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Upcyclist
Upcycling goes upscale in this beautiful, elegant, and global collection that showcases what today’s designers are creating out of yesterday’s materials. Upcycling is the process of transforming seemingly low value items into something new. Today’s upcyclists are creating stunning furniture, lighting, and art objects that combine values of superb craftsmanship and design with ideas of how "waste" can be both inspiring and informing. While the environmental and financial benefits of upcycling are readily acknowledged in Upcyclist: Reclaimed and Remade Furniture, Lighting and Interiors, the designers and makers profiled show how the practice can result in pieces that are as aesthetically...
Olafur Eliasson: In Real Life
This guide is a leaflet and not a book. https://www.tate.org.uk/whats-on/tate-modern/exhibition/olafur-eliasson/exhibition-guide. Olafur Eliasson In Real Life Tate Modern 2019-20 Exhibition Booklet / guide / leaflet. Folds out to a plan of the exhibition layout. Approximate size 15cm by 10.5cm.
Germany
A book about the culture of Germany.
Inside Installations
Anything is possible in installation art. The typically short lifespan of the materials and techniques used and the intended experience can be endless, often to the despair of the custodian of the work. The processes involved in preserving this complex form of art, reinstalling it, finding ways to recreate the experience over and again, as well as the decisionmaking that underlies these processes, form the backbone of this book. What did the artist originally intend and how has that concept been realised in the past? How can one preserve and document the installation? What relation exists between the components and the space, and what is the spectator's part in the work? Questions of this ki...
Installation Art between Image and Stage
Installationskunsten har gået sin sejrsgang verden over, og er her i det 21. århundrede en både vel- og anerkendt bestanddel af samtidskunsten. Med påvirkning fra og udveksling mellem billedkunst på den ene side og performanceteater på den anden befinder installationskunst sig – som bogens titel viser – netop i feltet mellem billede og scene. I Installation Art: Between Image and Stage undersøger Anne Ring Petersen grundstenene for en af nutidens mest udbredte kunstformer. Installationer er – ligesom skulpturer – tredimensionelle formationer eller billeddannelser, men i modsætning til skulpturen er installationen karakteriseret ved at være formet af rum eller rumlige scenogr...
German Paintings of the Fifteenth Through Seventeenth Centuries
A catalogue of fifteenth and sixteenth century German paintings in the National Gallery of Art, Washington DC.
Degenerate Art
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Germany
Germanys complex past is riddled with both stunning triumphs and staggering failures. Once little more than a federation of tribes, over the course of its history, it formed various alliances, some of which were broken while others survived and allowed Germany to become a significant power in Europe and the world. And although a sense of German national identity was centuries in the making, folk traditions, regional culture, and a robust intellectual tradition have endured throughout the ages and produced world-famous musicians, artists, and writers. Still, Germanys roles in both World Wars remains a significantand appallingpart of its history. This all-encompassing volume profiles Germany from antiquity to the present day, examining its layered past, including its transition from a world power to a divided state and the major economic strides it has made since unification.
Degenerate Art
This book accompanies the first major museum exhibition devoted to a reconstruction of the infamous Nazi display of modern art since the presentation originated by the Los Angeles County Museum of Art in 1991. The book contains reflections on the genesis and evolution of the term "degenerate art" and details of the National Socialist policy on art. Art works from the exhibition Degenerate Art are compared to works of art from The Great German Art Exhibition, which was held at the same time and displayed the works of officially approved artists. The book also presents the after-effects of the attack on modernism that are felt even today.
On Art
During the 1960s and 1970s, the Russian conceptual artist Ilya Kabakov was a galvanizing figure in Moscow's underground art community, ultimately gaining international prominence as the “leader” of a band of artists known as the Moscow Conceptual Circle. Throughout this time, he created texts that he would distribute among his friends, and by the late 1990s his written production amounted to hundreds of pages. Devoted to themes that range from the “cosmism” of pre-Revolutionary Russian modernism to the philosophical implications of Moscow’s garbage, Kabakov’s handmade booklets were typed out on paper, then stapled or sewn together using rough butcher paper for their covers. Among these writings are faux Socialist Realist verses, theoretical explorations, art historical analyses, accompaniments to installation projects, and transcripts of dialogues between the artist and literary theorists, critics, journalists, and other artists. This volume offers for the first time in English the most significant texts written by Kabakov. The writings have been expressly selected for this English-language volume and there exists no equivalent work in any language.
