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The question of boundaries - physical or political - has become fertile ground in the analysis of Chinese history and society. These essays cover the early decades of the Zhou dynasty to the early centuries after the Manchu conquest.
The essays in this volume dispel some of the myths concerning the Mongolians and other Inner Asian peoples. This remarkable volume edited by and dedicated to Morris Rossabi challenges the depictions of these mostly nomadic pastoral groups as barbaric plunderers and killers while not denying the destruction and loss of life they engendered. Several essays pioneer in consulting Mongolian and other Inner Asian rather than exclusively Chinese and Persian sources, offering new and different perspectives. Such research reveals the divisions among the Mongolians, which weakened them and led to the collapse of their Empire. Two essays dispel myths about modern Mongolia and reveal the country’s significance, even in an era of superpowers, two of which surround it. Contributors are: Christopher Atwood, Bettine Birge, Michael Brose, Pamela Crossley, Johan Elverskog, Jargalsaikhan Enkhsaikhan, Yuki Konagaya, James Millward, David Morgan, and David Robinson.
The late twentieth century has been marked by momentous political, economic, and social change throughout the Chinese world. Deeply rooted cultural assumptions and ancient visual traditions have been challenged by rapid modernization and conflicting global, ethnic, and local identities. Inside/Out: New Chinese Art was the first major international exhibition to explore the impact of these challenges on artists in the People's Republic of China, Hong Kong, Taiwan, and those of the 1980s Diaspora. The multifaceted exhibition and accompanying catalog encompass an extensive range of artistic forms, including installation, video, and performance art as well as more traditional media such as oils ...
From its first designation as temporary capital in 1138, the city of Hangzhou (then called Lin’an) was deemed representative of the diminished empire of the Song (960–1279), in all its contradictory aspects. The exquisite beauty of the city confirmed its destiny to become an imperial residence, but it also portended its fatal corruption. The wealth and ease of Hangzhou epitomized the vigor of the southern empire as well as its oblivious decadence. The city was paramount and feeble, aweinspiring and threatened, the most admired city in the civilized world and a disgrace to the dynastic founders. Rather than perpetuating the debate about the merit of these polemical judgments, the contribu...