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Hannelore Baron
Published on the occasion of the exhibition organized by Smithsonian Institution Traveling Exhibition Service, Washington, D.C. Hannelore Baron was an artist whose work has become known for the highly personal, book-sized, abstract collages and box constructions that she began exhibiting in the late 1960s.--Publisher's website.
Pop Surrealism
Description: Pop Surrealismhighlights the recent explosion of pop-influenced surrealist art from an emerging generation of artists and a few key senior figures who have influenced their work. Designed in a special pocket format, this intriguing book offers a primer on the confluence of pop and surrealist iconography, and features work by over seventy artists, including Gregory Crewdson, Mariko Mori, Ashley Bickerton, Art Spiegelman, Tony Oursler, and Cindy Sherman. The book's informative essays consider such varied topics as the relation between comics and surrealism, Hollywood and surrealism, and the image of the grotesque body. Reviewing the exhibition for ArtForum, Steven Henry Madoff wrote: "The mutant sensibility at work in this droll, smartly curated exhibition proposes the marriage of Surrealism's dream-laden fetish for the body eroticized and grotesque and Pop art's celebration of the shallower, corrosively bright world given over the packaged good."
The Essential
A guide to understanding Vincent van Gogh, examining the truths and myths about his life, explaining the Impressionist movement with which his work is associated, and discussing his unique style of painting. Includes over sixty-five illustrations.
Carnegie International, 57th Edition: The Dispatch
The Dispatch' is the second of two publications accompanying the 2018 Carnegie International, 57th Edition. Intended as a missive that sends the exhibition out into the world, this slim scholarly volume stands as a document of the show, through photographs and a checklist of the exhibition and its programs. In addition, it reflects forward, by presenting a series of studies on the relevance of an international exhibition today. Local, national and global perspectives are surveyed here, as well as artists' thoughts on the role of recurring international exhibitions for their work. It includes an introduction by Ingrid Schaffner, contributions by Koyo Kouoh and Jennifer Burris, conversations with Queens International curator Sophia Marisa Lucas and Queens Museum curator Larissa Harris.0The other publication accompanying this exhibition is 'The Guide', ISBN 9780880390637 .00Exhibition: Carnegie Museum of Art, Pittsburgh, USA (13.10.2018-25.03.2019).
Bruce Nauman
"From the beginning I was trying to see if I could make art that did that. Art that was just there all at once. Like getting hit in the face with a baseball bat. Or better yet, like getting hit in the back of the neck. You never see it coming; it just knocks you down. I like that idea very much: the kind of intensity that doesn't give you any trace of whether you're going to like it or not."—Bruce Nauman "Bruce Nauman's art is about heightened awareness, awareness of spaces we usually don't notice (the one under the chair, out of which he made a sculpture) and sounds we don't listen for (the one in the coffin), awareness of emotions we suppress or dread... It's hard to feel indifferent to ...
Joan Jonas
"'Joan Jonas: They Come to Us without a Word' documents Jonas's project for the United States Pavilion at the 56th Venice Biennale, an expansive installation that incrporates multiple components, included projected videos, drawings, and objects. Each section of the pavilion represents a particular creature (bees, fish), object (mirror), force (wind), or place (homeroom). Recited fragments of ghost stories sourced from the oral tradition of Cape Breton, Nova Scotia, form a continuous narrative linking one room to the next. As Jonas says, 'We are haunted, the rooms are haunted.' Designed with Jonas's close collaboration, this fully illustrated book features an extensive collection of images selected by the artist, including stills, drawings, and photographs, that not only document this ambitious and important new work but form an integral part of the presentation and experience of 'They Come to Us without a Word'. Also included are Jonas's poetic notes on her process and major new texts from ann Reynolds and Marina Warner as well as an interview with the artist by Ingrid Schaffner." -- Publisher.
In the Company of Artists
A first glimpse into a celebrated art school that explores its artistic contributions and history. In the Company of Artists is the first major study of the Skowhegan School of Painting & Sculpture, founded in 1946. It explores the institution's history, philosophy, and impact, by uncovering narratives on Skowhegan and providing an institutional record. Drawing from primary source material, including new and unpublished interviews and roundtable discussions with faculty and alumni artists, photographs and film stills, ephemera, and artworks produced over seventy years, it expands our understanding of American art production and alternative art schools in the post-World War II era. Through firsthand accounts from artists, the book is a window into this intensely private institution that was ahead of its time concerning representation, equity, and inclusion. With a commissioned portfolio of photographs by celebrated artist Elle Pérez evocatively rendering Skowhegan's sylvan campus, the book vividly asserts the significance of the school's rural Maine setting to its pedagogy while demonstrating its impact and influence on the art world at large.
Jason Rhoades
This volume examines the remarkable legacy of Jason Rhoades's complex body of work. The Los Angeles-based sculptor Jason Rhoades was widely celebrated for sprawling, ambitious, and daring installations, editions, and events prior to his untimely death in 2006. Although he was far better known in Europe than America, many of Rhoades's peers considered him to be one of the most important artists of his generation. In his work, cultural touchstones ranged from high to low, including the artists Marcel Duchamp, Donald Judd, and Paul McCarthy, race-car driver Ayrton Senna, actor Kevin Costner, the big bang, Swedish erotica, and the California gold rush. This volume, accompanying the first US surv...
Jeanne Silverthorne
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Polly Apfelbaum
Polly Apfelbaum creates what she calls "fallen paintings," hybrid works of rare beauty that exist in a contentious, ambivalent space between painting, sculpture and installation. These works transform the colors of mass culture into wild oscillating spectra bordering on the organic. This volume accompanies the first large museum survey of her work, and features new and recent installations as well as a range of work from the past 15 years.
