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Ghosts of New Orleans
Both anthologies are about New Orleans: the past and the present. This author has grown up in this city, and there is a certain timelessness about it - the past definitely influences the present. All the plays are permeated with the sensuousness, decadence and bewilderment of brave and driven people living in chaos, confusion, extreme pleasure and delight. I hope you get a taste of this rich jambalaya of life as you experience these plays. Volume Two contains historical plays, mostly Victorian, with characters driven by stratified society and tradition. Knowledge of New Orleans history made me want to adapt Uncle Vanya. I loved the play but felt its details were too Russian. I took the bones...
Goodnight, Irene
Comprehensive collection of Carol Lay's Irene strips from Good Girls comics (Fantagraphics), which originally appeared in 1980, including 23 pages which have never been published before. Irene is a satire of the women in romance comics who are constantly in a state of heartbreak and falling in love. However, Irene has a lip plate that constantly gets in her way.
Imperial Vancouver Island
"During the century 1850-1950 Vancouver Island attracted Imperial officers and other Imperials from India, the British Isles, and elsewhere in the Empire. Victoria was the main British port on the north-west Pacific Coast for forty years before the city of Vancouver was founded in 1886 to be the coastal terminus of the Canadian Pacific Railway. These two coastal cities were historically and geographically different. The Island joined Canada in 1871 and thirty-five years later the Royal Navy withdrew from Esquimalt, but Island communities did not lose their Imperial character until the 1950s."--P. [4] of cover.
The Lady in the Park
Anna Fisher lives in the exciting City of Atlanta, Georgia, where darkness not only brings out those who prey on others but the young, fearless, adventurous residents and visitors from all walks of society who party all night. Annas life exists in a very small section of the city where she works and lives. Her dreams are haunted by the man who fathered her child. A few afternoons a week, she sits alone on a bench in the park and allows herself to see her child playing there. The child calls Anna the sad lady in the park. To Anna, the little girl is my stolen child.
Drama for Real Life
Steven James presents sixteen scripts, for use by drama ministries in church or on campus, that give voice to the unvoiced anxieties and uncertainties of people coming of age in a complex world.
