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This book comprehensively examines various significant aspects of linear time-invariant systems theory, both for continuous-time and discrete-time. Using a number of new mathematical methods it provides complete and exact proofs of all the systems theoretic and electrical engineering results, as well as important results and algorithms demonstrated with nontrivial computer examples. The book is intended for readers who have completed the first two years of a university mathematics course. All further mathematical results required are proven in the book.
The Grove Encyclopedia of Decorative Arts covers thousands of years of decorative arts production throughout western and non-western culture. With over 1,000 entries, as well as hundreds drawn from the 34-volume Dictionary of Art, this topical collection is a valuable resource for those interested in the history, practice, and mechanics of the decorative arts. Accompanied by almost 100 color and more than 500 black and white illustrations, the 1,290 pages of this title include hundreds of entries on artists and craftsmen, the qualities and historic uses of materials, as well as concise definitions on art forms and style. Explore the works of Alvar Aalto, Charles and Ray Eames, and the Wiener Wekstatte, or delve into the history of Navajo blankets and wing chairs in thousands of entries on artists, craftsmen, designers, workshops, and decorative art forms.
Im ›Zeitalter der Briefe‹ spielte das Korrespondieren eine bedeutungsvolle Rolle, um Liebesbeziehungen anzubahnen, zu vertiefen und eine gemeinsame Zukunft zu gestalten. Dabei formulierten die Schreibenden immer auch Erwartungen und Wunschbilder an das jeweilige Gegenüber und verhandelten Konzepte von Liebe und Ehe. Das macht Paarkorrespondenzen zu spannenden und aussagekräftigen Quellen, um eine Geschichte der Liebe, der Geschlechterbeziehungen und des ›privaten‹ Schreibens in der Moderne neu zu erschließen. Wie prägten sich wandelnde historische Kontexte dieses (Über) Liebe schreiben? Waren die in vielen Anleitungsbüchern empfohlenen Modelle ›des Liebesbriefs‹ oder die ku...
Making exhibitions is a collaborative art, producing is a multi-layered unity of ideas and objects, of invention and manifestation, of content and form. However, there is an antagonistic dimension to it, because content and form are traditionally represented by the entirely different realms of curator and designer. Future successful developments in exhibition-making are dependent on whether this gap of antagonism can be bridged. space.time.narrative calls for a paradigmatic shift of focus. It puts forward a unique approach, breaking down traditional barriers and offering a wide-ranging theoretical context, redefining and expanding the parameters and the dynamics of the exhibition-format in t...
Particularly in the humanities and social sciences, festschrifts are a popular forum for discussion. The IJBF provides quick and easy general access to these important resources for scholars and students. The festschrifts are located in state and regional libraries and their bibliographic details are recorded. Since 1983, more than 639,000 articles from more than 29,500 festschrifts, published between 1977 and 2010, have been catalogued.
The first in a two-volume series, this is by far the most in-depth political history of the Red Army Faction ever made available in English. Projectiles for the People starts its story in the days following World War II, showing how American imperialism worked hand in glove with the old pro-Nazi ruling class, shaping West Germany into an authoritarian anti-communist bulwark and launching pad for its aggression against Third World nations. The volume also recounts the opposition that emerged from intellectuals, communists, independent leftists, and then—explosively—the radical student movement and countercultural revolt of the 1960s. It was from this revolt that the Red Army Faction emerg...
Politically and militarily powerful, early modern Scandinavia played an essential role in the development of Central European culture from the sixteenth to the eighteenth century. In this volume, Kristoffer Neville shows how the cultural ambitions of Denmark and Sweden were inextricably bound to those of other Central European kingdoms. Tracing the visual culture of the Danish and Swedish courts from the Reformation to their eventual decline in the eighteenth century, Neville explains how and why they developed into important artistic centers. He examines major projects by figures largely unknown outside of Northern Europe alongside other, more canonical artists—including Cornelis Floris, Adriaen de Vries, and Johann Bernhard Fischer von Erlach—to propose a more coherent view of this part of Europe, one that rightly includes Scandinavia as a vital component. The seventeenth century has long seemed a bleak moment in Central European culture. Neville’s authoritative and unprecedented study does much to change this perception, showing that the arts did not die in the Reformation and Thirty Years’ War but rather flourished in the Baltic region.
This lavishly illustrated handbook was conceived to accompany an international exhibition organised by the city of Mechelen (Malines) in 2005. Both the exhibition and the catalogue highlight an important aspect of Burgundian culture: the impact of noble women on life at the court and in the city around 1500. Margaret of York (1446-1503), the English princess married to Duke Charles-the-Bold, and Margaret of Austria (1480-1530), the only daughter of Mary of Burgundy, both lived in Mechelen as well-to-do widows and are therefore the focal point of this publication. At the time, the city of Mechelen was the cosmopolitan and administrative centre of the Burgundian Netherlands. It forms the stage...