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AS SEEN ON BBC2 BETWEEN THE COVERS Montgomery, Alabama. 1973. Fresh out of nursing school, Civil Townsend has big plans to make a difference in her community. She wants to help women make their own choices for their lives and bodies. But when her first week on the job takes her down a dusty country road to a tumbledown cabin and into the heart of the Williams family, Civil learns there is more to her new role than she bargained for. Neither of the two young sisters has even kissed a boy, but they are poor and Black, and for those handling their welfare benefits, that's reason enough to have them on birth control. When Civil discovers a terrible injustice, she must choose between carrying out instructions or following her heart and decides to risk everything to stand up for what is right. Inspired by true events and a shocking chapter of recent history, Take My Hand is a novel that will open your eyes and break your heart. An unforgettable story about love and courage, it is also a timely and uplifting reminder that one person can change the world.
Environmental decision-making in recent decades has become increasingly dependent on scientific expertise. Grounded in universal principles of knowledge, these expert evaluations often depart from the assessments of ordinary members of the public. Whether the issue is nuclear power, genetic testing, food safety, or biodiversity, conservation lay people are increasingly charging experts with being ignorant of local contextual considerations. Scientists, as well as many policy-makers, in turn contend that the public is hopelessly irrational in gauging environmental risks. A growing group of social theorists has begun to take a keen interest in these disputes because risk captures central themes of late modernity. Increasing individualization, emerging new social movements, and declining public trust in key institutions are notions that loom large in these debates. Highlighting both theoretical and empirical perspectives, this volume brings together a distinguished group of environmental sociologists who critique and extend current thinking on what it means to live in a 'risk society'.
In a thorough reappraisal of the white-collar and corporate crime scene, this Second Edition builds on the first edition to complete the criminal narrative in an outstanding reference resource.
How do twentieth and twenty-first century artists bring forth the powerful reality of death when it exists in memory and lived experience as something that happens only to others? Death in American Texts and Performances takes up this question to explore the modern and postmodern aesthetics of death. Working between and across genres, the contributors examine literary texts and performance media, including Robert Lowell's For the Union Dead, Luis Valdez' Dark Root of a Scream, Amiri Baraka's Dutchman, Thornton Wilder's Our Town, John Edgar Wideman's The Cattle Killing, Toni Morrison's Sula and Song of Solomon, Don DeLillo's White Noise and Falling Man, and HBO's Six Feet Under. As the contri...
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