Welcome to our book review site go-pdf.online!
You may have to Search all our reviewed books and magazines, click the sign up button below to create a free account.
Indira Goswami
This book engages with the life and works of Indira Goswami, the first Assamese woman writer to win the highest national literary award, the Jnanpith Award, in 2001. From sociological treatises to a springboard of a socio-political milieu, Goswami’s texts are intersections of the local and the global, the popular and the canonical. The writer’s penchant for transcending boundaries gives a new contour and shape to the social and cultural domains in her texts. That every character is a representative of the society, that the context comes alive in every evocation of class struggle, power play, caste discrimination and gendered narratives add an interesting semantic load to her texts. While...
Indira Goswami
On the life and works of Māmanị Raẏachama Goswāmī, b. 1942, an Assame women author.
Pages Stained with Blood
Pages Stained with Blood is a thought-provoking and candid history of the 1984 riots. Indira Goswami reacts to the bloodshed and the savagery that followed Prime Minister Indira Gandhi s assassination and weaves a powerful tale of human frailties and mindless violence.
An Unfinished Autobiography
Autobiography of a woman Assamese author.
The Blue-necked God
The Blue-necked God (Nilakantha Braja), published in 1976, is one of Indira Goswami’s early novels and the first time that a writer highlighted the exploitation and poverty of widows, dumped in a ‘sacred’ city to eke out their days in prayer by uncaring, callous families under the guise of religious sanction and tradition. It was a book that raised many eyebrows when it was first published for this amazing narrative combined fact and fiction, autobiography and reflection in a fascinating mix as she tried to depict the confusion and the mental agony she herself experienced after the death of her husband through her character Saudamini. The physical, emotional, financial deprivation face...
The Bronze Sword of Thengphakhri Tehsildar
Indira Goswami’s last work of fiction, The Bronze Sword of Thengphakhri Tehsildar is the heroic tale of a Bodo freedom fighter who was, arguably, the first woman revenue collector, a tehsildar, in British India. Set in late 19th-century Assam, the novel generated a great deal of interest when it was published. Thengphakhri is a fascinating character that the author recreated from folklore and songs and stories that she’d heard in her childhood. The image of the protagonist, galloping across the plains of Bijni kingdom in lower Assam to collect taxes for the British, is a compelling one and one that inspires awe and admiration. At a time when educated Indians, social reformers and the British government were trying to fight misogynist practices such as sati, child marriage and the purdah system, here was a woman working with the British officers, shoulder to shoulder, as a tax collector who rode a horse, wore a hat and had knee-length black hair. Indira Goswami has woven a complex tale wherein the foundations of the colonial rulers were shaken by insurgents seeking freedom across Assam just before the rise of the Indian National Congress. Published by Zubaan.
The Moth-eaten Howdah of the Tusker
At the dawn of independence in India, in a small
The Shadow of Kamakhya
The shadow of Kamakhya is a collection of stories set in Assam. Handpicked by the author, the stories are invested with a wealth of detail which evoke a feel of the region. The themes explored, however, are wide-ranging--the pain of thwarted passion, blighted hopes, the struggle for exsistence--and they transcend the ambience with ease.
