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Where We Swim
The question didn't seem to be so much why we swim, as where and how we swim, and with whom. Also, where we fail to swim, water threatening to flood our lungs or the lungs of others, as well as where we rise and float. Ingrid Horrocks had few aspirations to swimming mastery, but she had always loved being in the water. She set out on a solo swimming journey, then abandoned it for a different kind of immersion altogether – one which led her to more deeply examine relationships, our ecological crisis, and responsibilities to those around us. Where We Swim ranges from solitary swims in polluted rivers in Aotearoa New Zealand, to dips in pools in Arizona and the Peruvian Amazon, and in the ocean off Western Australia and the south coast of England. Part memoir, part travel and nature writing, this generous and absorbing book is about being a daughter, sister, partner, mother, and above all a human being living among other animals on this watery planet.
Women Wanderers and the Writing of Mobility, 1784-1814
A history of the writing of mobility in the Romantic period, through the work of major women writers.
Women Wanderers and the Writing of Mobility, 1784–1814
In the last days of the Scandinavian journey that would become the basis of her great post-Revolutionary travel book, Mary Wollstonecraft wrote, 'I am weary of travelling - yet seem to have no home - no resting place to look to - I am strangely cast off'. From this starting point, Ingrid Horrocks reveals the significance of representations of women wanderers in the late-eighteenth and early-nineteenth centuries, particularly in the work of women writers. She follows gendered, frequently reluctant wanderers beyond travel narratives into poetry, gothic romances, and sentimental novels, and places them within a long history of uses of the more traditional literary figure of the male wanderer. Drawing out the relationship between mobility and affect, and illuminating textual forms of wandering, Horrocks shows how paying attention to the figure of the woman wanderer sheds new light on women and travel, and alters assumptions about mobility's connection with freedom.
Mapping the Distance
This superb collection of poems shows the benefit of ten years gestation. The major part of the book consists of poems coming from years spent living and studying overseas and then settling back in New Zealand and starting a family. With its broad scope and variety of lyric styles, Mapping the Distance is a landmark book.
Living with the Climate Crisis
‘It is there, in the background. Always. Increasingly urgent. Its ominous hum is the soundtrack to every other story we tell.’ The devastating summer of Australian bushfires underlined a terrifying sense of a world pushed to the brink. Then came Covid-19, and with it another dramatic lurch away from business as usual. Some observers are worried that the all-consuming effort to control the pandemic will distract us from the long-term challenge of limiting catastrophic climate change. At the same time, many people are hoping for a ‘green Covid-19 recovery’: a cleaner, fairer and safer world. This BWB Text brings together mātauranga Māori and Pasifika perspectives, voices from academia, activism, journalism and economics to bear witness to these troubled times.
Extraordinary Anywhere
This collection of personal essays, a first of its kind, re-imagines the idea of place for an emerging generation of readers and writers. It offers glimpses into where we are now and how that feels, and opens up the range and kinds of stories we can conceive of telling about living here. Contributors include Tony Ballantyne, Sally Blundell, Alex Calder, Annabel Cooper, Tim Corballis, Martin Edmond, Ingrid Horrocks, Lynn Jenner, Cherie Lacey, Tina Makereti, Harry Ricketts, Jack Ross, Alice Te Punga Somerville, Giovanni Tiso, Ian Wedde, Lydia Wevers, and Ashleigh Young.
The Dreaming Land
So here I am walking again an old path made new by the very fact that I am upon it once more, accompanied by familiar hordes: the fecund majority of the dead, the myriad of the living in all of their many forms, defunct, mutant, revenant or otherwise, traversing memory’s infinite field. In the evocative prose that makes him one of our finest writers, Martin Edmond recalls his experiences of growing up in rural New Zealand in the 1950s and 60s. The son of schoolteachers, Edmond’s early life was shaped by his father’s developing career and the moves it dictated: from Ohakune, to Greytown, to Huntly, to Heretaunga. The Dreaming Land shows us the making of a thinker and a writer. Edmond documents the people, locations, and events that made a lasting impression on him, and maps the development of his mental landscape – a landscape marked by curiosity, empathy and the capacity for acute observation. It is a book that is at once personal and universal, charting formative moments yet filled with details that resonate more broadly. The Dreaming Land pushes at the boundaries of what can be remembered to create a narrative which absorbs, illuminates and enchants.
A History of New Zealand Literature
A History of New Zealand Literature traces the genealogy of New Zealand literature from its first imaginings by Europeans in the eighteenth century. Beginning with a comprehensive introduction that charts the growth of, and challenges to, a nationalist literary tradition, the essays in this History illuminate the cultural and political intricacies of New Zealand literature, surveying the multilayered verse, fiction and drama of such diverse writers as Katherine Mansfield, Allen Curnow, Frank Sargeson, Janet Frame, Keri Hulme, Witi Ihimaera and Patricia Grace. Written by a host of leading scholars, this History devotes special attention to the lasting significance of colonialism, biculturalism and multiculturalism in New Zealand literature. A History of New Zealand Literature is of pivotal importance to the development of New Zealand writing and will serve as an invaluable reference for specialists and students alike.
Migrant and Diasporic Film and Filmmaking in New Zealand
This book is the first ever collection on diasporic screen production in New Zealand. Through contributions by a diverse range of local and international scholars, it identifies the central characteristics, histories, practices and trajectories of screen media made by and/or about migrant and diasporic peoples in New Zealand, including Asians, Pacific Islanders and other communities. It addresses issues pertinent to representation of migrant and diasporic life and experience on screen, and showcases critical dialogues with directors, scriptwriters, producers and other key figures whose work reflects experiences of migration, diaspora and multiculturalism in contemporary New Zealand. With a foreword by Hamid Naficy, the key theorist of accented cinema, this comprehensive collection addresses essential questions about migrant, multicultural and diasporic screen media, policies of representation, and the new aesthetic styles and production regimes emerging from New Zealand film and TV. Migrant and Diasporic Film and Filmmaking in New Zealand is a touchstone for emerging work concerned with migration, diaspora and multiculturalism in New Zealand’s screen production and practice.
