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Ingeborg Bachmann
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Understanding Ingeborg Bachmann
Bachmann & her critique of postwar Europe.
Ingeborg Bachmann
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If We Had the Word
Ingeborg Bachmann (1926-1973) was one of the most significant post-war women writers in German language literature and remains one of the most important writers of our time. Over thirty years after her death, her work continues to attract the critical attentions of a wide general readership as well as scholars from many different disciplines, not least because her poems, short stories, critical essays, radio plays and novels deal with issues that continue to haunt contemporary culture: history, gender, exile, war, memory and the Holocaust. A poet, writer and trained philosopher, Bachmann relentlessly proved what she believed was the potential of language and writing to raise awareness and effect change in a culture marked by violence against women, individual and collective trauma, the effacement of memory, the forgetting of atrocities, and the silencing of victims. The multifaceted, interdisciplinary approaches to Ingeborg Bachmann's work make this collection appealing and relevant to both critics and scholars of Ingeborg Bachmann and to everyone interested in critical theory and contemporary culture.
Malina
'An intense, courageous novel, equal to the best of Virginia Woolf and Samuel Beckett' The New York Times Part detective novel, part love story, part psychoanalytic case study, Malina is a staggering portrait of a writer trying to tell her own story in a world dominated by men. 'I was subordinate to him from the beginning, and I must have known early on that he was destined to be my doom' A woman in postwar Vienna walks a tightrope between the two men in her life. There is her lover Ivan, beautiful and unavailable, who obsesses her. And there is Malina, the civil servant with whom she shares an apartment: reserved, fastidious, exacting, chillingly calm. As the balance of power between them starts to shift, she feels her fragile identity unravelling, gradually revealing the dark, bruised heart of her past.
Songs in Flight
Poet, short story write, novelist, essayist, Ingeborg Bachmann is regarded as one of the half-dozen most important German-language writers of the second half of the twentieth century. English language readers still don't have enough Bachmann to read, but htis volume of eloquent translations is the best of all possible beginnings. --Susan Sontag. This collection brings to an English-speaking audience virtually the entire poetic output of one of the most important post-war European poets, offering the original German and sensitive translations by poet Filkins. --Publishers Weekly.
Ingeborg Bachmann.
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Malina
Malina es la historia de una súplica, de una confesión, de una pasión, del yo en busca de su identidad, en medio de una tensión insostenible. Y asimismo, es la historia de un triángulo muy poco convencional, en el que dos de sus componentes son, en realidad, «uno», y cada personaje, «doble». Malina, la primera y única novela de Ingeborg Bachmann, constituye, junto con El caso Franza y Réquiem por Fanny Goldmann, el ciclo Modos de muerte, obra cumbre de la escritora austriaca que quedó inacabada a su muerte en 1973.
The Critical Writings of Ingeborg Bachmann
The first English translation of the essays, lectures, and other critical writings of the celebrated Austrian poet, novelist, and public intellectual, one of the most influential postwar writers in German. The Austrian Ingeborg Bachmann (1926-1973) is one of the most important postwar writers in German. Her work is enmeshed with the intellectual and cultural developments of the period: she was influenced by European modernism in the early 1950s, experienced the sweeping changes of the 60s, and worked until her death in 1973 on her celebrated and sprawling "Todesarten" (Ways of Death) project, on the decades following National Socialism. Her poetry and prose confront what she called "the sick...
War Diary
Austrian writer Ingeborg Bachmann (1926-73) is recognized as one of the most important novelists, poets, and playwrights of postwar German literature. As befitting such a versatile writer, her War Diary is not a day-by-day journal but a series of sketches, depicting the last months of World War II and the first year of the subsequent British occupation of Austria. These articulate and powerful entries--all the more remarkable taking into account Bachmann's young age at the time--reveal the eighteen-year-old's hatred of both war and Nazism as she avoids the fanatics' determination to "defend Klagenfurt to the last man and the last woman." The British occupation leads to her incredible meeting...
