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Michael Kenna’s black-and-white photographs of Buddha statues featured in this book are a restorative, inspiring antidote to a chaotic modern world. Michael Kenna is celebrated for his mysterious and exquisite black-and-white natural and industrial landscapes. He is especially revered for his images of Asia, where he has traveled to some of the world's most beautiful locations. It is no wonder that among Kenna's prolific creations are numerous images of the Buddha from countries such as Cambodia, China, Japan, India, Korea, Laos, Myanmar, Thailand and Vietnam. Captured in shrines, temples, sanctuaries, private homes, and museums, these images are quiet, uncluttered, and striking in the interplay of dark and light, line and shadow. Also included in the book are a selection of Kenna's Asian landscape photography, an essay about Buddhism, and excerpts from Buddhist scriptures. Fans of Kenna's distinctive evocative style will savor the myriad perspectives of the Buddha's singular form, while anyone inspired by the Buddha's message will be drawn to this photographic journey towards enlightenment.
From the lonely, rain-swept piazzas to silent rows of empty gondolas, one of the world's busiest and most beautiful cities lies frozen in time in this stunningly illustrated book that captures the city without people. Whether you're a first-time tourist or seasoned traveler, it's virtually impossible to find yourself alone in Venice. The city's many architectural splendors, its winding canals, ancient piazzas and charming markets are marvelous to visit--and crowded with people in every season. In these hauntingly beautiful photographs, Crhistopher Thomas takes readers on a solitary tour of the city Lord Byron once called the Most Serene Republic. As he did with his previous volume, New York Sleeps, Thomas uses long-term exposures and a now discontinued large-format Polaroid film to capture places bereft of humans in the early hours of the day. Readers can almost feel the ghosts of Titian, Shakespeare, Vivaldi, and Henry James wandering these canals and cobblestones; and they can experience the city as it was intended to be: an ingeniously planned, aesthetically delightful oasis of beauty, light, shadows--and serenity.
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One of the most famous and popular photographers of his time, Jeanloup Sieff photographed some of the most beautiful women and men of his era. This wide-ranging collection of his work captures some of Jeanloup Sieff's most famous photographs spanning a career of nearly 40 years. These nudes and fashion shots portray more than beautiful bodies draped, or not, with beautiful clothes; Sieff's personal interest in whatever lay before his camera, and his continually evolving style, render these photographs pieces of art. Whether his assignment was for Glamour, Vogue, or Harper's Bazaar; whether his subject was Yves Montand, Rudolf Nureyev, Twiggy, or Catherine Deneuve, Sieff was never afraid to take chances with location, equipment, lighting, or convention. Rounding out this exciting monograph are texts from his favorite models as well as essays by Frank Horvarth and Purple Magazine's editor Olivier Zahm. ILLUSTRATION: 150 illustrations
Edited by patrick Remy, Barbara Rix, Valerie Servant. Introduction by Christian Caujolle.
The works of Norman Foster from 1993 - 2004 are the focus of this book, the fifth instalment of a multi-volume retrospective. The text about each project is accompanied by colour photographs and detailed plans.
This volume, consisting of papers originally delivered at the Sport and Fashion symposium in 2011, celebrates the connection between sport and the clothes and fashion which are associated with certain sporting activities. Articles include a study of Olympic swimming costumes, women's sport during the inter-war period, the use of sportsmen by clothing industries for brand marketing, and the aesthetic significance of certain items of clothing, specifically the shirt worn by Maradona during the 1986 Argentina-England World Cup quarter final. For more information, visit: www.maney.co.uk/journals/cos
Examining the resurgent interest in painting and the proliferation of new digital media in recent years, this generously illustrated book delineates painting's complex relationship with information technology. In a survey that begins in the mid-twentieth century, long before the birth of the Internet, this book traces painting’s capacity to digest and transform other media, even as its own legitimacy has been questioned. Featuring the work of numerous renowned artists, from Sigmar Polke to Nicole Eisenman and from Cy Twombly to Amy Sillman, the book examines how painting has addressed digital technology as it relates to human experience and perception, and includes three in-depth essays and additional texts by influential thinkers from the field. Comprehensive and lavishly illustrated, the book presents a wide range of works that reconsider the assumed opposition of the digital and the analog, the human and the technological, arguing that painting has served as a means to represent—and even enact—new media. This book affirms the ongoing vitality of the medium of painting in the midst of a digital world.
Candid and personal, dazzling with color and immediacy, this first and only monograph of a rising star of the photography scene features work from major labels and magazines, outtakes from shoots, and newly commissioned texts by Edward Enninful and Ekow Eshun on the importance of authentic diversity behind and in front of the camera. From major portraits of the likes of Kendall Jenner, FKA Twigs, and Tyler, the Creator to cover shoots for leading magazines such as Time, Rolling Stone, and Garage, Campbell Addy has quickly become one of the most in-demand photographers of his generation. The book opens with a foreword by British Vogue’s editor-in-chief, Edward Enninful, discussing the power...