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Central Collecting Point in Munich, The
A compelling exploration of the many issues surrounding the restoration and restitution of Nazi-stolen art at the end of World War II At the end of World War II, the US Office of Military Government for Germany and Bavaria, through its Monuments, Fine Arts, and Archives division, was responsible for the repatriation of most of the tens of thousands of artwork looted by the Nazis in the countries they had occupied. With the help of the US Army’s Monuments Men—the name given to a hand-picked group of art historians and museum professionals commissioned for this important duty—massive numbers of objects were retrieved from their wartime hiding places and inventoried for repatriation. Iris...
The Book of Citrus Fruits
Surreal citrus: When citrons, lemons and bitter oranges were the stuff of majesty and wonder Have you ever thought of citrus fruits as celestial bodies, angelically suspended in the sky? Perhaps not, butJ. C. Volkamer (1644-1720) did commissioning an extravagant and breathtaking series of large-sized copperplates representing citrons, lemons, and bitter oranges in surreal scenes of majesty and wonder. Ordering plants by post mostly from Italy, Germany, Northern Africa, and even the Cape of Good Hope, the Nuremberg merchant Volkamer was a devotee of the fragrant and exotic citrus at a time when the fruit were still largely unknown north of the Alps. His garden came to contain a wide variety o...
Antoine Watteau, 1684-1721
Best known for his fêtes galantes such as the famous Pelerinage a l'ile de Cythere, Antoine Watteau (1684-1721) was a major proponent in the revival of the Baroque style and the formation of the Rococo movement. This book features a chronological summary of the artist's life and work, covering the cultural and historical importance of the artist.
Der Central Collecting Point in München
Der größte Teil der aus vielen Ländern Europas stammenden nationalsozialistischen Raubkunst befand sich bei Kriegsende 1945 in Depots in der amerikanischen Besatzungszone. Die Sicherstellung und Rückführung dieser Kunstwerke sowie ausgelagerter deutscher Museumsbestände lag in Händen der 'Monuments, Fine Arts & Archives Section' der amerikanischen Militärregierung. Das reich bebilderte Buch behandelt die Geschichte der größten amerikanischen Kunstsammelstelle, des in den ehemaligen NSDAP-Gebäuden am Königsplatz in München eingerichteten Central Collecting Point. Ausländische Raubkunst wurde hauptsächlich von hier aus restituiert. Im Mittelpunkt stehen Standort, Einrichtung, Mitarbeiter und Arbeit der Institution in den Jahren 1945 bis 1949. Einzelne Restitutionsvorgänge werden exemplarisch untersucht. Die Geschichte des aus dem Collecting Point hervorgegangenen Zentralinstituts für Kunstgeschichte und die Ausstellungspolitik des Amerika-Hauses werden im Rahmen der 'Re-Education' und des Wiederaufbaus der Münchner und westdeutschen Kunst- und Kulturszene nach 1945 beleuchtet.
The Oxford Handbook of the Baroque
This handbook is currently in development, with individual articles publishing online in advance of print publication. At this time, we cannot add information about unpublished articles in this handbook, however the table of contents will continue to grow as additional articles pass through the review process and are added to the site. Please note that the online publication date for this handbook is the date that the first article in the title was published online.
Getty Research Journal, No. 11
The Getty Research Journal features the work of art historians, museum curators, and conservators from around the world as part of the Getty’s mission to promote the presentation, conservation, and interpretation of the world’s artistic legacy. Articles present original scholarship related to the Getty’s collections, initiatives, and research. This issue features essays on the culture of display in eighteenth-century Venetian palaces, the influence of prehistoric cave paintings on American abstract artists, the life and writings of Pauline Gibling Schindler, an unrealized project by Sam Francis and Walter Hopps for a contemporary art venue in 1960s Los Angeles, Harald Szeemann’s earl...
The Italian Garden
Italian gardens vary widely according to their historical date and geographic location. This collection approaches Italian gardens of all periods, from the middle ages to modern times, and it ranges widely throughout the peninsula, from Genoa to Sicily, the Veneto to Liguria, and Ferrara to Florence. The authors are a distinguished group of Italian, American, English and German scholars, with different backgrounds in art history, literature, architecture, planning, and cultural history. The explorations of the subject from these different perspectives illuminate not only their own disciplines, but are concerned to make many fresh connections between garden art and the politics of nationalism, between the art of gardens and urban infrastructure, between cultural movements like freemasonry and site planning, between design and planting materials. The book offers therefore a narrative of the garden by selecting ten high points of its history, which are introduced with a consideration by the volume editor of the fresh challenges to contemporary Italian garden history.
Gardens, Knowledge and the Sciences in the Early Modern Period
This volume focuses on the outstanding contributions made by botany and the mathematical sciences to the genesis and development of early modern garden art and garden culture. The many facets of the mathematical sciences and botany point to the increasingly “scientific” approach that was being adopted in and applied to garden art and garden culture in the early modern period. This development was deeply embedded in the philosophical, religious, political, cultural and social contexts, running parallel to the beginning of processes of scientization so characteristic for modern European history. This volume strikingly shows how these various developments are intertwined in gardens for various purposes.
The NSDAP Centre in Munich
The headquarters of the NSDAP on Königsplatz in Munich was the first large-scale building project of the National Socialists in Germany. The monumental forum was completed in 1937 and the classicist square was an ideal venue for National Socialist parades.
Hitler's Berlin
A leading expert on the 20th-century history of Berlin, employing new and little-known German sources to track Hitler's attitudes and plans for the city, presents a fascinating new account of Hitler's relationship with Berlin, a place filled with grandiose architecture and imperial ideals, which he used as a platform for his political agenda.
