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Music Divided
Music Divided explores how political pressures affected musical life on both sides of the iron curtain during the early years of the cold war. In this groundbreaking study, Danielle Fosler-Lussier illuminates the pervasive political anxieties of the day through particular attention to artistic, music-theoretical, and propagandistic responses to the music of Hungary’s most renowned twentieth-century composer, Béla Bartók. She shows how a tense period of political transition plagued Bartók’s music and imperiled those who took a stand on its aesthetic value in the emerging socialist state. Her fascinating investigation of Bartók’s reception outside of Hungary demonstrates that Western...
Bartók and His World
Béla Bartók, who died in New York fifty years ago this September, is one of the most frequently performed twentieth-century composers. He is also the subject of a rapidly growing critical and analytical literature. Bartók was born in Hungary and made his home there for all but his last five years, when he resided in the United States. As a result, many aspects of his life and work have been accessible only to readers of Hungarian. The main goal of this volume is to provide English-speaking audiences with new insights into the life and reception of this musician, especially in Hungary. Part I begins with an essay by Leon Botstein that places Bartók in a large historical and cultural conte...
Bela Bartok and Turn-of-the-Century Budapest
Bartók's music is greatly prized by concertgoers, yet we know little about the intellectual milieu that gave rise to his artistry. Bartók is often seen as a lonely genius emerging from a gray background of an "underdeveloped country." Now Judit Frigyesi offers a broader perspective on Bartók's art by grounding it in the social and cultural life of turn-of-the-century Hungary and the intense creativity of its modernist movement. Bartók spent most of his life in Budapest, an exceptional man living in a remarkable milieu. Frigyesi argues that Hungarian modernism in general and Bartók's aesthetic in particular should be understood in terms of a collective search for wholeness in life and ar...
From Toleration to Expulsion
On April 6, 1948, a significant portion of the population of the village of Ecsny in Somogy County, Hungary, was expelled from their homeland. This was the result of Protocol XIII of the Potsdam Declaration of 1945 calling for the orderly and humane transfer of German populations now living in Poland, Czechoslovakia, and Hungary. The families involved were descendants of German settlers who began to arrive in what would become the village of Ecsny as early as 1754. They formed an Evangelical Lutheran congregation at the outset that would survive as an underground movement until the Edict of Toleration promulgated by the Emperor Joseph II of Austria in 1782. These two governmental actions tak...
The Way They Play
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