You may have to Search all our reviewed books and magazines, click the sign up button below to create a free account.
This book deals with the works of Ivan Cankar, the greatest Slovenian writer, focusing on his relation to existential, social, and moral reality as reflected in individuals and in society at large. The method of literary analysis shows a surprising harmony between personal confessions and a rich symbolism that reveals the writer's unconditional belief in the power of conscience, strong conviction of the sense of victims and the longing for the triumph of love and justice. A holistic interpretation yields the conclusion that most of Cankar's works are confessions that purport to be true to life. His inclination to self-disclosure in dreams alongside the objective disclosure of imperceptible reality indicates that expressive language and a lyrical style are of vital importance to him.
The themes of longing, weakness and temptation are relevant to every human and are interwoven with all fundamental ideals and values of the created, rational being. Temptation is all the more dramatic, the broader the perspective of recognition, the power of human longing and the sense of the difference between good and evil. This book is a summary of a study which compares and contrasts Slovenian and European literary works created under the influence of biblical source texts (Adam and Eve, Joseph from Egypt, Samson and Dalilah, etc.) and the works of other known and unknown origins (Homer’s Iliad, Goethe’s Faust, various versions of the myth of the Fair Vida, etc.). The ascribing of a ...
The book considers reconciliation from various points of view: biblical foundations of reconciliation, philosophical aspects, Girardian and Bonhoefferian reflections on reconciliation, intellectual and (post)totalitarian history, psychotherapeutic approaches . The authors consider reconciliation also in very concrete (historical) contexts (Hungary, Russia, Slovenia, Islam and Christianity). Despite some disagreements, their common message is clear: human history and present times are covered with blood, suffering (of innocent victims) and negative emotions. Hence the only acceptable way is cultivation of the culture of reconciliation.
A semantic study of God’s righteousness and justice in the Hebrew Bible that draws exegetical, theological, and philosophical conclusions about the character of God and God’s relationship with humanity. God’s work of creation and salvation for the good of Israel, humanity, and the world manifests the nature of God’s being. Thus, if we can understand God’s characteristics of righteousness and justice, we can better understand God. In the Hebrew Bible, these aspects of God are not expressed by abstract concepts but by semantic elements within literary structures. From this premise, Jože Krašovec undertakes the present study to put semantics into dialogue with exegesis and theology ...
This collection spans a vast chronology and territory, ranging from Old Kingdom Egypt to modern-day Slovenia and moving geographically from the centres to the peripheries of the Mediterranean and back again, including Antinoë, Calabria, Belgrade, and Paris. While this volume can be situated well within the context of Mediterranean studies, each essay serves as a micro-study that demonstrates one of the many ways in which Mediterranean communities have co-opted, appropriated, and adapted symbols from one another. As a result, this interdisciplinary volume adds something unique to each discipline represented within it (including history, anthropology, art history, literature, and philosophy, among others) while contributing to the greater discourse of Mediterranean studies. Furthermore, the essays collectively illustrate how symbols were distributed widely among Mediterranean communities and, consequently, further a dialogue about what “Mediterranean” might mean. Overall, the original content and its accessibility make the volume valuable to academics, graduate and undergraduate students, and general audiences alike.
Women, Nationalism, and Social Networks in the Habsburg Monarchy, 1848–1918 focuses on the lives of women in Southeastern Europe during the nineteenth and twentieth centuries, exploring the intersection of gender and nationalism. By looking at a wide range of sources and employing rich historiography, this collection investigates the currents of women’s emancipatory efforts in a climate of conflicting assumptions relating to nationhood and nationalization. This book sheds light on a time when both women and nations were working to assert themselves, and how women promoted the national cause in an attempt to assume stronger roles in the public sphere. The volume studies areas that were na...
The novel Martin Ka?ur, which dates from 1907, tells the engrossing story of a young schoolteacher who moves from one provincial Slovene town to the next, trying to enlighten his countrymen and countrywomen but instead receiving only the mistrust and scorn of the traditional-minded and petty population. The novel is ruthless in its analysis and self-analysis of the failure of this abstract idealist. Brilliant descriptions of Slovenia's natural beauty alternate with the haze of alcoholic despair, rural violence, marital alienation, and the death of a young and beloved child. The Slovene prose writer, poet, and dramatist Cankar's characterizations of duplicitous political and religious leaders (the village priest, the mayor, other teachers, doctors, etc.) and the treacherous social scene are remarkable in their engaging clarity. No doubt the raw emotional impact of Martin Ka?ur derives partly from Cankar's portrayal of the way society isolates people, denying them sympathy and solidarity. Cankar's style here owes a debt both to naturalism and to symbolism and contains, in its sometimes frantic pace and associative interior monologues, hints of early expressionism.
Knjiga predstavlja izbor prispevkov, ki opisujejo raziskovalne poti tujih osebnosti (prek biografskih očrtov), ki so del svojega strokovnega dela posvetili slovenskemu prostoru. Zanimive usode ljudi (od jezikoslovcev, različnih raziskovalcev do umetnikov) pritegnejo ne samo z iskrenim zanimanjem za geografske in kulturne posebnosti ter značilnosti Slovenije, temveč še zlasti z raziskovalnimi dosežki, ki so se deloma uresničevali prav v stiku s slovenskimi deželami. Zbornik prispevkov tako kaže na unikatnost slovenskega položaja v svetovni znanstveni misli ter potrjuje vrednost nezamenljivosti slovenskega zgodovinskega prostora. Vse predstavljene tujce je namreč pritegnila prav izjemnost slovenske kulture, jezika in njene duhovnosti.
Die Frage der Wahrheit gehört zu den zentralen Problemen der Philosophie und der Kunst. Dieser Band nimmt eine häufige Kontrastierung kritisch in den Blick: Die Abgrenzung der ganzheitlichen Darstellung der Wirklichkeit und Wahrheit in der Kunst von abstrakten philosophischen Diskursen. Wirklichkeit des Daseins ist die Thematik menschlicher Existenz, die zur Frage nach Wahrheit aufrufen kann. Der Weg aus dem bedeutungsleeren philosophischen Wahrheitsbegriff führt daher über die Erkenntnis, dass Wahrheit als ein Wertbegriff des menschlichen Lebens und der menschlichen Gesellschaft zu verstehen ist. Goethe sieht in der Wahrheit den höchsten Wert für die Erkenntnis, den Glauben oder das Handeln. Im Begriff ›Wahrheit‹ dominiert ein ethischer Anspruch, der sich im geistigen Leben verabsolutiert und mit einer unverbindlichen Liebeserklärung endet. Der Wahrheitsanspruch eines Kunstwerkes in seinem in sich geschlossenen Ganzen sucht Innerlichkeit und Vision, die zur echten Wahrheit des Lebens helfen will.