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Institute of Contemporary Arts
This publication is dedicated to the first two decades of the Institute of Contemporary Arts (ICA) in London, presenting a thorough history of the organisation’s roots in post-war Britain, its mission of providing a physical base for the avant-garde, and its laying the groundwork for a continuing contribution to the evolution of contemporary art.0Anne Massey’s account is comprehensive in its scope, emphasising the ICA’s being openly fluid and responsive to fluctuations in artistic culture with groundbreaking exhibitions and very personal approach. Besides a foreword by executive director Gregor Muir, the book includes numerous archival images and a detailed chronology.
Five Poems
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All Tomorrow's Pictures
ALL TOMORROWS PICTURES is a celebration of the ICA's 60th anniversary. Some of Britains leading artists, thinkers and creatives including Tracey Emin, Jake and Dinos Chapman and Idris Kahn have each delivered a unique response to the question ''What will tomorrow look like?'' by taking a photograph on a Sony Ericsson mobile phone.
Life Isn't Good, It's Excellent
Gedichten van in 1988 overleden vriend van Gilbert en George.
The House of Beauty and Culture
The House of Beauty and Culture (HOBAC) was an avant-garde boutique, design studio, and crafts collective in late 1980s London, with key figures like Judy Blame, John Moore, Cindy Palmano, and duo Fric and Frack. Until recently, HOBAC's influence was widely felt, yet barely documented, part of a subculture rooted in artistic practice, post-punk rebellion, and resistance to mainstream culture and overproduction. Against a dire socio-political and economic backdrop, they were among the first to upcycle found materials and champion androgynous urban style. Through diligent research, interviews, and countless images, Kasia Maciejowska honours the group's legacy.
Chapmanworld
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Roland Penrose
James King explores the intricacies of Penrose's life and work, his complex professional and personal lives, his work as a biographer and as an art historian.
What was Contemporary Art?
"Contemporary art in the early twenty-first century is often discussed as though it were a radically new phenomenon unmoored from history. Yet all works of art were once contemporary to the artist and culture that produced them. In What Was Contemporary Art? Richard Meyer reclaims the contemporary from historical amnesia, exploring episodes in the study, exhibition, and reception of early twentieth-century art and visual culture.
