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Respublika!: Experiments in the performance of participation and democracy
Publication following NeMe's project
Social Impact in Arts and Culture
Zdi se, da je »družbeni učinek« modna beseda zadnjega desetletja. Je pojem, ki prevladuje v pisanju umetniških in znanstvenih projektov, pa tudi v razmišljanju in govorjenju o umetnosti in znanosti. Vendar pa poleg načel merljivosti in predvidljivosti želenega učinka enostavno ni veliko virov, ki bi jasno pojasnili, za kaj pri tej ideji gre: Kakšno vrsto umetnosti in družbe ter odnosa med njima ta koncept pomeni? Motivacija za to knjigo je bila dinamika med družbenim učinkom, kot ga opredeljujejo financerji in kot ga razumejo ljudje, ki z njim živijo. Ta knjiga je torej skupno prizadevanje kustosinj, kritičark, esejistk in esejistov, umetnic, raziskovalk ter raziskovalcev. Nekateri med njimi razmišljajo o konceptu, drugi pišejo o lastni praksi, tretji pa razpravljajo o praktičnih primerih. Vsem pa je skupno vprašanje in razmislek, kaj pomeni družbeni učinek umetnosti in kako ga je mogoče doseči ter tudi problematizirati.
Mladina
None
Artist at Work, Proximity of Art and Capitalism
The main affirmation of artistic practice must today happen through thinking about the conditions and the status of the artist's work. Only then can it be revealed that what is a part of the speculations of capital is not art itself, but mostly artistic life. Artist at Work examines the recent changes in the labour of an artist and addresses them from the perspective of performance.
Radio Revolten
This book documents Radio Revolten, the international radio-art festival in Halle, Germany, which took place in October 2016 and featured an independent station, installations, live performances, conferences, workshops and public interventions.
Pesmi
None
Transmission Arts
Transmission Arts is the first book of its kind: heavily illustrated (150 images), it appeals to a growing interest in sound art, visual art, and performance crossovers.
Art for Every Home
"This book will provide the first comprehensive and critical overview of Associated American Artists (AAA), the commercial enterprise best known as the publisher of prints by Thomas Hart Benton, John Steuart Curry, and Grant Wood. It addresses not only AAA's storied involvement in the sale of American prints via mail-order catalogue, but also its ongoing promotion of American art in a range of mediums over six decades. Through aggressive marketing of studio prints, reproductions of art, ceramics and textiles, and associations with corporate advertisers, AAA sought to bring "original" American art over the threshold of every American home"--
