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Alphabet
A startling and gorgeous work by Denmark's most admired poet finally available in English translation.
It
'It' can be read both as a collection of poems and as a single epic, which fuses together the microcosms of human relationships with a broad philosophical pathos.
Light, Grass, and Letter in April
A daring collection of poems by Denmark's most eminent poet, with fifteen illustrations by the Danish artist Johanne Fosse.
It
Inger Christensen's masterpieceit, translated brilliantly by Susanna Nied, and with an illuminating introduction by Anne Carson. itis the masterwork by Danish poet Inger Christensen ("a true singer of the syllables," said C. D. Wright), often cited as a Nobel contender and one of Europe's most revered poets. On its publication in 1969, it took Denmark by storm, winning critical praise and becoming a huge popular favorite. Translated into many languages,itwon international acclaim and is now a classic of modern Scandinavian poetry. itis both a collection of poems and a single poetic epic, forming a philosophical statement on the nature of language, perception, and reality. The subject matter, though, is down to earth: amoebas, stones, and factories; fear, sea urchins, and mental institutions; sand, sexuality, and song. The words and images ofitrecur in ways reminiscent of Christensen's other works, but here is a younger poetry, wilder, and crackling with energy. The marvelous and complex use of mathematical structure initis faithfully captured in Susanna Nied's English translation, which won a 2005 PEN Translation Fund Award.
Butterfly Valley
Inger Christensen, often cited as a Nobel contender, is one of Europe's most revered poets. Winner of the Nordic Prize of the Swedish Academy and the Austrian State Prize for Literature, she is perhaps best known for her groundbreaking work Det (It), a cycle of poems published in 1969. Her first book published in the U.S., alphabet (New Directions, 2001), met with a tremendous response: "Seductive," said Boston Review; "A visionary reincarnation of the natural world in the atomic age," wrote Chicago Review. Butterfly Valley: A Requiem collects four medium-length works, each startling for its beauty and formal innovation. "Butterfly Valley" is a sonnet cycle which describes the glowing color ...
The Painted Room
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Out of Nowhere Into Nothing
Essays on the apparitional, the incomprehensible, and the paranormal in conversation with art, travel, and storytelling The ghosts—literal and figurative—that drive our deepest impulses, disturb our most precious memories, and haunt the passages of our daily lives are present in this collection of sublime meditations on the unbelievable, the coincidental, and the apparitional. Often containing reflections on the art of storytelling, Caryl Pagel’s essays blend memoir, research, and reflection, and are driven by a desire to observe connections between the visual and the invisible. The narrator of Pagel’s essays explores each enigma or encounter (a football coach’s faked death, the fa...
The Meaning of Metafiction
In 20th century literature, a kind of fiction has come much to the fore where the narrator discusses his own craft and frequently addresses the reader. However, Laurence Sterneʼs Tristram Shandy may serve as a striking example of the fact that metafiction is no modern phenomenon. Metafiction has been criticized for solipsism and regarded as a final proof of ʼthe novel no longer novelʼ. Discussing works of three contemporary novelists, Nobokov, Barth and Beckett, and Sterneʼs eighteenth century novel, the author argues that with their tricks, parodies and humour (humor) the metafictionists are concerned with a central human problem: communication. Should literature entertain, come up with ideas about the meaning of existence or give the reader a purely aesthetic experience? The four novelists examined in this study give different and rather exciting answers to these questions and to the problem of bringing their intentions across to the reader. Book cover.
Damascus, Atlantis
Epic poems drawn from Swedish writer Marie Silkeberg's most recent books are matched with stills from her poetry films, putting word and image in dialogue to explore ruins, cityscapes, the echoes of history, all into the depth of language's power. Marie Silkeberg has been a major voice in Swedish poetry since the early 1990s. In these poems, drawn from her books Till Damaskus and Atlantis, translated by Kelsi Vanada, she tackles some of the most wrenching events of recent decades--globalization, the escalating war in Syria, and its ongoing aftermath and consequences. The speaker of these poems lives in a reality informed by these events and by an older European history. Taking the standpoint of listener and observer forced to confront the horrors in present tense, the poems question how we share the pain of others, and how the meeting between different experiences of trauma influences language.
Butterfly Valley
Butterfly Valley is a tour de force, exploring the major themes of life, love, death and art. The form is simple yet complex, a sonnet sequence building to a final sonnet of extraordinary power. Life, love, art, all are transient--like the butterfly, yet beautiful, even in their ephemerality. --The Dedalus Press.
