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Romania
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Autobiography, Volume 1
"Here finally are Eliade's memoirs of the first thirty years of his life in Mac Linscott Rickett's crisp and lucid English translation. They present a fascinating account of the early development of a Renaissance talent, expressed in everything from daily and periodical journalism, realistic and fantastic fiction, and general nonfiction works to distinguished contributions to the history of religions. Autobiography follows an apparently amazingly candid report of this remarkable man's progression from a mischievous street urchin and literary prodigy, through his various love affairs, a decisive and traumatic Indian sojourn, and active, brilliant participation in pre-World War II Romanian cultural life."—Seymour Cain, Religious Studies Review
Intellectuals and Fascism in Interwar Romania
In 1930s Bucharest, some of the country’s most brilliant young intellectuals converged to form the Criterion Association. Bound by friendship and the dream of a new, modern Romania, their members included historian Mircea Eliade, critic Petru Comarnescu, Jewish playwright Mihail Sebastian and a host of other philosophers and artists. Together, they built a vibrant cultural scene that flourished for a few short years, before fascism and scandal splintered their ranks. Cristina A. Bejan asks how the far-right Iron Guard came to eclipse the appeal of liberalism for so many of Romania’s intellectual elite, drawing on diaries, memoirs and other writings to examine the collision of culture and extremism in the interwar years. The first English-language study of Criterion and the most thorough to date in any language, this book grapples with the complexities of Romanian intellectual life in the moments before collapse.
Anarcho-primitivism
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Mircea Eliade
Describes the Romanian period in the intellectual life of Mircea Eliade (1907-1986). Analyzes his involvement in Romania's social and political debates in the 1930s, and his changing attitudes toward fascism and antisemitism. Relates the influence exercised on Eliade by Nae Ionescu, after 1933 a strong supporter of the fascist Iron Guard. Pp. 727-741 present Ionescu's antisemitic preface to the 1934 novel by the Romanian Jewish writer Mihail Sebastian, "De doua mii de ani" ("For Two Thousand Years"), a literary depiction of the condition of a Jewish intellectual confronting antisemitism in Romania. Ionescu's preface, justifying antisemitism with theological arguments, provoked a passionate controversy in the Romanian and Jewish press. In his articles, Eliade contested some of Ionescu's arguments, but absolved him from charges of antisemitism. Discusses, also, on pp. 903-929, Eliade's xenophobic and pro-Iron Guard articles published in 1936-37, claiming, however, that he did not share the Guard's antisemitism.
Cei aproape de Dumnezeu le-au văzut
Titlul volumului intitulat „Cei aproape de Dumnezeu le-au văzut” a fost preluat din chiar aforismul sculptorului Constantin Brâncuși, și în această carte este descifrată simbolistica din spatele acestor capodopere. Acest aforism al sculptorului ne poate spune la fiecare: Cine va înţelege și va urma în viața lui acest traseu spiritual descris în acest ansamblu va găsi drumul de reîntoarcere spre Dumnezeu. După studiile multor critici de artă, aceste capodopere sunt punctul de vârf al artei moderne comparabile cu Marea piramidă din Egipt și de-a lungul timpului au fost studiate de diferiți cercetători pentru a afla limbajul secret din spatele acestor opere. Prin aceste capodopere sculptorul a lăsat un traseu spiritual al drumului de întoarcere spre Dumnezeu și ca o dedicație a lăsat următorul aforism cine anume vede acest traseu spiritual: „Nu căutaţi formule obscure sau mistere. Căci ceea ce vă dăruiesc eu este bucurie curată. Contemplaţi lucrările mele până când le vedeţi. Cei aproape de Dumnezeu le-au văzut.”
Women in Business
[The role of women in entrepreneurship, management and corporate governance is regarded as central to the development and welfare of economies. Since the early 1980s, there has been increased interest in women managers and entrepreneurs, often from an interdisciplinary approach, combining, for example, sociology, psychology, management and organisational studies and economics. Nowadays, research on women in management and organisations is continuously and rapidly evolving (Paoloni and Demartini, 2016). Research on how women face new business challenges within organisations—as entrepreneurs, owners, managers, as well as workers—can contribute to understanding the new drivers affecting value creation dynamics in our knowledge-based society (Cesaroni, Demartini and Paoloni, 2017). Accordingly, this book tries to offer some insights on how women create, process and share knowledge in their business activity through the application and exploitation of novel creative ideas and solutions]
Drawing from Life
Drawing from Life explores revolutionary drawing and sketching in the early People’s Republic of China (1949–1965) in order to discover how artists created a national form of socialist realism. Tracing the development of seminal works by the major painters Xu Beihong, Wang Shikuo, Li Keran, Li Xiongcai, Dong Xiwen, and Fu Baoshi, author Christine I. Ho reconstructs how artists grappled with the representational politics of a nascent socialist art. The divergent approaches, styles, and genres presented in this study reveal an art world that is both heterogeneous and cosmopolitan. Through a history of artistic practices in pursuit of Maoist cultural ambitions—to forge new registers of experience, new structures of feeling, and new aesthetic communities—this original book argues that socialist Chinese art presents a critical, alternative vision for global modernism.
Secret Agents and the Memory of Everyday Collaboration in Communist Eastern Europe
The collection of essays in Secret Agents and the Memory of Everyday Collaboration in Communist Eastern Europe addresses institutions that develop the concept of collaboration, and examines the function, social representation and history of secret police archives and institutes of national memory that create these histories of collaboration. The essays provide a comparative account of collaboration/participation across differing categories of collaborators and different social milieux throughout East-Central Europe. They also demonstrate how secret police files can be used to produce more subtle social and cultural histories of the socialist dictatorships. By interrogating the ways in which post-socialist cultures produce the idea of, and knowledge about, “collaborators,” the contributing authors provide a nuanced historical conception of “collaboration,” expanding the concept toward broader frameworks of cooperation and political participation to facilitate a better understanding of Eastern European communist regimes.
