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Imago Mundi
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Imago Mundi
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Imago Mundi
Reproduktion des Originals in Gro druckschrift.
Imago Mundi
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Imago Mundi
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New England Days
The art of the landscape photograph was first pioneered in this country by the likes of Timothy O'Sullivan and Carleton E. Watkins, who carried their cumbersome equipment and wet plates to the Western frontier. It was refined by a second generation of artists, led by Ansel Adams, Eliot Porter, and Minor White, whose legacy was passed on to - and further refined by - a third generation: most notably by artists like Paul Caponigro. In this fine selection, his first book in six years, he has selected images from the work done in New England over the past quarter century.
Imago Mundi
"Loren Wilkinson is best known among most of us for his passionate, life-long care for the earth--the literal earth. The soil-and-flower, river-and-tree earth. But not nearly as many are aware that he wrote poems equally as skilled in revealing his care for language--the sounds and rhythms and metaphors that keep us alert to the 'Word made flesh.'" -Eugene H. Peterson "Loren Wilkinson is one of those native souls to whom the tag 'natural poet' adheres like pollen to a bee's knees. His personal presence and his way of living are models of enthusiasm for the creation and its Creator. He names things in order to bring them to our attention." -Luci Shaw "Loren Wilkinson is a poet who celebrates his faith as well as the simple things of creation in peasant ways, ever mindful that Christ is sacramentally there as Lord of all Creation. Daily events, then, are always Epiphany." -James M. Houston
Angels at the Arno
A collection of photos made by Lindbloom in Florence between 1979 and 1987, using a Diana camera--virtually a child's toy with a plastic lens (the story of which is explained in an afterword). The photos have an intriguing strangeness and intimacy. 10x9.25" Annotation c. by Book News, Inc., Portland, Or.The Florence revealed in Eric Lindbloom's Angels at the Arno is almost startling in its intimacy and quiet solitude. Lindbloom's view of the city - rendered exclusively through the plastic lens of a Diana camera, virtually a child's toy - brings this venerable city to new life and light. With unabashed subjectivity and an offbeat, oneiric sensibility, Lindbloom conveys his sense of an unveiled Florence, filled with views striking for the beauty they contain rather than for the history they suggest.
