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Nigel Lesmoir-Gordon, the Acid Messiah of 101 Cromwell Road: His life and times. 101 has become legendary over the decades, being regarded as the hub of Swinging London, where the Beautiful People went to turn on and tune in. But NOT drop out! With a cast of thousands, including Beatles, Stones, aristocrats and secret agents, this colourful account of a brief moment that changed the world will entertain and enthral. Not only do we learn who took the acid, we also discover how - and why - it came to London in the first place. Conspiracy and control, liberation and love. All human life is here!
Nigel Lesmoir-Gordon, the Acid Messiah of 101 Cromwell Road: His life and times. 101 has become legendary over the decades, being regarded as the hub of Swinging London, where the Beautiful People went to turn on and tune in. But NOT drop out! With a cast of thousands, including Beatles, Stones, aristocrats and secret agents, this colourful account of a brief moment that changed the world will entertain and enthral. Not only do we learn who took the acid, we also discover how - and why - it came to London in the first place. Conspiracy and control, liberation and love. All human life is here!
Canada's national magazine.
“A deeply moving account of amnesia that . . . reminds us how we are all always trying to find a version of ourselves that we can live with.” —Los Angeles Times On October 17, 2002, David MacLean “woke up” on a train platform in India with no idea who he was or why he was there. No money. No passport. No identity. Taken to a mental hospital by the police, MacLean then started to hallucinate so severely he had to be tied down. He could remember song lyrics, but not his family, his friends, or the woman he was told he loved. The illness, it turned out, was the result of a commonly prescribed antimalarial medication he had been taking. Upon his return to the United States, he struggle...
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Classified list with author and title index.
This eclectic, provocative, and comprehensive guide surveys Canadian creators and their creations in every cultural medium. Cultural critic Tom Henighan introduces each subject with a thought-provoking essay on the "state of the art" at the turn of the millennium, adding lists of his own best choices, such as "16 Indispensable Canadian Films" and "Notable Examples of Canadian Architecture." Contact details and resumes for major artistic companies and institutions in each province are listed. Juno, Genie, Gemini, Jessie, Governor General, and other award winners are also listed, year by year. An indispensable reference, a basic primer, an informed assessment of the arts in Canada-this is the book for anyone who cares about Canadian culture.
"Long ago in 1945 all the nice people in England were poor, allowing for exceptions," begins The Girls of Slender Means, Dame Muriel Spark's tragic and rapier-witted portrait of a London ladies' hostel just emerging from the shadow of World War II. Like the May of Teck Club itself—"three times window shattered since 1940 but never directly hit"—its lady inhabitants do their best to act as if the world were back to normal: practicing elocution, and jostling over suitors and a single Schiaparelli gown. The novel's harrowing ending reveals that the girls' giddy literary and amorous peregrinations are hiding some tragically painful war wounds. Chosen by Anthony Burgess as one of the Best Modern Novels in the Sunday Times of London, The Girls of Slender Means is a taut and eerily perfect novel by an author The New York Times has called "one of this century's finest creators of comic-metaphysical entertainment."