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Ingrid Pitt
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Life's a Scream
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Ingrid Pitt, Queen of Horror
Ingrid Pitt, icon of horror cinema: her life and career. Full cast and production credits, synopses, reviews and notes are offered for all of her film, stage and television appearances, along with a critical listing of her novels and other published works. An analysis of Hammer Films' Karnstein Trilogy--of which Pitt's celebrated The Vampire Lovers (1970) was the first installment--is included, and also examined is the trilogy's original literary source, Sheridan Le Fanu's "Carmilla." Other features are rare photographs and other movie-related graphics from every phase of the actress' career and a foreword by Ingrid Pitt herself.
The Ingrid Pitt Book of Murder, Torture and Depravity
Ingrid Pitt turns her attention to murder--real, gross, hideous, and depraved. From Caligula to Ivan the Terrible, Josef Mengele to modern serial killers, the actions and motives of the world's worst killers are dissected and analyzed with Pitt's razor-sharp wit and insight.
Ingrid Pitt
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Ingrid Pitt Bedside Companion for Ghosthunters
Blends actual places, events, and characters with cinematic portrayals of fictional and factual monsters.
The Ingrid Pitt Bedside Companion for Vampire Lovers
Cult film star Ingrid Pitt presents the horror film buffs guide to the vampire phenomenon on screen and off, in legend, literature and the movies.
Darkness Before Dawn
Imprisoned in a Nazi concentration camp with her mother, the young Ingrid Pitt survived against the odds. She later fled from East Germany to pursue a movie career in America. 'Darkness Before Dawn' paints an intimate and fascinating portrait of the Hammer horror icon.
Not Dancing with Ingrid Pitt
Not Dancing with Ingrid Pitt is an honest and personal collection capturing missed opportunities, those unstructured moments and nostalgic, half recalled memories which skulk at the periphery of an increasingly confusing current world state. Andrew Graves circumnavigates his modern worries and presents his own uniquely crafted narratives which utilise estranged family members, eccentric strangers and forgotten Hollywood cast offs in his fascinating line up of unconventional protagonists. This is a dark, funny and bewitching paean to the cult, disregarded and devalued, a chaotic and comforting monochrome tome inscribed with both hope, fear and a thinly veiled longing for something better.
The Perons
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