
Regarded by many as the greatest of the Metaphysical poets, John Donne was also among the most intriguing figures of the Elizabethan age. This book includes Donne's Songs and Sonnets, epigrams, elegies, letters, satires, and the Divine Poems composed towards the end of his life. His other poems include The Flea, and Holy Sonnets.
John Donne: Collected Poetry
Regarded by many as the greatest of the Metaphysical poets, John Donne (1572-1631) was also among the most intriguing figures of the Elizabethan age. A sensualist who composed erotic and playful love poetry in his youth, he was raised a Catholic but later became one of the most admired Protestant preachers of his time. The Collected Poetry reflects this wide diversity, and includes his youthful songs and sonnets, epigrams, elegies, letters, satires, and the profoundly moving Divine Poems composed towards the end of his life. From joyful poems such as 'The Flea', which transforms the image of a louse into something marvellous, to the intimate and intense Holy Sonnets, Donne breathed new vigour into poetry by drawing lucid and often startling metaphors from the world in which he lived. His poems remain among the most passionate, profound and spiritual in the English language.
Mary Wroth's Pamphilia to Amphilanthus
In this first full-length study of Pamphilia to Amphilanthus, the first sonnet sequence to be written and published by an English woman, Ilona Bell shows that Mary Wroth is a boldly original lyric poet. Bell compares the handwritten private manuscript to the printed text, and shows how Wroth refashioned herself to conceal an earlier, more transgressive, private poetic persona. By exploring interpretive clues provided by Wroth's romance Urania, Bell sheds new light on the links between Wroth's life and writing. Bell traces how Wroth re-conceptualized the private poems of her father Robert Sidney and the influential sonnets of her famous uncle Philip Sidney. Ultimately she discloses that Wroth...
John Donne's Professional Lives
New studies offer a revisionist interpretation of Donne's career, making a polemical case for studying the full range of his writings. During his life, John Donne occupied a range of professional positions, in all of which he produced writings considered by his contemporaries to be worthy of interest, collection and annotation. Donne's lifetime also coincided with the period during which the notion of the profession became increasingly significant. This volume makes a strong argument for the importance of Donne's professional writings to our understanding of his oeuvre and of the cultureof late sixteenth- and early seventeenth-century England. Studying in depth his remarkable use of a wide r...
Collected Poetry
A new collection of John Donne's verse, from the witty conceit of "The Flea" to the intense spirituality of his Divine Poems Regarded by many as the greatest of the metaphysical poets, John Donne was also among the most intriguing figures of the Elizabethan Age. A sensualist who composed erotic and playful love poetry in his youth, he was raised a Catholic but later became one of the most admired Protestant preachers of his time. Reflecting this wide diversity, Collected Poetry includes his youthful songs and sonnets, epigrams, elegies, letters, satires, and the profoundly moving Divine Poems composed toward the end of his life. From joyful works such as "The Flea," which transforms the imag...
"Pamphilia to Amphilanthus" in Manuscript and Print
Lady Mary Wroth’s private manuscript, printed here for the first time, shows her to be a great poet, more psychologically insightful, verbally sophisticated, and boldly original than scholars had realized. Her carefully curated and re-conceptualized printed collection also reveals her to be a remarkably self-reflexive and critically astute writer. When the manuscript and printed sequences are read together, as this edition encourages readers to do, Wroth’s poetry is seen clearly as innovative, erotic, and shrewdly multivalent.
The Matter of Song in Early Modern England
This volume treats early modern song as a musical and embodied practice and considers the implications of reading song not just as lyric text, but as a musical phenomenon that is the product of the singing body. It draws on a variety of genres, from theatre to psalm translations, sonnets and lyrics, and household drama to courtly masques.
