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Religious Violence, Political Ends
Politisch begründete religiöse Gewalt war und ist seit der Antike eine gängige Praxis: Die Gräueltaten des Römischen Reiches gegenüber frühchristlichen Gemeinschaften wurden schnell durch nicht minder aggressive Handlungen gegenüber nicht-christlichen Gläubigen ersetzt, denen abscheuliche und polytheistische Praktiken vorgeworfen wurden. Mit dem Aufkommen der Moderne hat die Homogenisierung der religiösen Sphäre für politisch-ökonomische Zwecke, die Vernichtung jeder Form von Häresie und die Ausbreitung des Protestantismus, des Calvinismus und des Anglikanismus eine Umstrukturierung und Konzeptualisierung der westeuropäischen Staaten bewirkt, ganz nach der Devise „ein König...
Contemporary Moroccan Thought
Contemporary Moroccan Thought offers a new and broad coverage of the intellectual dynamics and scholarly output of what is presented here as the Rabat School since the 1950s. Geographically situated at the western edge of the classical Arab-Islamic world, Moroccan scholarship has made a belated yet vigorous comeback on the modern Arab intellectual scene, attracting wider reception beyond the Arabic-speaking world, through influential contributions in philosophical, theological, social and cultural studies. This volume sets a new standard in the study of Moroccan, North African, and Middle Eastern societies, and will undoubtedly remain an important scholarly reference for generations to come....
al-Radd al-jamīl - A Fitting Refutation of the Divinity of Jesus
al-Radd al-jamīl attributed to al-Ghazālī (d. 1111) is the most extensive and detailed refutation of the divinity of Jesus by a Muslim author in the classical period of Islam. Since the discovery of the manuscript in the 1930’s scholars have debated whether the great Muslim theologian al-Ghazālī was really the author. This is a new critical edition of the Arabic text and the first complete English translation. The introduction situates this work in the history of Muslim anti-Christian polemical writing. Mark Beaumont and Maha El Kaisy-Friemuth argue that this refutation comes from an admirer of al-Ghazālī who sought to advance some of his key ideas for an Egyptian audience.
The Journey Home
Cowrie wins a scholarship and moves to San Francisco, a world away from her island home. Perched in the borrowed apartment of a lesbian film-maker, Cowrie explores this familiar world with fresh eyes. She falls in love - with food, with her new life, and with Peta.
Christian-Muslim Relations. A Bibliographical History. Volume 5 (1350-1500)
Christian-Muslim Relations, a Bibliographical History 5 (CMR 5), covering the period 1350-1500, is a continuing volume in a general history of relations between the two faiths from the seventh century to 1900. It comprises a series of introductory essays and also the main body of detailed entries which treat all the works, surviving or lost, that have been recorded. These entries provide biographical details of the authors, descriptions and assessments of the works themselves, and complete accounts of manuscripts, editions, translations and studies. The result of collaboration between numerous leading scholars, CMR 5, along with the other volumes in this series, is intended as an indispensable tool for research in Christian-Muslim relations.
Studies on the Works of José Donoso
This anthology of critical essays seeks to fill a void which exists in the psycho-social study of Jose Donoso's works. It includes articles such as: Literature as an Exploration of Self; El obsceno p jaro de la noche and the role of the Narrator Agent; and El jarden de al lado: Rewriting the Boom.
Monographic Review
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Understanding José Donoso
Chilean writer José Donoso is one of a handful of authors inevitably mentioned in relationship to the 'boom' in Spanish American literature during the 1960s and 1970s. His name is frequently linked with those of other Latin writers such as García Márquez, Vargas Llosa, Fuentes, Rulfo, and Cortázar. Like his contemporaries, Donoso blends the physical and the psychological in his fiction. The perceptions of his characters are constantly changing. For Donoso, 'reality' is a state of mind always subject to the imagination, and nothing is stable.
